The satellite is the foundation of the $ 100 million Quantum Experiments at
Space Scale program, one of several missions that China hopes will make it a space science power on par with the United States and Europe.
Not exact matches
These include, but aren't limited to: (1) increasing
scale by opening multiple locations; (2) increasing
scale by opening very large
spaces; (3) generating additional revenue by offering enclosed offices; (4) creating multiple revenue streams through education
programs, conference room rentals and events; and (5) finding
space sponsors.
For the current Corporate Innovation
program, we have secured an audience with Mr. Sunil Ranka for bringing and helping to
scale the Retail & Restaurant
Space in the startup ecosystem.
Corporate officials at Procter & Gamble attacked the problem on a grand
scale, according to court documents, assigning the formidable task of designing the perfect diaper to Kenneth Barclay Buell, a mechanical engineer who had worked on the Gemini
space program in the 1960s.
I have heard a White House official tout a concept for large -
scale industrialization of the moon as «a phenomenally inspiring long - term vision» for the U.S.
space program.
It's the first of an intended global system of 20 such satellites in China's QUESS («Quantum Experiments at
Space Scale»)
program.
The federal government has a critical investment role to play in 1) supporting the replication and
scale - up of the best providers through its grant
programs; 2) improving access to low - cost public facilities for charter schools through its own funds and by leveraging existing public - school
space; 3) pushing states and local districts toward more equitable funding systems for all public school students, including those in charter schools; and 4) supporting efforts to create early - stage, innovative, and scalable models that incorporate greater uses of learning technology.
Freedom of Expression Youth Art Exhibit is supported by the SOMArts Cultural Center's Affordable
Space Program, which provides subsidized, large - scale affordable space and technical assistance to nonpro
Space Program, which provides subsidized, large -
scale affordable
space and technical assistance to nonpro
space and technical assistance to nonprofits.
Cedar Creek Lodges offers conference
space that is well suited to smaller training
programs, planning sessions, workshops, board meetings or even larger
scale seminars and conferences, these venues are perfect for anything from 10 to 120 guests.
Born in Nigeria, relocated to the UK; centered solely in drawing; large -
scale drawings explore the malleability of
space, politics of play, and cultural hybridity as a new nation; awards include Fulbright Scholar Award in Drawing to the University of Nigeria, Nsukka (2012 — 2013); participates in the Drawing Center's Open Sessions
Program; Queens Museum artist - in - residence.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of
spaces, industries, and entities Offering additional
programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual
programming: LAND 1.0 projects are large -
scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Through the Emerging Artist Fellowship
Program, Socrates Sculpture Park gives artists the opportunity to pursue open artistic exploration and to create work on a
scale that would otherwise be impossible to realize, especially within the confines of New York City's limited affordable studio
space.
For
Space Program: Europa, Sachs presents an immersive installation of large
scale sculptures including the Mobile Quarantine Facility, Mission Control, and the Landing Exploration Module (LEM), as well as a variety of materials and equipment for conducting scientific experiments.
The ambitious
programming and significant audience reception at both
spaces insist on an ethic that has sustained New York for generations: within the given limitations of means and
scale, artists need to continue to make their work, and their work needs to be seen.
What these
spaces lack in size, however, they have made up for in
program, presentation, and attitude — the limitations in
scale becoming a framework within which to work rather than a hindrance.
Creating full -
scale, but often comically inaccurate, models of
space ships, satellites, and mission control units, he emphasizes the way in which the
space program was ingrained within the cultural memory of its time.
After completing her master's, she moved to Boston and worked briefly as director of the cooperative
space Boston Sculptors Gallery and then as exhibitions curator at the Boston Center for the Arts, where she organized shows featuring both emerging and established artists and launched a site - specific, large -
scale installation
program.
The self - directed glass residency
program provides artists and designers with the materials, equipment and
space needed to explore a new material, expand the
scale of their work, or refine... Continue reading →
During its duration, the actual structures or containers intrigued me — the physical boxes holding the archive and the various architectural
spaces that the centre had occupied over its history; it had moved 5 times.The piece I included in the final exhibition of our investigations was a one - to - one
scale photograph compiled of all the sides (inside and outside views) of one of the
programming boxes, mounted on the gallery floor.
Under the directorship of Kristine Bell and Christopher D'Amelio, the
space will compliment the primary market
programming of the gallery's three existing West 19th Street locations a block away with presentations of large -
scale installations and historical, thematic surveys dedicated to the work of modern and contemporary masters.
Gallery co-founder Juerg Judin told A.i.A, «There is almost no limit to the
scale of works we can exhibit in our new
space, but this will not change the focus of our
program.
Andrea Fraser created a sound installation about Sing Sing prison; Lucy Dodd peppered the gallery with free - standing abstract paintings and organized a festive music series in the
space; Michael Heizer showed a monumental projection documenting — at full -
scale — one of his earthworks; jazz icon Cecil Taylor exhibited archival documentation and ephemera from his long career, showed video of his piano playing and participated in a star - studded performance
program; and filmmaker Steve McQueen screened a video about Paul Robeson's McCarthy - era FBI file.
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large -
scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen
Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery
Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance
Space, 2012; NOW now festival
program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery
program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art
Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large -
scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth
Sachs, 44, has been developing his own
space program since at least 2006, when his full -
scale, plywood Lunar Landing Module set down at the Gagosian Gallery in Los Angeles.
Open
Space continued to work on
programming including its two large -
scale annual festivals, the Publications & Multiples Fair and the Artist - Run Art Fair, while seeking a new home.
Using
programs like Grasshopper and Kangaroo, along with large
scale models, the designers tested over 50 variations of possible geometric networks that would still allow the structure to unfold flat, eventually settling on one that created an attractive
space.
For example, in the forthcoming U.K. Climate Impacts
Program (UKCIP08) scenarios that Lenny refers to (and in which I'm involved), we plan to supply information on changes in a number of climate variables, at a range of
space and time
scales, for different periods during the twenty - first century.
space program, military command and control systems, and large -
scale IT infrastructure.
International
Space Station experience with large
scale integration on a NASA
program.