Sentences with phrase «south as a black man»

Not exact matches

Most especially, the black man's having been «cursed as to the priesthood» had made for difficulty as the church expanded in South America.

In the first three months of this year alone: Son of Man, which casts a black man as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work - in - progress; and New Line Cinema announced that Oscar nominees Keisha Castle - Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for ChristmMan, which casts a black man as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work - in - progress; and New Line Cinema announced that Oscar nominees Keisha Castle - Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmman as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work - in - progress; and New Line Cinema announced that Oscar nominees Keisha Castle - Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmman as Christ, established a website with trailers for their work - in - progress; and New Line Cinema announced that Oscar nominees Keisha Castle - Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmas.

As a middle - class white volunteer at work on black voter registration in the Deep South, I rode along a highway one day in a car with three young black men.

The holdup artist was a large black man, his hostage a young white woman, and as an angry South Boston crowd moved in on him, he retreated to a bridge that put him in plain view of scores of gawkers.

As a black man in South Africa, Philander had to cope with apartheid's brutal white - supremacist system on his path to becoming a scientist.

My experience with interracial dating in the South as a gay black man.

Based on the true story of a free black man who was sold into slavery in the American South, Steve McQueen's «12 Years a Slave» has been greeted with fervent and near - universal praise in Toronto, as well as by assertions that its rapturous reception virtually guarantees a Best Picture win.

Despite its feelgood resolution, the film offers little in the way of reassurance that the next black man framed in the Deep South won't have to wait just as long to be vindicated.

Based on a true story, the plot follows Solomon Northup (Ejiofor), a free black man tricked into slavery by a pair of men posing as circus promoters, then transported south to Louisiana, where he's forced to live out his predicament alongside a plantation owner (Fassbender).

The plot follows Solomon Northup (Ejiofor), a free black man tricked into slavery by a pair of men posing as circus promoters, then transported south to Louisiana, where he's forced to live out his predicament alongside a plantation owner (Fassbender).

Arguing the opposite case is the formidable South Australian Crown Prosecutor, Roderic Chamberlain (Charles Dance), but O'Sullivan soon learns that he is also pitted against the closed ranks of the constabulary, the judiciary, the State, and even the Catholic church, all as outraged that so much fuss should be made about the fate of a black man as they are desperate to stave off any undermining of their own authority.

The film is a shattering experience — for actors and audience — as we are dragged into the abyss of slavery through the documented real life experience of a free black man in upstate NY who was kidnapped from his family in the middle of his life, and enslaved in the south.

One other bit of historical context: Copley's character, like Copley himself, is South African, which means that apartheid is still going strong when this movie takes place, and it is therefore highly unlikely that Vernon has a black man like Martin (Babou Ceesay), funny, cool and collected though he may be, as his # 2.

In 2006, Urban Prep Charter Academy for Young Men (also known as Urban Prep Academies) opened its doors in Chicago's South Side with the goal of providing the young black boys of its student body the tools for post-secondary success.

Born in poverty in Alabama, Dial has lived his entire life in the American South, and his art, informed by decades of struggle as a black working - class man, reveals a unique perspective on America's most difficult and pervasive challenges, such as its long history of race and class conflict, the war in Iraq, and the 9/11 tragedy.

An elder black man in the last 15 years of his life forced out into the wilderness, priced out of L.A. and viewed as an outsider by the art world, this man who fought in World War II for America, fled racism from Alabama in the South, and wound up in the High Desert, where he created his own universe on a desert mountaintop.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

Having lived his entire life in the rural American South as a black working - class man, his art reveals a unique perspective on America's most difficult and pervasive challenges, including its long history of race and class conflict, the war in Iraq, and the tragedy of 9/11.