Sentences with phrase «south gallery installation»
South Gallery installation with works by Louise Bourgeois, Ruth Asawa, Lee Bontecou, 2016 Photo courtesy of Hauser Wirth & Schimmel
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Installation view, South Gallery featuring work by Mike Kelley All works courtesy of the Mike Kelley Foundation for the Arts Photography © Fredrik Nilsen
Gone South combines previously exhibited site - specific installations and performance - based video alongside new sculptures that take advantage of the proportions of our galleries.
Her recent solo exhibitions include Plaster Busts, 2014, Recent Sculpture, 2013, and Figure Sculpture II, 2011 at Roslyn Oxley9 Gallery; and the Foyer Gallery Solo Installation, Art Gallery of New South Wales, Sydney, 2012.
Michael Dean, Sic Glyphs, installation view at the South London Gallery, 2016.
The Contemporary Art Society has acquired an installation by Dineo Seshee Bopape at Frieze London for Towner Art Gallery in Eastbourne, inspired by her South African heritage and the artist's spiritual and physical relationship with her surroundings.
South America, 2004 Hand - woven Ecuadorean wool 56 x 47 inches / 142 x 119 CM each Installation view, Margo Leavin Gallery, Los Angeles, USA
The two exhibitions span our North and South galleries, showcasing installations that play with perception and are inspired by the East - West journey each artist has embarked on.
Photo: Thierry Bal OMER FAST — 3 film installation — prize winning african artist South London Gallery «Nostalgia» is a new three - part film installation by Omer Fast including one film depicting a migrant from a dystopian Britain seeking asylum in Africa.
Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video
For her South London Gallery exhibition she presents the UK premiere of her recent work, Arabesque, 2011, a multi-channel video installation which reflects on the legacy of two compositions; one composed by Robert Schumann for his wife Clara, the other composed by Clara Schumann for her husband Robert.
A large installation of his work was recently acquired by the Centre Georges Pompidou (Paris) and he is represented in public collections worldwide, including the Museum of Modern Art (New York), the Solomon R. Guggenheim Collection (New York), The National Gallery of Art (Washington), the Tate collection (London), The South African National Gallery (Cape Town) and the Johannesburg Art Gallery.
Originally installed in Ballroom Marfa's south gallery for the exhibition In Lieu of Unity, we worked with Kate Bonansinga, the director of the Stanlee and Gerald Rubin Center for the Visual Arts at The University of Texas at El Paso (UTEP) and her students to realize the installation in El Paso.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
For her South London Gallery exhibition, British artist Alice Channer has created an installation of entirely new sculptural works which extend her exploration of the relationship between the human body, personal adornment, materials and sculpture.
MEREDITH DANLUCK North of South West of East, 2011 (film stills) Film installation 85 minutes Co-produced by Ballroom Marfa, Ex Vivo Productions, Jorge Linares and Renwick Gallery Commissioned by Ballroom Marfa Photography © Fredrik Nilsen
Installation view, South Gallery Immaterial Curated by Fairfax Dorn Photography © Fredrik Nilsen
Installation view, South Gallery The World According to New Orleans Curated by Dan Cameron Photography © Fredrik Nilsen
Installation view, South Gallery, with artworks by Scott Hug and Loren Madsen Data Deluge Curated by Rachel Gugelberger & Reynard Loki Photography © Fredrik Nilsen
Installation Shot South Gallery with works by (from left to right) Wayne Gonzales, Robert Grosvenor, Guyton \ Walker, and Jason Fox
Other highlights of the exhibition include South Korean artist Yehrim Lee's ceramic and mixed media installation that inhabits the center of the main gallery and the socio - political commentary paintings of Italian artist Vittorio Ottaviani.
Installation view at the South London Gallery, 2016.
2005 Peter Halley: Present and Past, Louisiana Art & Science Museum, Baton Rouge, LA (catalogue) Peter Halley: New Works, Galleria Cardi, Milan Maruani & Noirhomme Gallery, Knokke, Belgium CAIS Gallery, Seoul, South Korea (installation, catalogue) Paintings 1995 — 2005, Galerie Xippas, Athens (catalogue) Drawings, Galería Javier López, Madrid Galería dels Angels and Galería Senda, Barcelona
Installation Shot South Gallery with works by (from left to right) Robert Grosvenor, Guyton \ Walker, and Jason Fox
«South Asian Modernists 1953 - 63», 2017, installation view, Whitworth Art Gallery, Manchester.
Australian British artist Sally Golding presents two new audiovisual installations which conclude her year - long Embedded residency, delivered in partnership with Sound and Music and the South London Gallery (SLG).
Michael Asher, Lisson Gallery, London, England, August 24 — September 16, 1973, installation view, south wall, 1973 installation view, south wall, 1973 InstallationInstallation
The South London Gallery (SLG) hosts an existing large - scale installation while the presentation at Spike Island focuses on new and recent work.
Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.
At the South London Gallery, Cornaro presents the sixth in the series of installations entitled Paysage avec poussin et témoins oculaires started in 2008.
For her solo exhibition at the South London Gallery, Thea Djordjadze has created an entirely new sculptural installation in direct response to the main galleryGallery, Thea Djordjadze has created an entirely new sculptural installation in direct response to the main gallerygallery space.
Her research into belief systems and ethnographic collections informs her practice, notably her installation about one of the first large uprisings on the African continent, Rumours that Maji was a lie... (2014), first shown at the Jeu de Paume in Paris last year, and later developed as a new project, Kinjeketile Suite, which was exhibited this year at the South London Gallery.
Installation view of works by Billie Zangewa at blank gallery of Cape Town, South Africa, in FOCUS section, Frieze London 2017 Photo by Mark Blower.
Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing
Alicia Reyes McNamara, Nowhere Else, installation view at the South London Gallery, 2017.
Some State of the Art works have been on view at Crystal Bridges since the exhibition debuted, including Gabriel Dawe's thread installation, Plexus No. 27 (2014), in the permanent collection galleries, and Kim Dickey's ceramic sculpture, Mille - fleur (2011), on the south lawn.
Installation view of Kapwani Kiwanga: Kinjiketile Suite, at the South London Gallery, 2015.
Morag Myerscough, installation view of The Club Under My House, Art Block, the South London Gallery, 2017.
These works were shown as part of a multimedia installation Changing Everything at the South London Gallery in 1998.
Roman Ondak, The Source of Art is in the Life of a People, installation view at the South London Gallery, 2016.
Julia Crabtree and William Evans, installation view of Antonio Bay, at the South London Gallery, 2014.
For his solo show at the South London Gallery (SLG), Dean presents a new shore of a text in an installation conceived for the SLG's main space.
London, South London Gallery, Tracey Emin: I Need Art Like I Need God, 1997, pp. 36 - 37 and 66 (installation view illustrated in colour, p. 33; illustrated in colour, p. 43).
Commissioned by SCAD for the debut of the SCAD Museum of Art, New Growth: Stratum Field is a site - specific sculptural installation designed and constructed to converse with the resonant features of museum's new 290 - foot south - facing gallery.
Hany Armanious, Adventures with form in space: 4th Balnaves Foundation Sculpture Project, Installation view, Art Gallery of New South Wales, 2006
Her installation sb / eighteen, (2018) will be on view at the Art Gallery of New South Wales from March 16 through June 11, 2018.
Installation view of Katharina Grosse at South London Gallery.
2002 Christmas Tree Project, Tate Britain, London Britannia project, Tate Britain, London Be-muse, The British School in Rome, Rome, Italy (catalogue) The Andy Warhol Museum, Pittsburgh, USA (brochure) Camouflage, Johannesburg, South Africa (catalogue) 2001 Stephen Friedman Gallery and 2nd Floor, 12 Dolland Street, London, England 2000 Effective, defective, creative, permanent video installation, Wellcome Wing, Science Museum, London, England Camden Arts Centre, London, England Affectionate Men, Victoria & Albert Museum, London Diary of a Victorian Dandy Project, INIVA; toured to Castle Museum, Nottingham; Laing Art Gallery, Newcastle; Towner Art Gallery, Eastbourne, UK
Curated by Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America, in collaboration with the South London Gallery, the exhibition highlights recently acquired works by more than 20 artists working with mediums and methods including installation, painting, performance, photography, sculpture, and video.
In the south gallery's fireplace, the artist has created an installation of hanging fish made from antique silverware, chainmail and other metal parts.