Not exact matches
But there's one Science Fiction film that towers above all others of the
genre, as well as all other films, and that is Stanley Kubrick's 2001: A
Space Odyssey, which Warner Brothers barely released in
time to actually be seen on a big screen during the relevant year.
A random example of the red - scare
space invasion
genre's durability, over
time and borders?
Is the latest found - footage horror movie, «Apollo 18» (this
time in
space) as entertaining as similar films, «Paranormal Activity» and «The Blair Witch Project,» or is this
genre finally played - out?
Screenwriter Alex Garland has worked almost exclusively in the science fiction
genre (from «Sunshine,» to «Never Let Me Go,» to «Dredd»), so it comes as no surprise that his directorial debut occupies a similar
space, this
time focusing on the decades - old debate of artificial intelligence.
WHY: Screenwriter Alex Garland has worked almost exclusively in the science fiction
genre, so it comes as no surprise that his directorial debut occupies a similar
space, this
time focusing on the decades - old debate of artificial intelligence.
It's a science - fiction film in J.G. Ballard's barest definition of the
genre — an exploration of
time,
space, and identity set in the near future in a cloud of languages and ideas — that periodically soars like invention can when it's raised from a foundation of familiar catastrophe and intimate calamity.
Riding high off their decade defining TV series
SPACED (1999), this gang of Brits translated their genius to the big screen and gave the world one of the all
time great Zombie parodies while at the same
time (like HOT FUZZ) carving out it's own top - spot within the
genre it loves!
And it's not that I haven't considered (several
times) writing something in a trending story - type (sexy NA) or more tightly within an established
genre (
space opera).
Title: Queen Emeraldas
Genre:
Space Opera Author: Leiji Matsumoto Synopsis: The sci - fi classic from the creator of
Space Battleship Yamato (Star Blazers), Galaxy Express 999, and Captain Harlock in English for the first
time!
I think the next
time I jump to a different
genre (there's going to be a
space - age SF series eventually, so look out!)
aliens Amazon Beneath the Sky blog book cover conventions death Debts of My Fathers e-books editing exploration fantasy FTL FTL travel
genre goals Hell Bent heroes kids magic Mars mystery NaNoWriMo novel Oaths of My Fathers politics publishing review scams sci - fi science science fiction self - publishing series Shattered ships of my fathers
space opera Star Trek Stone Killer
time travel urban fantasy WorldCon World of Warcraft writing young adult
I need to broaden my reader base, so getting out of this specific sub -
genre and into
Time Travel,
Space Opera, and Urban Fantasy sounds like a good idea.
In order to achieve consistent victory, you'll need an understanding of fighting game concepts like
spacing, zoning, and
timing — all of which are generalizable to the entire
genre of fighting games at large.
No doubt that Harmonix will keep a strong focus on developing content for the latest and greatest home consoles, but Randall claims he is keeping a close eye on what other companies are doing in the «mobile
space» and seems hopeful and excited about how all the different elements of the
genre as a whole will come together over
time.
This
genre might sound typical of arcade games at the
time, but
Space Harrier stood out by being a visual masterpiece.
Developer Infinity Ward has fully embraced the science fiction
genre this
time around with lasers, robots,
space battles, and a whole lot more.
But first let's look at the Real -
Time Strategy
genre and understand where Total War sits within this
space.
The controls are a little too floaty, which is common for the
genre because you sort of have to be able to move one - half -
space at a
time, or else it would be too hard to maneuver blocks into the correct positions.
Loved This Wii Tennis Thing: Like Wii Sports tennis, Dead
Space Extraction dares to present a fully satisfying experience in its
genre — not tennis this
time but sci - fi horror — without giving players control of its characters» legs.
Things started to change in March 1986, when SEGA, in an attempt to compete with Konami's Gradius (the most popular
space side scroll shooter at the time in Japan) twisted things on its own take on the genre adding color and cuteness (setting it in the same universe as their arcade hit Space Harrier) with Fantasy
space side scroll shooter at the
time in Japan) twisted things on its own take on the
genre adding color and cuteness (setting it in the same universe as their arcade hit
Space Harrier) with Fantasy
Space Harrier) with Fantasy Zone.
An immense, action - packed reinvention of the RPG
genre, Fallout 3 gave you a real sense of
time as you shaped your character from birth in the safety of the Vault, and then of enormous
space as you sent her / him out into the vast, post-apocalyptic wastes as an adult.
It continues with works from the world's leading innovators in the arts, as they break through thresholds of
space, memory, sound, and
genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on
time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music,
time,
space, emptiness, and luminosity.
While these is much overlap between the
genres of art cinema and video art, the former differs in both intention and substance — challenging and exploring
time,
space and structure within the medium.
The mirrors - for - princes
genre, whose most famous examples include Machiavelli's The Prince and Al - Ghazali's Nasihat al muluk, operated as a poetic form of political critique in both Christian and Muslim lands during the Middle Ages and the Renaissance while carving out a
space for statecraft at a
time when most scholarship was devoted to religious affairs.
Throughout her curatorial practice she has worked with fiction as a
genre, as a way to transcend
time and
space.
Widely associated with a re-emergence of the figurative in contemporary painting, Lisa Yuskavage has developed her own
genre of portraiture in which lavish, erotic, angelic and at
times grotesque characters are cast within fantastical landscapes or domestic
spaces.
Stingel's paintings, however, fall between abstraction and figuration, even between
time and
space, becoming decoration, painting, architecture all at once, indeed transcending the traditional
genre.
AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper
spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and
genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a
time as any to talk about money.
Though Thomas draws from a number of
time periods and
genres, her use of pattern and domestic
spaces often references periods throughout the 1960s -»80s.
In keeping with Price's
genre - bending prose, the show isn't confined merely to sculpture, and it unfolds in both
space and
time.
[For those that prefer their absurdity straight - up, The Atlantic built a highly entertaining Netflix
Genre Generator that spits out such must - see gems as: «Dysfunctional - Family Psychological
Space - Travel Slashers Set in Biblical
Times About Marriage Directed By Herbert Ross»,» Gangster Disney Thrillers Based on Bestsellers For Ages 0 to 4» and «Tearjerker Thrillers Based on Books From the 1940s About Cats».]