Sentences with phrase «space craft gallery»
In 2008 he has exhibited at the Space Craft Gallery, Belfast, The Alpha House Gallery, Sherborne, Dorset, UK, and was selected for the first competitive Ceramics Sculpture Exhibition, at the Hallward Gallery, Dublin.
http://www.visual-arts-cork.com/ Not exact matches
Trade show: Craft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as HeCraft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Hecraft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Heal's.
The Bronx Council on the Arts, located at the Longwood Art Gallery at Hostos Community College, 450 Grand Concourse (at 149th Street), hosts three exhibitions through May 7: In the City: Memory, Places and Spaces, which includes works on migration and urban planning; Transmit - Transit: Hatuey Ramos - Fermin @ The Project Room, featuring traveling in the city and ethnic diversity; and Impractical Hats: Indie Crafts Reinvent Everyday Gear, featuring construction of hats in unorthodox ways.
In her impressive debut exhibition at Pace Gallery's recently opened space in Palo Alto, Loie Hollowell compresses powerful, evocative images into highly crafted objects.
When he crafts a frame as part of the work, it neither seals the art object in its own world nor projects art into the space of the gallery.
Kate has exhibited extensively in solo and group exhibitions across Australia including at Daine Singer, Craft Victoria, Gertrude Contemporary, West Space, Conical, Centre for Contemporary Photography, Melbourne Art Fair, Silvershot, Contemporary Art Space of Tasmania, Chalk Horse Gallery, Nellie Castan Gallery, First Draft, MOP, Perth Institute of Contemporary Art, and Canberra Contemporary Art Space.
Tags: Don Voisine, Ford Institute for Visual Education, Francis Celentano, Jeff Jahn, Mel Katz, Museum of Contemporary Craft, Nancy White, Oregon, Oregon College of Art and Craft, P.S. 1, Pacific Northwest College of Art, Patricia Zarate, Philip Feldman Gallery + Project Space, PORT, Rossana Martinez, Steve Karlik
The StART Up Art Fair «s Selection Committee, stalwarts of the Southern California scene, seemed to accept the difference between typical art / craft fair staples and what some of us look for in our museums, galleries, alternative spaces, and studio visits with equanimity in the process of the selection of artists.
In order to maintain the oscillating space, Strange Loop visits the Materials for the Arts warehouse for different objects, tools, art and craft items, building material, and more to keep the gallery fresh.
You enter the space and for a split second you thought that you entered some club masquerading as an art gallery but upon closer observation the luminous glow of the acrylic boxes confirmed its validity as meticulously crafted pieces of art.
Orozco was featured at Documenta XI (2002), where his sensuous terra - cotta works explored the elegance and logic of traditional ceramics — a pointed commentary on Mexican craft and its place in a «high art» gallery space.
The Holocaust and Contemporary Arts Museums, and the Center for Contemporary Craft, as well as many alternative art spaces and galleries focus on traveling exhibitions.
By using archival material with printed fabrics to craft three - dimensional pieces, Opposite and Above are three unique works made directly within the gallery space, giving the exhibition its site - specific and voluminous character.
Undergraduate and Graduate students with a Studio Art GPA of 3.0 or higher are eligible for internships in area museums, alternative spaces and galleries including DiverseWorks Artspace, Lawndale Art Center, the Contemporary Arts Museum, the Museum of Fine Arts, Houston, and the Houston Center for Contemporary Crafts.
Formerly at Gavin Brown's and then Artists Space in New York, Jenny Borland traded coasts about a year ago and has since built out an excellent gallery program of her own at the eponymous Jenny's, with Max Hooper Schneider being one of her choice discoveries (though her landing the fast ascendent Liz Craft was a coup as well).
DRAF continually receives significant numbers of requests for collection loans and partnerships: in 2017 alone, works have been loaned to exhibitions at Serpentine Galleries, London; BALTIC, Gateshead; Langen Foundation, Neuss; Bloomberg SPACE, London; Canada House, London; Hayward Gallery touring, UK - wide; FRAC Champagne - Ardenne; Ditchling Museum of Art + Craft, Sussex; Touchstones Rochadale, Yorkshire; Goldsmiths Edinburgh; The Hepworth Wakefield, Yorkshire; IMMA, Dublin; and PAC, Milan.
«Richards selects from the V - A-C collection» sees Study for a Portrait (solely selected from Moscow's impressive V - A-C collection) as the focal point of an immersive environment crafted in the redesigned London gallery space.
2015 NO MAN»S LAND: Women Artists from the Rubell Family Collection, Miami, Florida La vie moderne, Biennale de Lyon, Musée d'Art Contemporain de Lyon Wow Tides, MAVRA, Berlin G.I.F.T., Der TANK, Basel (curated by Fabian Marti & Chuz Martinez) Mirror Effect, The Box, Los Angeles (curated by Kate Costello & Liz Craft) New Frankfurt Internationals: Solid Signs, Nassuischer Kunstverein Wiesbaden Bare code scan, fused space, San Francisco ésxatic photo, samson, Boston 1,000 ISLANDS, Simon Lee Gallery, Hong Kong
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
The Center for Craft is a historic 1912 building on Broadway Street in downtown Asheville, NC featuring a contemporary craft gallery on the first floor with a unique mix of functional spaces to support your work and event nCraft is a historic 1912 building on Broadway Street in downtown Asheville, NC featuring a contemporary craft gallery on the first floor with a unique mix of functional spaces to support your work and event ncraft gallery on the first floor with a unique mix of functional spaces to support your work and event needs.
ART Station is home to its own professional Equity Theatre Company producing new plays, musicals and classics, 3 art galleries, a fine crafts gift shop, a gift shop dedicated to Southern food and culture, classrooms, production and administrative space, and a cabaret theatre presenting Atlanta's music legends.
The space, which adjoins form & concept's ground - floor exhibition rooms, is a powerful expression of the gallery's mission: to blur the lines between art, craft, and design.
Kubilius is the third VCUArts craft / material studies graduate to spend a summer at Quirk Gallery and Hotel's residency space, located in Richmond's Downtown Broad Street Arts District.
McDonald's work has been produced in Berlin at Brotfabrik; in Melbourne, Australia at Linden Centre for Contemporary Arts and Craft Victoria; in Sydney, Australia, at Elizabeth Bay House; in New York at P.S. 122, The Joyce SoHo, HERE Center for the Arts and Galapagos Arts Space; in Washington, DC, at the Smithsonian National Portrait Gallery; in San Francisco at Theatre of Yugen; in Chicago at Links Hall; in Baltimore at the Evergreen Museum & Library and 14K Cabaret; and in Philadelphia at the Institute of Contemporary Art, Painted Bride Art Center, The Prince Music Theater and the Philadelphia Live Arts Festival.
But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.
The works are beautifully crafted and presented in a way that allows the broad range of ideas to come forward, rather like a spider's web of connected concepts that stretches across the green - walled space of the gallery.
She has had solo exhibitions at Cactus Bra Space (2004), Parchman Stremmel Gallery (2003), and Southwest School of Art & Craft (2002), all in San Antonio, Texas.
Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA
Rather, it's divided into three major areas: Downtown / SoMa, where SFMOMA, Yerba Buena Center for the Arts, Fraenkel Gallery, and other arts spaces have huddled together for years, but where rising rents have forced out many longtime galleries; the Dogpatch / Potrero area, where Minnesota Street Project joins Brian Gross Fine Art, Catharine Clark Gallery, Museum of Craft and Design, and other recent transplants; and the Richmond District's environs, where the de Young Museum and Legion of Honor have existed for many decades.
The latest is an exhibition and sales space for the Alberta Craft Gallery - Calgary, which will open June 17 at the same time as the organization holds its AGM and bids farewell to retiring executive director Tom McFall.
Ryman ornaments his subtle pieces by crafting individual hanging and framing devices, bringing into question the work of art and its placement within three dimensional space gallery space.
These mood - shifting interventions, positioned at either end of the gallery, provided a link between the two spaces and a striking formal contrast to the meticulously crafted oil paintings.
By bringing non-traditional materials into a gallery space, she explores the relationship between art and craft and its transformative effect on everyday objects and our expectations of utility.
The six gallery spaces exhibit the best in international contemporary art and craft, showing artists and makers from Wales and beyond.
2009 The Open, Deitch Studios, Long Island City, NY Alternative Abstraction, Nina Freudenhiem Gallery, Buffalo, NY 2008 Hunter MFA Thesis Exhibition, Times Square Gallery at Hunter, New York, NY Come on Shake it Check it, Massimo Audiello Gallery New York, NY 2007 Dialogues, Times Square Gallery at Hunter, New York, NY 2006 Gimmicks, Paragraph, Kansas City, MO -LRB--LRB--LRB--LRB--LRB-(O)-RRB--RRB--RRB--RRB--RRB-, Paragraph Project Space, Kansas City, MO 2005 Impulse Art Fair, Miami, FL The Affordable Art Fair, New York, NY Nova, New Art Fair, Chicago, IL On Site and In Progress, The Bank Gallery at UCP, Kansas City, MO Y - Topia, Byron Cohen Gallery, Kansas City, MO Corporate Partnership Exhibition Program, Kansas City, MO 4 Pop, Gunnison Art Center, Gunnison, CO 2004 Ungood, Shaw Hofstra Associates, Kansas City, MO The Stray Show, 1418 N. Kingsbury, Chicago, IL KCAI Annual BFA Show, H and R Block Art Space, Kansas City, MO Hover Craft, Beth Alison Gallery, Kansas City, MO Kansas City Flat Files, H and R Block Art Space, Kansas City, MO 2003 The Digital Show, KCAI Painting Gallery, Kansas City, MO The Untitled Show, The Apex Gallery, Kansas City, MO 2002 1 +1 = 1, The Hobbs Building, Kansas City, MO Deconstruction, Leedy - Voulkos Art Center, Kansas City, MO Peter Demos continued Lectures: 2005 Kemper Museum of Contemporary Art Slide Lecture Series, Kansas City, MO Publications: 2005 «New American Paintings» No. 59 Open Studios Press, Illus and Bio
A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.
2014 New Prints Summer 2014, International Print Center New York, New York, NY Emily Cucalon & Marianne Dages, Free Library of Philadelphia, PA (Two - Person) Picture Books, Power Plant Gallery, Duke University, Durham, NC Light of the Moon, Arrowmont School of Arts and Crafts, Gatlinburg, TN It's About Time, Coburn Gallery at Colorado College, Colorado Springs, CO The Printed Page, Abecedarian Gallery, Denver, CO Printed Matter's LA Art Book Fair, The Geffen Contemporary At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, PA
Mission Gallery is one of Wales» best adapted spaces for contemporary visual art, craft and applied art.
With independent galleries and clothing designers, a collaborative space for artists and designers working across disciplines, and the Museum of Craft and Design nearby, students have many opportunities to contribute to the tenor of this vibrant community.
Rose's works have exhibited, screened, and been performed internationally in a diverse selection of locales including Portland Institute for Contemporary Art's Time - Based Art Festival, Cannes Film Festival, Experimental Sound Studio, Houston Center for Contemporary Craft, Milan Design Week, and the SXSW Music Festival as well as many other venues, galleries, and spaces throughout the world.
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).
Residency includes: • Stationed work space in our cafe gallery • Access to CC facilities and studio equipment • Stipend may be provided depends on the scope of the residency • One free class registration (material fees might apply) at Contemporary Craft's workshops • Opportunities to teach at CC's education center (depends on the workshop planning schedule) • Opportunities to have work considered for sale in The Store at Contemporary Craft