Sentences with phrase «soft colours form»

Not exact matches

No Churn Coffee Ice Cream Ingredients 300ml / 10fl oz double cream 175g / 6oz condensed milk 2 tbsp instant espresso powder 2 tbsp espresso liqueur (or coffee liqueur)(I use Tia Maria) Preparation method Whisk all the ingredients together until soft peaks form, and you have a gorgeous, caffè - latte - coloured airy mixture, and then fill an airtight container and freeze for six hours or overnight.

* Form follows function: distinctive centre air intake and vertical grilles feed larger volume of air (+ 10 %) to turbocharger intercoolers while bonnet vents extract hot air from engine bay * Subtly curved rear wheel arches with newly tooled side panels accommodate increased rear track of the uprated chassis and provide muscular stance * Distinctive «smoked steel finish» to all exterior «brightware», including the first automotive application of «Physical Vapour Deposition'to stainless steel * Larger, twin elliptical exhaust tailpipes and rear valance with discreet vertical divider * 2 new pearlescent and 2 new matt finish colours * Unique driver - focused, two - seater cabin with lightweight sports seats, giving a 45 kg (99 lb) weight saving * Rear seats replaced by stowage deck with carbon fibre luggage retaining beam * AlcantaraTM, carbon fibre and «Soft Touch» leather provide a very different interpretation of Bentley craftsmanship with choice of Single Tone and Duo Tone combinations

One wants to understand what she is saying with organic and geometric forms, soft and bold colours, letters and numbers, but the keys seems just out of reach.

Referencing organic shapes, his oil and acrylic paintings on canvas and paper expertly utilize the single gesture to represent an entire form, delicately balancing soft effusions of colour against the frenetic energy of the mark.

Once homely in their soft powder colours, they now form a wall of defence guarded by a battalion of small cutout wooden figures.

As Yvonne Scott (again, no relation) explained in a catalogue essay for a 2002 exhibition at the Hugh Lane Gallery, Dublin, these pictures «provided a distinctive form and restrained colour range in contrast to the soft - focus, more colourful works which had preceded.

Their work espouses affective colour and soft forms in evocative ways, and inspires visceral responses from the viewer.

«The identity presents a combination of extremes, from soft pastel colours and minimal type, to a series of complex illustrations formed from the mash up of various visual assets, and vigorous hand - made brushstrokes, textures of varied surfaces, to fragments of photographs taken of day to day life in São Paulo — all pieced together into a subjective graphic synthesis of the city.»

I use colours and cut shapes to form living things, angular plants, soft buildings and new natural phenomena.

Woods created the print using a Stone Paste Tusche wash, which is a form of grease diluted with water creating softer edges to the colour.

The purple heart shape of the title takes up nearly half of the canvas, and around it smaller, colour / forms harmonize, mediating, for me, a set of binary oppositions like hard and soft, head and heart, colour and line, form and content, object and image, words and music.

Using a dry brush to scuffle lightly across the surface of the works, the result is ambient and smokey, with shapes remaining soft and indistinct, but with depths of colour and shade existing within each form.