Sentences with phrase «sound mixing visual»

«The Dark Knight,» a Cape Road Limited Production (Warner Bros.)(8 nominations) Heath Ledger - Performance by an actor in a supporting role Art direction Cinematography Film editing Makeup Sound editing Sound mixing Visual effects

«The Curious Case of Benjamin Button,» a Kennedy / Marshall Production (Paramount and Warner Bros.)(13 nominations) Brad Pitt - Performance by an actor in a leading role Taraji P. Henson - Performance by an actress in a supporting role Art direction Cinematography Costume design Directing Film editing Makeup Original score Best picture Sound mixing Visual effects Adapted screenplay

Drama Series Direction Writing Evan Rachel Wood Thandie Newton Jeffrey Wright Editing Cinematography Costumes Art Direction Make - up Sound Editing Sound Mixing Visual Effects

Not exact matches

Won: Best cinematography, best director, best film editing, best original score, best sound editing, best sound mixing, best visual effects

The unusually large list of first - time governors includes directors Condon and Cholodenko, cinematographer Spinotti, executive Dick Cook, visual effects technician John Knoll and sound mixer Scott Millan.

Best Picture: «The Shape of Water» Lead Actor: Gary Oldman, «Darkest Hour» Lead Actress: Frances McDormand, «Three Billboards Outside Ebbing, Missouri» Supporting Actor: Sam Rockwell, «Three Billboards Outside Ebbing, Missouri» Supporting Actress: Allison Janney, «I, Tonya» Director: «The Shape of Water,» Guillermo del Toro Animated Feature: «Loving Vincent,» Animated Short: «Revolting Rhymes» Adapted Screenplay: «The Disaster Artist» Original Screenplay: «The Big Sick» Cinematography: «Blade Runner 2049» Roger Deakins Best Documentary Feature: «Last Men in Aleppo» Best Documentary Short Subject: «Traffic Stop» Best Live Action Short Film: «The Silent Child» Best Foreign Language Film: «The Insult» (Lebanon) Film Editing: «Baby Driver» Sound Editing: «Dunkirk» Sound Mixing: «Dunkirk» Production Design: «The Shape of Water» Original Score: «Star Wars: The Last Jedi Original Song: «This Is Me» from «The Greatest Showman» Makeup and Hair: «Darkest Hour» Costume Design: «Phantom Thread» Visual Effects: «Star Wars: The Last Jedi»

Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.

Mixes stylish visuals and interactive sounds with the all - important addictive quality that a puzzler needs.

Camera (color, widescreen, HD), Bobby Bukowski; music, Anthony Partos, Matteo Zingales; music supervisor, Michael Hill; production designer, Alex DiGerlando; art director, Christina Kim; set decorator, Monique Champagne; costume designer, Meghan Kasperlik; sound (Dolby Digital), Micah Bloomberg; supervising sound editor, Odin Benitez; re-recording mixer, Mark Mangini; visual effects supervisor, Tarn Fox; stunt coordinators, Kevin Beard, Danny Cosmo; assistant director, Thomas Deckaj; casting, Douglas Aibel, Tracy Kilpatrick.

Expertly mixing its story, sound and visual aesthetics into a solid experience that'll draw you in and keep you engrossed for hours.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cvisual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cvisual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie CVisual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Camera (color, HD), Daniel Grant, Amar Ahrab; editor, Eamonn O'Connor; music, Phil Strong; sound, Jason Milligan, Dominique Kerboeuf; sound designer / supervising sound editor, Strong; re-recording mixers, Daniel Pellerin, Christopher Guglick; animation / visual effects, Mark Alberts.

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Visual Effects, Sound Editing and Sound Mixing?

Picture — The Social Network Director — David Fincher Actor — Colin Firth Actress — Natalie Portman Supporting Actor — Christian Bale Supporting Actress — Amy Adams Adapted Screenplay — The Social Network Original Screenplay — The Kids Are All Right Animated Feature Film — Toy Story 3 Art Direction — Inception Cinematography — True Grit Costume Design — Alice in Wonderland Film Editing — The Social Network Original Score — The King's Speech Original Song — Tangled Sound Mixing — Black Swan Sound Editing — Inception Makeup — Alice in Wonderland Visual Effects — Inception

Best Sound Editing (TBD) Best Sound Mixing (TBD) Best Visual Effects (TBD)

Actress — Hailee Steinfield Adapted Screenplay — The Social Network Original Screenplay — Inception Animated Feature Film — Toy Story 3 Foreign Language Film — Biutiful Documentary Feature Film — Exit Through the Gift Show Art Direction — Inception Cinematography — Inception Costume Design — Alice in Wonderland Film Editing — Inception Make Up — The Wolfman Original Score — The Social Network Original Song — «I See the Light» Tangled Sound Editing — Inception Sound Mixing — Inception Visual Effects — Inception

Best Picture Birdman Best Actor Eddie Redmayne in The Theory of Everything Best Supporting Actor J.K. Simmons in Whiplash Best Actress Julianne Moore in Still Alice Best Supporting Actress Patricia Arquette in Boyhood Best Animated Feature Big Hero 6 Best Adapted Screenplay The Imitation Game Best Original Screenplay Birdman Best Cinematography Birdman Best Costume Design The Grand Budapest Hotel Best Director Birdman, Alejandro G. Iñárritu Best Documentary Feature Citizenfour Best Documentary Short Subject «Crisis Hotline: Veterans Press 1» Best Film Editing Whiplash Best Foreign Language Film Ida, Poland Best Makeup and Hairstyling The Grand Budapest Hotel Best Original Score The Grand Budapest Hotel, Alexandre Desplat Best Original Song «Glory» from Selma Best Production Design The Grand Budapest Hotel Best Animated Short Film «Feast» Best Live Action Short Film «The Phone Call» Best Sound Editing American Sniper Best Sound Mixing Whiplash Best Visual Effects Interstellar

Best Sound Mixing «Baby Driver» «Blade Runner 2049» «Dunkirk» «The Shape of Water» «Star Wars: The Last Jedi» Best Visual Effects «Blade Runner 2049» «Guardians of the Galaxy: Vol 2» «Kong: Skull Island» «Star Wars: The Last Jedi» «War for the Planet of the Apes»

Picture: The Hurt Locker Directing: Kathryn Bigelow, The Hurt Locker Actor: Jeff Bridges, Crazy Heart Actress: Sandra Bullock, The Blind Side Actor in a Supporting Role: Christoph Waltz, Inglourious Basterds Actress in a Supporting Role: Mo'Nique, Precious: Based on the Novel Push by Sapphire Original Screenplay: Inglourious Basterds Adapted Screenplay: Up in the Air Foreign Language Film: The Secret in Their Eyes Documentary Feature: The Cove Animated Feature Film: Up Documentary Short: China's Unnatural Disaster: The Tears of Sichuan Province Animated Short: A Matter of Loaf and Death Live Action Short: Instead of Abracadabra Film Editing: The Hurt Locker Art Direction: Sherlock Holmes Cinematography: The Hurt Locker Costume Design: The Young Victoria Makeup: Star Trek Score: Up Song: «The Weary Kind,» Crazy Heart Sound Editing: Avatar Sound Mixing: Avatar Visual Effects: Avatar

Best Editing — The Social Network Best Cinematography — True Grit Best Art Direction — The King's Speech Best Costume Design — Alice in Wonderland Best Makeup — The Wolfman Best Visual Effects — Inception Best Sound Editing — Inception Best Sound Mixing — Inception Best Music (Original Score)-- Inception Best Music (Original Song)-- Shine — Waiting for Superman

Five Oscar nominations, for Best Visual Effects, Sound Editing, Sound Mixing, Production Design and Cinematography.

Actress — Amy Adams Best Original Screenplay — The King's Speech Best Adapted Screenplay — The Social Network Best Animated Feature — Toy Story 3 Best Editing — The Social Network Best Cinematography — True Grit Best Art Direction — True Grit Best Costume Design — Alice In Wonderland Best Makeup — Alice in Wonderland Best Visual Effects — Tron Legacy Best Sound Editing — Inception Best Sound Mixing — Inception Best Original Score — Inception Best Original Song — Waiting For Superman Best Documentary — Waiting For Superman

It is easy to presume, at this point, repeat nominations for Art Direction, Cinematography, Sound Editing, Sound Mixing, Visual Effects, and Editing.

Best Art Direction: «Alice in Wonderland» Best Cinematography: «True Grit» Best Costume Design: «Alice in Wonderland» Best Film Editing: «The Social Network» Best Makeup: «Alice in Wonderland» Best Music (Original Score): «Inception» Best Music (Original Song): «Waiting for Superman» Best Sound Editing: «Inception» Best Sound Mixing: «Inception» Best Visual Effects: «Inception» Best Documentary Feature: «Inside Job» Best Animated Feature Film: «Toy Story 3» Best Foreign Language Film: «Life, Above All»

Guarantees: Production Design, Costume Design Probables: Picture, Actress (Sally Hawkins), Original Screenplay, Original Score, Cinematography, Visual Effects Potentials: Director, Supporting Actress (Octavia Spencer), Supporting Actor (Richard Jenkins, Michael Shannon, Michael Stuhlbarg), Film Editing, Sound Mixing, Sound Editing

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.

Probables: Visual Effects Potentials: Original Score, Production Design, Sound Mixing, Sound Editing

Oscar nominations: Best Sound Editing, Best Sound Mixing, Best Original Score, Best Visual Effects Where to see it right now: In theaters (watch the trailer)

Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume designer, Martin; sound (Dolby Digital / Datasat / SDDS), Guntis Sics; sound designer / supervising sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual effects supervisor, Chris Godfrey; visual effects producer, Joyce Cox; visual effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.

David Lazan; set decorator, Leslie E. Rollins; set designers, Amy Heinz - Barnett, Sarah Contant, Jeremy Woodward; costume designer, David Robinson; sound (Datasat / Dolby Digital), Tom Williams; sound designer, David Esparza; supervising sound editor, Mandell Winter; re-recording mixers, Steve Pederson, Daniel J. Leahy; visual effects supervisor, Sean Devereaux; visual effects, Zero VFX; stunt coordinators, Keith Woulard, Lin Oeding; associate producer, Kat Samick; assistant director, Philip A. Patterson; casting, Mary Vernieu, Lindsay Graham.

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

Film: Blade Runner 2049 Director: Denis Villeneuve Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Robin Wright, Dave Bautista Oscar Nominations (5): Best Cinematography, Best Visual Effects, Best Sound Mixing, Best Production Design, Best Sound Editing Where to Stream: Available for purchase on YouTube and Google Play

At the 2012 Oscars, «Hugo» was awarded five Academy Awards for Best Cinematography, Best Art Direction, Best Visual Effects, Best Sound Editing and Best Sound Mixing.

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In the course of his research, Lipman finds unexpected visual and thematic rhymes between past and present, cutting together archival clips and present - day interviews with a musician's sense of rhythm, often letting his voiceover narration drop out of the mix as the images and sounds tell their own story.

Nonetheless, they will have lots to go on in the technical categories and hopefully repeat the «Gravity,» campaign and sweep the below - the - line categories including Cinematography, Sound Mixing, Sound Editing, and Visual Effects with Nolan's picture.

Best Picture Will Win: The Artist Deserves to Win: The Artist Overlooked: Bridesmaids Best Director Will Win: Michel Hazanavicius (The Artist) Deserves to Win: Michel Hazanavicius (The Artist) Overlooked: David Fincher (The Girl with the Dragon Tattoo) Best Actor Will Win: George Clooney (The Descendants) Deserves to Win: Jean Dujardin (The Artist) Overlooked: Ryan Gosling (Drive) Best Actress Will Win: Meryl Streep (The Iron Lady) Deserves to Win: Viola Davis (The Help) Overlooked: Kristen Wiig (Bridesmaids) Best Supporting Actor Will Win: Christopher Plummer (Beginners) Deserves to Win: Max von Sydow (Tinker Tailor Soldier Spy) Overlooked: Albert Brooks (Drive) Best Supporting Actress Will Win: Octavia Spencer (The Help) Deserves to Win: Melissa McCarthy (Bridesmaids) Overlooked: Carey Mulligan (Drive) Best Original Screenplay: Will Win: Woody Allen (Midnight in Paris) Deserves to Win: Kristen Wiig and Annie Mumolo (Bridesmaids) Overlooked: Lars von Trier (Melancholia) Best Adapted Screenplay: Will Win: Alexander Payne, Nat Faxon and Jim Rash (The Descendants) Deserves to Win: Steve Zaillian, Aaron Sorkin and Stan Chervin (Moneyball) Overlooked: Tate Tatlor and Kathryn Stockett (The Help) Predictions for Secondary Categories Animated Feature: Rango Art Direction: Hugo Foreign Language Film: A Separation Cinematography: The Tree of Life Costume Design: The Artist Documentary Feature: Paradise Lost 3: Purgatory Film Editing: The Artist Makeup: The Iron Lady Original Score: The Artist Original Song: «Man or Muppet» (The Muppets) Sound Editing: Hugo Sound Mixing: Hugo Visual Effects: Rise of the Planet of the Apes

Picture: Birdman Director: Alejandro González Iñárritu, Birdman Actor: Eddie Redmayne, The Theory of Everything Actress: Julianne Moore, Still Alice Supporting Actor: J.K. Simmons, Whiplash Supporting Actress: Patricia Arquette, Boyhood Original Screenplay: The Grand Budapest Hotel Adapted Screenplay: Whiplash Foreign Language: Ida Documentary Feature: Virunga Animated Feature Film: How to Train Your Dragon 2 Documentary Short: Our Curse Animated Short: The Dam Keeper Live Action Short: The Phone Call Film Editing: Whiplash Production Design: The Grand Budapest Hotel Cinematography: Birdman Costume Design: The Grand Budapest Hotel Makeup and Hairstyling: The Grand Budapest Hotel Score: The Theory of Everything Song: «Glory,» Selma Sound Editing: American Sniper Sound Mixing: Whiplash Visual Effects: Interstellar

This segment included the cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing and visual effects nominations.

Interestingly enough, the film likely stands a chance in some of the below - the - line categories like Cinematography, Sound Mixing, and probably Visual Effects.

The nominations will begin with the categories cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing, and visual effects.

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

Pictures Premiere history: Aug. 28, 2013 Venice Film Festival; Oct. 4, 2013 (United States) Other awards won: British Academy Film Awards (BAFTA) Outstanding British Film, Best Director, Best Cinematography; Critics» Choice Awards Best Director, Best Sci - Fi / Horror Movie; Golden Globe Best Director Other Oscar nominations: Best Picture, Best Actress (Sandra Bullock), Best Cinematography (won), Best Production Design, Best Film Editing (won), Best Original Score (won), Best Sound Editing (won), Best Sound Mixing (won), Best Visual Effects (won)

Moderated by Tim Gray, the honorees were Paul D. Austerberry, production design, The Shape of Water; Mark Bridges, costume design, Phantom Thread; Alexandre Desplat, music score, The Shape of Water; Morrison, cinematography, Mudbound; John Nelson, visual effects, Blade Runner 2049; Tatiana Riegel, editor, I, Tonya; Julian Slater, sound mixing, Baby Driver; Arjen Tuiten, makeup, Wonder; and Matthew Wood, sound editing, Star Wars: The Last Jedi.

Ang Lee, «Life of Pi» Year: 2012 Cast: Suraj Sharma, Irrfan Khan, Tabu, Adil Hussain, Rafe Spall, Gérard Depardieu Distributor: 20th Century Fox Premiere history: Sept. 28, 2012 New York Film Festival; wide release Nov. 21, 2012 Other awards won: British Academy Film Awards (BAFTA) Best Cinematography, Special Visual Effects; Golden Globe Award for Best Original Score Other Oscar nominations: Best Picture, Best Adapted Screenplay, Best Cinematography (won), Best Production Design, Best Film Editing, Best Sound Editing, Best Sound Mixing, Best Visual Effects (won), Best Original Score (won), Best Original Song

The upcoming fan uproar for all things «Star Wars: The Force Awakens» — You won't see me in the picket line, but just sit back and watch the populist hatred grow today and this month for «Star Wars: The Force Awakens» getting ONLY five nominations (Sound Editing, Sound Mixing, Original Score, Film Editing, and Visual Effects) and no nod for Best Picture.