Sentences with phrase «south gallery room»
A session for WTM exhibitors and visitors takes place on Tuesday November 6th at 14:00, South Gallery Room 25 and 26.
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Facilities include individually decorated rooms, 10 one and two bedroom self contained apartments, interconnecting rooms, fully air conditioned rooms, cable television, in - house laundry facilities, saltwater lap pool, secure undercover parking, Mediterranean restaurant, conference facility, entertainment and gymnasium close by, within walking distance to «The Gabba», minutes from the heart of the city, ferry link to the central business district, South Bank, Art Gallery, State Library, Museum and The Convention Centre.
In the South Gallery, which receives the most natural light of any of the four rooms, a collection of glass bottles, Wet Traps (2018), are cut to varying heights, so they seem to bob up and down on the gallery's woodenGallery, which receives the most natural light of any of the four rooms, a collection of glass bottles, Wet Traps (2018), are cut to varying heights, so they seem to bob up and down on the gallery's woodengallery's wooden floor.
Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.
Her work has been exhibited throughout the United States and internationally at venues including The Studio Museum in Harlem (where she was Artist in Residence 2014 - 15), the California African American Museum, the Oakland Museum of California, The Mistake Room, and Goodman Gallery in Johannesburg, South Africa.
Mira Gojak's work is held in the collections of the National Gallery of Victoria, Art Gallery of South Australia, Artbank, as well as the Monash University Collection, and she is represented by Murray White Room, Melbourne.
South London Gallery Sat 28 Oct Take part in an interactive escape room, explre ways to play with giant tyres, mirrors and props and enjoy performances in the artist designed garden.
Category: Art Walks, Featured, SoHo · Tags: 112 Workshop, art history, art nerd, art walk, broken kilometer, DIA foundation, Earth Room, FOOD cafe, Leo Castelli, new york, Seedbed, Soho, Sonnabend Gallery, south of houston, Vito Acconci, Walter De Maria
Welhouse occupied the Ballroom's south gallery space, playing records and talking about music in a truer - than - life living room, complete with sofa, comfy chairs, stereo, and a sizeable record collection.
Selected recent and upcoming exhibitions include The Waiting Room, New Museum, New York; Greater New York 2015, MoMA / PS1, Long Island City, New York; The Free People's Medical Clinic, Creative Time, New York; I ran to the rock to hide my face the rock cried out no hiding place, Kansas City Art Institute; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (traveled to The Studio Museum in Harlem, Grey Art Gallery at NYU, and Walker Art Center); Gone South, Atlanta Contemporary Art Center; and You Don't Know Where Her Mouth Has Been, The Kitchen, New York.
Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.
Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing
SOLO EXHIBITIONS 2017 In One Breath, Halcyon Gallery, London 2016 In One Breath, Espronceda Center for Art & Culture, Barcelona, Spain 2016 Multiplied, Halcyon Gallery, London 2015 Alienation Peace, Ambacher Contemporary, Munich, Germany 2015 Overlapping View, Halcyon Gallery, London 2014 Turneresque, Halcyon Gallery, London 2014 An American Trilogy, Halcyon Gallery, London 2014 The New Arrivals, Ambacher Contemporary, Munich, Germany 2013 Obscure Truth, Patrick Davies Contemporary Art, London 2012 Luxury Decadence, Ambacher Contemporary, Munich 2012 Another Day at the office, Ambacher Contemporary, Munich 2010 South Pacific 1966, Two Windows Project, Berlin 2010 Milk, Two Sugars Please, Film House, Edinburgh 2009 La Conejera, Project room, Merry Karnowsky Gallery, Berlin 2009 Dark Reflections, Studio Art Gallery, Edinburgh 2008 Solo Exhibition, Studio Art Gallery, Edinburgh
Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.
The live screening event takes place at The Screening Room in Wynwood, a gallery and project space founded by Rhonda Mitrani that is one of the only places in South Florida dedicated to film / video - based contemporary art.
Mary's exhibitions have included galleries in Michigan City, IN (Southern Shore Art Association); Chicago, IL (Pop - up Exhibition / THE Cre.ae.tive ROOM); (Under The Bridge Studio / Gallery); (South - Side Community Art Center); Glen Echo, MD (Glen Echo Gallery); and Washington, DC (Mary McCloud Bethune Museum).
Avant - gardes in Contemporary Art, Museum of Modern and Contemporary Art and Aubette 1928, Strasbourg, France Looks Good on Paper, Singapore Tyler Print Institute, Singapore The Grand Balcony, La Biennale de Montreal, Montreal, Canada Ad Intérieurs, à l'Univers des collectionneurs, La Monnaie de Paris, Paris, France Das Loch, Künstlerhaus Bremen, Bremen, Germany Exquisite Corpse, Galerie Chantal Crousel at The Mistake Room, Los Angeles, USA Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, The Cáceres Visual Arts Centre, Helga de Alvear Foundation, Cáceres, Spain Presently, neugerriemschneider, Berlin, Germany Daily Formalism, Mabsociety, Shanghai, China Yoko Ono: LUMIÈRE DE L'AUBE, The Museum of Contemporary Art Lyon, Lyon, France gerlach en koop, Bonnefantenmuseum Maastricht, Maastricht, Netherlands MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, BC Canada kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco, USA
Her work has been shown at Mars Gallery, Siemens Art, Borusan Music House, Manzara Perspektif Art Gallery, Harfiyat, Moda Project Room in Istanbul and in exhibitions and video festivals in France, Germany, Bulgaria and South Korea.
The Los Angeles Project, Ullens Center of Contemporary Art, Beijing, China Taipei Biennial 2014, Taipei Fine Arts Museum, Taipei, Taiwan (ROC) The 10th Gwangju Biennale: Burning Down the House, Gwangju, South Korea The Anne and Wolfgang Titze Collection, Winter Palace and 21er Haus, Vienna, Austria Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections, The McKinney Avenue Contemporary, Dallas, TX, United States 2014 Whitney Biennial, Whitney Museum of American Art, New York, NY, United States Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst Regional Art Gallery, Bathurst, Australia
On the living room's south side, the space opens into the exhibition galleries.
2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!
Odiseado Tra Tempo, Peter Kilchmann Gallery, Zurich Offside, Dublin City Gallery The Hugh Lane, Dublin Summer Daze, South London Gallery, London Centrifuge: For Spirit and Ritual, The Drawing Room, London Jaybird, Zero, Milan The Hardest Thing to Draw is a Kiss, The Gallery at Wimbledon School of Art, Wimbledon (cat.)
1999 States of Emergency, Vienna Secession, Vienna, Austria (catalogue) Heart of Darkness, South African National Gallery, Cape Town, South Africa Stephen Friedman Gallery, London, England Project Rooms, Arco, Madrid, Spain
Recent exhibitions include: And The Horizon Was Dying Over The Tourist, 2017, Republic Gallery London, I left Enough Room For Dancing, 2017, Seongbuk Art Commons, International Artists Residency Program, The National Museum of Modern and Contemporary Art Korea, 2017, Between You, Me and The Green, 2017, Hyangsadang Jeju, UCLG Culture Summit South Korea, The Place In The End, 2017, TAF - The Art Foundation, Athens, Ceramic Arts London, April 2017, Ace Hotel, London.
2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT
As a result of a period of research during ICI's residency at the South London Gallery (SLG) early this Fall, two ICI exhibitions — FAX and Project 35 — were presented alongside a reading room that included issues of ICI's international journal, DISPATCH, as well as the Martha Wilson Sourcebook.
Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015
Screens are used to create rooms within rooms, galleries within galleries, sometimes to reframe the surrounding art, as in the South African National Gallery for the Johannesburg Biennale, sometimes to provide a private viewing space for visitors who might be drawn in to an intimate engagement with his re-written Tintin cartoons, say - or even, on occasion, prevented from entering the enclosure altogether.
2018 Songs for Sabotage, 4th New Museum Triennial, New Museum, New York, USA 2018 Tell Freedom, «Return of the Amsevoort», Kunstal KADE, Netherlands 2018 Of Sovereignty and Safety, curated by Daniel Rautenbach, Goodman Gallery Video Room, Cape Town, South Africa
Recent solo exhibitions include Stranger, Hauser & Wirth, Somerset, England (2017); Hail We Now Sing Joy, Kemper Museum of Contemporary Art, Kansas City, MO (2017); Fly Away, Hauser & Wirth, New York, NY (2016); Within Our Gates, Garage Museum of Contemporary Art, Moscow, Russia (2016); Blocks, High Line Art, New York, NY (2015); Anxious Men, The Drawing Center, New York, NY (2015); Three Rooms, Kunsthalle Winterthur, Winterthur, Switzerland (2015); Magic Numbers, George Economou Collection, Athens, Greece (2014); New Growth, Museum of Contemporary Art, Denver, CO (2014); The Gathering, Hauser & Wirth, Zurich, Switzerland (2013); New Growth, Ballroom Marfa, Marfa, TX (2013); Shelter, South London Gallery, London, England (2012); Rumble, Hauser & Wirth, New York, NY (2012), and the major touring exhibition Message to Our Folks, which opened at the Museum of Contemporary Art, Chicago, IL (2012) and travelled to Miami Art Museum, Miami, FL (2012); High Museum of Art, Atlanta, GA (2012); and Kemper Art Museum, St. Louis, MO (2013).
2017 Aesthetica Art Exhibition, York Art Gallery, York, UK 2016 Grand Instant Fiction, Umakart Gallery, Brno, CZ Seasteading, CICA Museum, Gyeonggi - do, South Korea PARA, Anderson Gallery, Richmond, VA 2015 Thought to Process, Depot Gallery, Richmond, VA EMERGE / EMERGED, Page Bond Gallery, Richmond, VA VCU Candidacy exhibition, 2601 Maury st, Richmond, VA Southern Hospitality, University of Georgia, GA 2014 Housewarming, FAB Gallery, Richmond, VA 2013 Poetry Will Be Made by All, LUMA / 89plus, Zurich, CH 2013 Vermont Studio Center group exhibition, Johnson, VT 2013 Catlin Gabel Emerging Artists Exhibition, Portland, OR 2013 Six Eyes in the Red Room, In Flux Gallery, Portland, OR 2013 BFA Thesis Exhibition, Pacific Northwest College of Art, Portland, OR
Residencies include Drawing Room, London (2017), Palazzo Pisani a Santa Marina, Venice (2017), The International Curators Forum, in partnership with University of the Arts London (2016 - 2018), James Hockey Gallery, UK (2015), The Bag Trust, Johannesburg, South Africa (2008), and Witwatersrand University, Johannesburg, South Africa (2006).
Filed under Art Walks, Featured, SoHo · Tagged with 112 Workshop, art history, art nerd, art walk, broken kilometer, DIA foundation, Earth Room, FOOD cafe, Leo Castelli, new york, Seedbed, Soho, Sonnabend Gallery, south of houston, Vito Acconci, Walter De Maria
2015 Inverted Birth, James Cohan Gallery, New York, US Moving Stilness (Mt. Rainer), 1979, Blain Southern, London, UK The Talking Drum, The Vinyl Factory Space at Brewer Street Car Park, London, UK Bill Viola, Yorkshire Sculpture Park, West Yorkshire, UK Artists Room on Tour: Bill Viola, The Wilson, Cheltenham, UK Four works for St. Peter's Chapel, Auckland Castle, Bishop Auckland, UK Kukje Gallery, Seoul, SK Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide, AU
Self portrait — Submerged, San Piero Scheraggio, Uffizi, Florence, IT Bill Viola: The Encounter, Galleria Civica D'Artemoderna e Contemporanea (GAM), Turin, IT Resonance: Audible Silence in Portraiture, Fine Arts Center Gallery, University of Arkansas, Fayetteville, US Bill Viola: Early Video Works 1979 - 1986, National Museum of Art, Osaka, JP Artist Rooms: Bill Viola, Wednesbury Museum & Art Gallery, Wednesbury, UK Bill Viola: Point of Departure, Parque de La Memoria, Buenos Aires, AR Bill Viola: The Return, Art Gallery of South Australia, Adelaide, AU The Chapel of Frustrated Actions and Futile Gestures, Blain Southern London, UK Bill Viola: Three Women, Puertas de Castilla, Murcia, ES
Recent solo exhibitions include Anxious Men, The Drawing Center, New York, USA (2015); Magic Numbers, The George Economou Collection, Athens, Greece (2014); Three Rooms, Kunsthalle Winterthur, Switzerland (2014); New Growth, Ballroom Marfa, Texas, USA, and touring (2013); Shelter, South London Gallery, UK (2012); and Message to Our Folks, MCA Chicago, Illinois, USA, and touring (2012).
Artist Talk: Matilda Aslizadeh Monday, January 10, 2011, 7 pm Emily Carr University of Art & Design, Room 301 (South Building, lecture hall) Co-sponsored by ECUAD and the SFU Gallery
Entering Room 1 of the South Gallery you spot Marcel Duchamp's hand - coloured collotype of his painting Nude Descending a Staircase, 1912, a large Patrick Caulfield and a Gillian Carnegie still life sharing the opposite wall, underscoring Schwabsky's point that «detached from the model, painting can proceed from image to image».
For her South London Gallery exhibition she creates a mesmerising installation in which vast quantities of coloured yarn span and criss - cross the room to create supergraphics spelling out words that can only be deciphered by navigating the space.
SELECT EXHIBITIONS — SOLO (S) GROUP (G) 2015 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Ian Hughes Paintings 532 Gallery Thomas Jaeckel New York, NY 2013 Ten Artists Adelson Galleries Boston, MA 2012 Untitled Art Fair, South Beach, 532 Gallery Thomas Jaeckel, New York (S) 2012 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2012 Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2012 Art Wynwood, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2011 Aqua Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2010 Inside Out, Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2010 Aqua, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2009 Paper in the Wind, curated by David Gibson, 532 Gallery Thomas Jaeckel, New York, NY (G) 2003 New Works on Paper, Victoria Munroe Fine Art, Boston, MA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY Watercolor: In the Abstract, conceived by Melissa Meyers, curated by Pamela Auchincloss and Alex Muse 2002 Michael C Rockefeller Arts Center Gallery, SUNY College, Fredonia, NY (G) 2002 Butler Institute of America, Youngstown, OH (G) 2002 Ben Shahn Gallery, William Patterson University, Wayne, NJ (G) 2002 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL (G) 2001 Hyde Collection Art Museum, Glens Falls, N.Y. (G) Nina Freudenheim Gallery, Buffalo, NY 1999 Surfing the Surface, DFN Gallery, New York, NY 1998 Abstraction in Process, Artists Space, New York, NY; (G) curated by Irving Sandler and Claudia Gould 1991 White Room: Paintings, White Columns Gallery, New York, NY 1991, White Columns Gallery, New York, NY 1990 Hall Walls, Albright Knox Museum, Buffalo, NY 1989 Climate «89, Condeso / Lawler Gallery, New York, NY 1988 Drawings, Massachusetts College of Art, Boston, MA 1985 Selections 31, The Drawing Center, New York, NY
Throughout the main room as well as the south gallery and the small exhibition room Alicja shows new art works that question the structure of reality, the essence of things.
It is, as everyone says, a remarkable building, and it's interesting to see art shown in darkened rooms — in fact, it's the first time I've really experienced a gallery that since the South Bank iteration of the Saatchi gallery in London.
Recent performances and exhibitions include: Piano Nobile, Geneva (2015); Norma Mangione Gallery, Turin (2015); The Physics Room, Christchurch, New Zealand (2015); Kunsthalle Wien (2015); DropCity, Newcastle (2015); MAZ - Museo de Zapopan, Mexico (2014); CCA Glasgow (2014); Hayward Gallery, London (2014); Rowing, London (2013); Jeu de Paume (2013), Kunsthalle Basel (2012); ICA (2012); Auto Italia South East (2012); Galerie Kamm, Berlin (2012); Hollybush Gardens, London (2011), The National Portrait Gallery (2011); Wysing Arts Centre, Cambridge (2011).
The main room of South London Gallery is entirely taken up by Birnbaum's Arabesque.
2005» [prologue] Reclaiming Europe from a new feminist perspective», Cornerhouse, Manchester UK «Art out of Place», Norwich Castle Museum and Art gallery, Norwich, UK «Double Check Re-Framing Space in Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, Southgallery, Norwich, UK «Double Check Re-Framing Space in Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, SouthGallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, SouthGallery, Johannesburg, South Africa
Recent exhibitions include Commons Room, Grizedale Arts at Anyang Public Art Project Biennial, Anyang, South Korea, 2014 (collaboration with Grizedale); Hey, I'm Mr Poetic, Wysing Arts, Cambridgeshire, 2014 (group); Zero Hours, Art Sheffield Biennial, Sheffield, 2013 (billboard commission); ARTIST DECORATORS, The Grantchester Pottery, ICA, London, 2013 (solo); Studio Wares, The Grantchester Pottery, David Dale Gallery, Glasgow, 2013 (solo); Décor, The Grantchester Pottery, ROWING, London, 2012 (solo); The Studio of Giles Round, Serpentine Gallery, London, 2010 (solo).