Sentences with phrase «space frame opens»

The combination of aluminum and carbon fiber reinforced plastics (CFRP) in the Audi Space Frame opens up new dimensions with regard to weight, rigidity and crash behavior.

The combination of aluminium and carbon fibre reinforced plastics (CFRP) in the Audi Space Frame opens up new dimensions with regard to weight, rigidity and crash behaviour.

Not exact matches

Iwobi is the best dribbler in our team, he takes players on, he opens of spaces, dude can play in very tight spaces, he brings balance to our team, he's physically strong, on numerous occasions he has used his massive frame to shade players and initiates attacks, the reason we brought aubu is solely bcos laca has bn disappointing, y should we play laca out of position just bcos he costs allot of money?

Mkhitaryan is also not afraid to shoot from distance, and even though he did not manage to get any of his longer efforts on frame, his threat will open up space and passing lanes in the future.

Milner actually had an option to hold his position in the frame below, which would have deterred a De Bruyne run, instead though, space opens up in behind, and Oxlade - Chamberlain is facing the opposite way to the ball.

Also, stroller frames that are self - standing when folded are a great option, as they are easier to store and you don't have to worry about them falling over every time you open the door of your storage space

The sofa is attached to a sturdy wooden frame, which opens up and becomes a full - size space for sleeping.

The modern open shelving unit above the tub, along with raw wooden mirror frames, breaks up the traditional white and really warmed the space.

The open curved frames and warmly colored shades will add a pleasing light to any space you choose.

Throughout the course of the film, there is open space at the top and bottom of the frame.

Consider a frankly gorgeous tableau late in the film as three people meet in Melbourne's National Gallery of Victoria: framed against an open space, Michôd allows an extra beat, then another, before continuing with his family gothic.

This is Fleischer's first film for Fox and he meets the house CinemaScope style — handsome, roomy sets, strong color, open spaces and long, fluid takes (the better to drink in the widescreen images)-- with careful staging and frames filled with little dramas, but he also puts an edge to the stories that play out in the glossy spaces.

Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).

The wide spaces, the blues and greens that streak the frame, they seem open.

... and those cubbies are framed by segments that hold the folded cargo cover down and out of the way, when you want the entire rear space open for big cargo.

Through two narrow openings in the front lid it is possible to glimpse the upper aluminum members of the Multimaterial Space Frame.

The doors open to reveal the aluminum structures of the Multimaterial Space Frame.

There are double wishbones at each corner suspending Land Rover's super stiff Integrated Body - frame structure, while the cabin wraps around the driver creating an aura of intimacy and immediacy that could scarcely be more different to the wide open spaces offered by the Range Rover.

* Second R8 model powered by 5.2 - litre V10 FSI petrol engine scheduled to open for UK order in January 2009 for first deliveries next spring * Available with manual gearbox at # 99,575 OTR, or with R tronic sequential shift transmission at # 104,665 OTR (R8 4.2 V8 # 77,405 OTR and # 82,495 OTR) * 5,204 cc V10 produces 525PS at 8,000 rpm and 530Nm at 6,500 rpm (R8 4.2 V8 420PS at 7,800 rpm, 430Nm at 4,500 rpm) * 0 - 100kmh in 3.9 seconds, top speed 313kmh, combined mpg 20.6 (R8 4.2 V8 R tronic 0 - 100kmh in 4.6 seconds, top speed 299kmh, combined mpg 20.7) * Combines classic mid-engine configuration with advanced all - aluminium Audi Space Frame (ASF) construction and quattro permanent four - wheel - drive * World's first all - LED headlamps as standard, plus Audi magnetic ride adaptive damping and Bang & Olufsen audio system

A thunderous 1,700 cc fuel - injected V - twin featuring advanced Kawasaki technology offers a smooth, reassuring ride.Fuel - injected 52 - degree 1,700 cc V - twin delivers high torque levels with a powerful and distinct V - twin feel Electronic cruise control system can be activated in third gear or at any speed between 30 mph and 85 mph Kawasaki Advanced Coactive - braking Technology (K - ACT II) ABS helps ensure ideal brake force distribution for confident, highly - effective braking Stylish, frame - mounted fairing keeps steering feel light by directing aerodynamic forces into the chassis Feature - rich, AM / FM / WB audio system with iPod ® and SiriusXM ® radio compatibility Hard, lockable and sealed, side - opening saddlebags provide nearly 10 gallons of storage space each for overnight touring

(347 sq. ft., balcony 74 sq. ft) Two twin beds (can convert into queen - size) with open bed frames, wider entry door, turning spaces, private balcony, sitting area with lowered vanity, closet rods, and safe, and a private bathroom with a wider door, roll - in shower, grab bars, fold - down shower bench, hand - held shower head, raised toilet, and a lowered sink.

Golf Courses a: The 18 - hole, 6,721 - yard Golf Course is designed to offer an enjoyable round for Golfers of all abilities in a setting cooled by ocean breezes and framed by open space.

Relax in wide - open, sun - filled spaces, framing courtyards and swim...... Continue reading

Relax in wide - open, sun - filled spaces, framing courtyards and swimming pools.

Relax in wide - open, sun - filled spaces, framing courtyards and swim......

The bungalows are designed with high Balinese rooftops, beautiful whitewashed wooden interiors and decorated with tasteful artwork and gorgeous framed mirrors, the spaces bath in natural light as there are windows in the roof and there are full length glass doors sliding open to a veranda overlooking the pool.

Landscaped gardens and architectural ponds blossom within living spaces that open onto outdoor pavilions and terraces, bordered by an infinity pool framed by panoramic ocean views.

Large openings, from nearly every room, frame exceptional ocean views and allow fresh ocean breeze to fill interior spaces.

Plenty of windows and openings frame picturesque ocean views and allow the ocean's fresh breeze to flow throughout the interior spaces.

Two walls of sliding glass doors frame views of the hillside and ocean — and open the space to the wraparound deck — while a vaulted ceiling lends a breezy feel.

The open living spaces of Casa Del Agua are set under a huge conical thatched roof and feature simple wood - framed lounge chairs and a built - in sectional.

These rooms feature a wider entry door, open bed frames, wide turning spaces, closet rods, raised toilet, roll - in shower, grab bars, fold - down shower bench, hand - held shower head, and lowered sink and vanity.

These rooms can sleep up to six guests with additional beds, and feature a wider entry door, open bed frames, wide turning spaces, closet rods, raised toilet, roll - in shower, grab bars, fold - down shower bench, hand - held shower head, and lowered sink and vanity.

Large windows span the cozy living room, open kitchen and dining areas, framing each space with neighborhood and partial ocean views.

True to its reputation, it sports a typical open space living structure seen in the handsome bamboo and timber frame - rugged, tough and holistically engrained with the real Balinese style of living.

Exploring the various dungeons and open spaces of Far Eden will net you blueprints for a variety of frames for your companions that enhance their core stats in a variety of ways.

The frame rate does tend to drop slightly when you're in a large room or open space in the level, but its really not too noticeable.

Lisa Hoke fills a gallery with colored film stretched on open frames, as if a kite had cloned itself until running out of space.

Sally has performed for major sound art and audiovisual festivals and venues including Tate Britain, Digital Culture Centre, Mexico City, Rotterdam International Film Festival, Sound of Stockholm, Fylkingen Festival, Sweden, BEAM: Brunel Electronic & Analogue Music Festival, London, Kraak, Belgium, Colour Out of Space, Brighton, Sonica, Slovenia, Open Frame, Brisbane, FlexFest, Florida, Supernormal, UK, Edinburgh International Film Festival, San Francisco Cinematheque, Abandon Normal Devices, Manchester, Oslo Cinemateket, Norway, and Australian Centre for the Moving Image.

Transparent layers of colour open up the image space within the frame.

From this darkened and nearly empty space, almost as if the viewer were in the small cube on the shelf, one again sees the video framed within the open doorway between the two spaces.

Many of the exhibited pieces display a relationship with the concept of windows which in the work of the Portuguese artist is amplified, not merely by the Renaissance structure of the frame / window itself — a technique ready to open new abstract perspectives on the concept of space — but in that particular use of materials tied to the construction of a window.

«Framed in an Open Window» presents a selection of five works — a sound piece and four 35 and 16 mm films — displayed across the South London Gallery's two newest spaces.

Stanza artworks since the mid eighties have focused on the participatory system the «city» that frames questions within his work opening up conversations about the politics of space.

Apart from regular openings and occasional workshops the space can only be observed from outside, appearing more like a 3D frame than a traditional gallery

Space Totem, 1997, has three stacked mask - like heads - the lowest with eyes shut, the middle head with eyes slightly open and the top head with eyes wide open - contained in a stainless - steel frame telescoping towards an aperture that opens to the world.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

In the last 3 years Gormley has been experimenting with cell aggregates of nesting polyhedra in both solid and space - frame forms turning the space of the body into an open framework of tetrahedral, cubic, dodecahedral and more complex polygons which, in his words, «achieved a breakthrough when released from a bounding skin.»

What if, in the wake of modernism's demise, the grid became not an ideal structure or a portal to an otherworldly realm, but a climbing frame for the eyes and mind, an open - ended space where the viewer's imagination could play and improvise?

Her recent shows include The National or the Skip, Averard Hotel, London (2016), Relève at Galerie du Crédit Municipal, Paris (2016), [Re] framing Utopias at De Eye, Amsterdam (2016), The Waves We Part With (solo show), Petra Ark Space, Amsterdam, The After Images of Raoul Island at Witteveen, Amsterdam (2016), Les Rencontres Internationales at HKW Berlin and La Gaîté Lyrique Paris (2016), Rijksakademie Open (2014 - 2015), Collection Vaskiolty - feldman, Cinnamon, Rotterdam (2015), Artefact at STUK, Leuven (2014).