Sentences with phrase «space drawing series»

The exhibition includes images and objects culled from the Curious Matter archives, and features works from artist Joey Parlett's Space Drawing series.

The exhibition features works by Joey Parlett from his Space Drawing series.

Not exact matches

Dead Effect 2 VR is a sci - fi shooter that draws inspiration from videogames such as the Dead Space series and classic sci - fi horror film Event Horizon.

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

In 2010, the exhibition Lines in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 1970.

In the newly opened galleries of the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's vision.

Negative Pyramid (1997) and three works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential of LeWitt's serial approach, exemplified by the museum's sweeping installation of the artist's wall drawings — which span LeWitt's entire career, covering over an acre of wall space on three floors of a building at the very heart of MASS MoCA's campus.

In his Aerei (1977), or Airplanes series, Alighiero e Boetti left as negative space line drawings of modern and historical airplanes.

There has always been a push - pull in Fukui's collage - based paintings of the last few years — a sensation of almost falling into the celestial spaces of the early series, or of being drawn in to the densely packed imagery of his Art in America or Superheroes series.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

It used to be crammed with decades of unsold paintings, but now that she can finally afford storage space, the only work present on a recent visit was her new series of fluorescent black - light paintings of testicle - headed Donald Trumps and vagina - faced Hillary Clintons, which are now on view at the Drawing Center in downtown Manhattan.

Mr. Longo was 31 then and already famous for his «Men in the Cities» series, large - scale drawings of besuited men and women flailing in space that became defining images of 1980s New York (and appeared in the movie version of American Psycho).

This exhibition affords a fascinating look at the output of some of South Africa's major artists, and will also showcase from our Johannesburg spaces works not yet shown in Cape Town, including Kudzanai Chiurai's Revelations, a series of photographic tableaux exploring politics and power in Africa, new wood sculptures by Willem Boshoff, and a selection of drawings, linocut graphics and sculpture by William Kentridge.

Working with the brother - and - sister curators Michael and Yael Lipschutz, Taylor has chosen paintings and drawings from the series to inaugurate his new project space Henry Taylor's, at his studio / apartment in downtown Los Angeles (right across from the new Hauser & Wirth gallery complex).

His new paintings are a long way from the cagey underground - comix - meets - Italian - literature - scholarship sensibility manifested in «Twilit Ensembles,» to which he hearkens back with several later series of spookily whimsical captioned charcoal drawings in the gallery's small project space.

To coincide with the National Campaign for Drawing's annual Big Draw, Baker presents a series of works in the Project Space that make use of some of these less - conventional approaches to the process of dDrawing's annual Big Draw, Baker presents a series of works in the Project Space that make use of some of these less - conventional approaches to the process of drawingdrawing.

The intense solidity of Shore II is countered by Signal, a sculpture from Gormley's Liner series, works he considers to be drawings in space.

«Accessed through a small door on Delancey Street, the work draws visitors into a parallel universe by way of a series of deeply believable and disquieting architectural spaces, confusing the real with the fictionally derelict.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.

This major exhibition is to take place throughout the spaces on the 6th and 7th floors of the CCK, as well as in the two galleries in the «Gran Lámpara» (The Great Lamp), presenting series of photographs by Nobuyoshi Araki, William Eggleston, Alair Gomes, Seydou Keïta, J.D. «Okhai Ojeikere, Juergen Teller, Wolfgang Tillmans, Patti Smith, Hiroshi Sugimoto, Francesca Woodman, projections and video installations by Jean - Michel Alberola, James Coleman, Raymond Depardon and Claudine Nougaret, Nan Goldin, Douglas Gordon, Rinko Kawauchi, Daido Moriyama, Tony Oursler, Artavazd Pelechian, Agnès Varda, a monumental sculpture by Adriana Varejão, several hundred drawings and an inedite series of photographs by filmmaker David Lynch.

The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.

She had recently showed two series of drawings at the McGuffey Art Center in Charlottesville, where she previously had studio space and remains a member — and a representative from a Richmond gallery noticed.

In an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thought.

This series of paintings undeniably deal in part with the dissolving and transitional nature of expressive forms in the visual and mental space that exists between drawing and painting in the extended mark making process.

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

Sundaram Tagore Chelsea is pleased to present Susan Weil: Now and Then, an exhibition of new sculptural paintings and drawings alongside a selection of mixed - media works from past series that combine figurative illustration and photography with explorations of movement, time and space.

Unfolding over adjacent gallery spaces, two new major series of drawings similarly weigh humor with larger questions about the fluidity of meaning and identity.

Thus, the sculptures of Chul - Hyun Ahn infinitely reflect highly streamlined forms, as in the series Visual Echo; explore architectural spaces, as in the series Tunnel and Well; and integrate abstract drawings, such as in the series Mirror Drawing.

Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).

A series of vertically aligned pulleys levitate these sculptural forms above the floor, demarcating the gallery space as a volumetric drawing through which the viewer can navigate.

Whitaker lived and worked in Chicago from 1991 until 2003, during which time she developed «Women in the City», a group of paintings observing the Chicago cityscape; and also, a series of large drawing / paintings on paper called «Ancestral Excavations» which have shown in solo venues around the country and now some of this work will be touring the United States in a group invitational, The Veiling: Visible and Invisible Spaces beginning in Colorado, the Spring of 2008, and traveling to Arkansas, Wisconsin, Connecticut, Indiana, SUNY in NY, California until 2010.

Extending beyond the screen, The Drawing Project continues into the tangible world in the form of public programs including a series of webisodes, talks, panel discussions and events, inviting the public to experience the project in a multitude of forms and make their own decisions regarding what defines line and what spaces it can it occupy.

Even with the Beasts and Ace of Diamonds series, the outer armatures were first «drawn in space» by welded iron rods.

From 1949 on Fontana started the so - called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named «an art for the Space Age» (Concetto spaziale (50 - B.1), 1950, MNAM, Paris).

The work in the exhibiiton draws from a multi-dimensional series of cues offered by the architecture, institutional memory, and discursive space of CCS Bard and presents a platform for considering collective memory in the public sphere.

From 1949 on he started the so - called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named «an art for the Space Age».

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replDrawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he repldrawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he repldrawing by Rembrandt, to which he replied no.

For the third exhibition in Blain Southern's Lodger series, the British sculptor Brian Griffiths has drawn on stage - and screen - writing techniques to develop a «character» who will inhabit the gallery's basement space.

360 is a space allowing artists to explore this developing medium and will initially draw on works from the collection for a series of solo presentations.

Buscando América (Looking for America) will present Rolón's paintings, sculpture and site - specific installation in a series of constructed rooms that draw from the distinct functions of assigned spaces in a residential home.

The exhibition explores these mental and bodily skins through a time - space calendar and a shared skin, and includes a series of new sculptures, drawings and an architectural intervention.

Crehan writes: «Artist Dan Walsh's work draws on process as a mode of transcendence, working through canvases through a series of evolving forms and rule - based approaches to the canvas space.

The artist... draws on repetitive, undulating bars of color and expanding forms to create shifting perceptions of space within the closed bounds of the work, or applies similar rules to the deconstruction of the image into a series of lines and dots.»

«A series of new paintings will be on view, accompanied in the Third Floor Project space by a new series of drawings, and a large - scale editioned etching, Epigraph, Damascus, 2016,» the press release stated.

Working with a wire armature and an oxyacetylene torch to make sculpture that seemed to accumulate as a series of molten marks and linear strands, Mr. Lassaw took the idea of drawing in space quite literally.

Included in the MK Gallery Project Space exhibition are her latest series of paintings and drawings In Deed, created since graduating in June 2012, a selection of notebooks which play an important role within the work; along with several canvases in progress positioned on trestles.

«Developed during a residency in Los Angeles, Measure is a series of drawings that began as a conceptual exploration of space.

His ongoing series «Drawing in Space» comprises works made from protest wire - a tangled, black mass of wire salvaged from car tyres burnt during the civil unrest that accompanied the last elections in Kenya.

In the newly opened Gabrielle Jungels - Winkler Galleries at the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces.

A series of abstract patterned drawings, considered as self - portraits by the artist, are derived from the negative spaces between people and objects within family photographs that were taken after her exile from Iran, offering a reflection on displacement and the effect it might have on family life.