Sentences with phrase «space artist james»

With her large white box in a gallery flooded with blue light, Thater employs tactics similar to the Light and Space artist James Turrell.

Speaking of the Light and Space artist James Turrell seven years earlier, Hammons had mused, «He's got a completely different vision.

As one of the most important painters of the 1960s, Rothko's influence can be seen in much of the work that was made subsequently, such as that of painters Kenneth Noland, Morris Louis, and Jules Olitski; Minimalist sculptors Donald Judd and Dan Flavin; and even Light and Space artists James Turrell and Douglas Wheeler.

In particular, I have had a long interest in the color - field painters Kenneth Noland, Gene Davis and Morris Louis; as well as light and space artists James Turrell, Robert Irwin, Doug Wheeler and Dan Flavin.

Not exact matches

THE DISASTER ARTIST As James and Dave Franco (plus a bevy of cameos) take us step by step through the apparently true story of the making of «The Room» (far worse then the simply dull and incompetent «Plan 9 From Outer Space»), they manage to not overly mythologize Wiseau or smirk at him too much.

In a year where the toxicity of a male - dominated film production space became glaringly apparent thanks to the courage of countless brave individuals, the prevalence of this abrasive, abusive archetype in Paul Thomas Anderson's Phantom Thread, Woody Allen's Wonder Wheel, James Franco's The Disaster Artist, Lee Unkrich and Adrian Molina's Coco, Noah Baumbach's The Meyerowitz Stories and Darren Aronofsky's mother!

On May 28, 2017, MASS MoCA nearly doubled its gallery space, with artist partnerships that include Laurie Anderson, the Louise Bourgeois Trust, Jenny Holzer, the Robert Rauschenberg Foundation, and James Turrell.

MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21 James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11 Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 Nikki Lindt / Heskin / 443 W 37 / thru 6/28 Failing to Levitate curated by Kerry Downey & Natasha Llorens / EFA Project Space / 323 W 39 / 6/6 thru 7/3 Reception 6/19 Magnetic North: Artists and the Artic Circle / 1285 6th Avenue / thru 8/29 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / thru 6/27 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 7/26 Starting Out; 9 Abstract Painters 1958 - 1971 / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 8/1 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/20 (extended) Berbard Langlais / Alexandre / 41 E 57 / thru 7/18 Traces / Blum / 20 W 57 — floor 2 / thru 8/1 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Some Artist's Artists / Goodman / 24 W 57 — floor 4 / thru 8/22 Opening 6/26 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21....

In this sense, her work is more aligned with artists who prioritized sensorial experience, like James Turrell, Mary Corse, and others of the Light and Space movement of the 1960s, than with film or other such time / media - based art.

MASS MoCA will nearly double its gallery space in spring 2017, with artist partnerships that include Laurie Anderson, the Louise Bourgeois Trust, Jenny Holzer, the Robert Rauschenberg Foundation, and James Turrell.

In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others.

Charlie James Gallery is delighted to present a solo show by L.A. artist Alex Schaefer in our new space at 969 Chung King Road titled Irrational Exuberance.

In the framework of the 1968 - 1971 research program in art and technology conducted by the LACMA (Los Angeles County Museum of Arts), Irwin works with Dr. Edward Wortz, head of the laboratory of a space program, and invites a young artist named James Turell to join their research team.

Before his suicide in 1970, Rothko ultimately does complete a project that satisfactorily deals with space and light, and which aligns him rightfully as a precursor of artists including Donald Judd, Dan Flavin, and James Turrell: the Rothko Chapel in Houston is perfectly designed for contemplation and seems poised to stand as a testament to his vision.

A front page Village Voice story in November of 1969 describes how artists began (illegally) filling the neighborhood's large, empty industrial spaces, even though they weren't zoned for residential use, with James Rosenquist and Paula Cooper Gallery being name - checked as pioneers of the area.

Artists as diverse as Louise Bourgeois, Eric Orr, Ed Ruscha, and James Turrell have all made holographic works that draw on the medium's ability to replicate three - dimensionality and deep space to expand upon themes they so successfully mined in other formats.

A member of the Light and Space movement since the late 1960's, alongside artists such as Robert Irwin, James Turrell, Mary Corse, Helen Pashgian, DeWain Valentine, Peter Alexander and Larry Bell, Laddie John Dill remains committed to exploration and experimentation.

James Turrell, a Californian artist whose work explores perceptions of light and space, was approached to create an installation within Yorkshire Sculpture Park's 18th - century listed buildings.

The new addition is being inaugurated with long - term installations by the artists Jenny Holzer, Laurie Anderson and most notably the air - and - space magician James Turrell.

But aside from James Turrell's popular maximalist light show at New York's Guggenheim Museum in 2013, wherein the artist transformed the museum's famous rotunda into a giant light installation, Light and Space, as a whole, hasn't been explored in a major exhibition.

While the much - anticipated exhibition schedule for the museum, which opens its doors in fall 2017, hasn't yet been announced, James gave us a teaser, which hints at an exciting future for the space: an exhibition exploring the life and work of Mexican artist Martín Ramírez, whose obsessive, psychedelic drawings from the 1950s haven't yet gotten their due.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

American artists who share his interest in space and time have famously recreated ancient art on a Stonehenge scale: James Turrell claims direct inspiration from the Stone Age for his natural observatory in a crater outside Flagstaff, Arizona, and the colossal dimensions of Robert Smithson's Spiral Jetty in Utah make it one of the post-1960s works that will always capture imaginations.

While Primetime is now run by designers Scarlett Boulting, Gary Fogelson, Meredith James and Ryan Waller, 12 artists initially split the costs of the space and divided its schedule into distinct months, during which one of the crew would take over the space, similar to a time - share format.

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

Visitors will learn about MacDougal Alley, the artists» enclave where Mrs. Whitney chose to locate her studio in 1907; her friendships with fellow artists including Daniel Chester French, James Earle Fraser, and Robert Chanler (designer of the Whitney Studio space — including the fireplace and ceiling); and the support she gave to American artists through purchases, commissions, and exhibits, in the process reshaping the landscape of American art in the early 20th century.

He has studied the work of artists in the Southern California Light and Space movement of the late 1960s including Larry Bell, Robert Irwin, James Turrell, and Doug Wheeler, but his materials diverge from their art.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Scott is currently the director of the James Harris Gallery, having brought recent shows to the space such as the Rashid Johnson exhibition Dark Matters and recent paintings by Seattle - based artist Scott Foldesi.

Charlie James Gallery and Marine are delighted to present If These Walls Could Talk — A Conversation, a group show of distinguished local and international artists exhibiting concurrently across our mutual spaces.

MASS MoCA will nearly double its gallery space this spring, with artist partnerships that include Laurie Anderson, the Louise Bourgeois Trust, Jenny Holzer, the Robert Rauschenberg Foundation, and James Turrell.

Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing

James Dean Erickson, an artist whose paintings explore the space between realism and abstraction to elicit the ephemeral and enduring qualities of nature, will lead the Painting -LSB-...]

His luminous disk paintings from the late 1960s made him a pioneer in the Los Angeles - based Light and Space Movement, along with such artists as Larry Bell and James Turrell.

Charlie James Gallery is delighted to present Self - Titled — the first gallery solo show by L.A. artist Michelle Andrade in our new space at 969 Chung King Road.

In 1957, she moved to Coenties Slip — lower Manhattan's hotbed of artistic exchange — where the waterfront neighborhood's deserted industrial loft spaces (in which sails were once made) drew such renegade artists as Ellsworth Kelly, Robert Indiana, and James Rosenquist.

Often referred to under the umbrella term «Light and Space,» the artists and artwork included in this exhibition and catalogue present a more inclusive overview of the ground - breaking and diverse art practices that flourished in California in the 1960s, including rarely seen works by Peter Alexander, Larry Bell, Laddie John Dill, Robert Irwin, Craig Kauffman, John McCracken, Helen Pashgian, James Turrell, De Wain Valentine, and Doug Wheeler.

Over the course of 2012 and «13, James Verhille, Damien Sayer, and Fiona Valentine Thomann assembled in Berlin to develop a plan to create a space where artists could be artists.

Ms. Holt, who lived and worked for many years in Galisteo, N.M., was one of the few women to pursue monumental sculpture in the American West, a place whose wide - open spaces drew a generation of restless artists like Michael Heizer, Walter De Maria, James Turrell and Robert Smithson, whom Ms. Holt married in 1963.

On April 20th, Brooklyn space MUDDGUTS opened a killer group show featuring the works of four celebrated artists - Alicia McCarthy, Lydia Fong (aka Barry McGee), Todd James and Steve Powers.

Previous Selectors for the White Columns Annuals The inaugural «Annual» exhibition in 2006 was selected by White Columns» Director Matthew Higgs; the second in 2007 was selected by independent curator Clarissa Dalrymple; the third in 2008 was selected by curator and writer Jay Sanders; the fourth in 2009 was selected by Miriam Katzeff and James Hoff of Primary Information; the fifth in 2010 by curator and writer Bob Nickas; the sixth in 2011 was selected by the artists Ken Okiishi and Nick Mauss; the seventh in 2012/13 was selected by Artists Space curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling; the ninth in 2015 was selected by Cleopatra's — Bridget Donahue, Bridget Finn, Colleen Greenan, and White Columns» Deputy Director and Curator Erin Somerville; the tenth in 2016 was selected by White Columns» Director Matthewartists Ken Okiishi and Nick Mauss; the seventh in 2012/13 was selected by Artists Space curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling; the ninth in 2015 was selected by Cleopatra's — Bridget Donahue, Bridget Finn, Colleen Greenan, and White Columns» Deputy Director and Curator Erin Somerville; the tenth in 2016 was selected by White Columns» Director MatthewArtists Space curator Richard Birkett; the eighth in 2013/14 was selected by independent curator Pati Hertling; the ninth in 2015 was selected by Cleopatra's — Bridget Donahue, Bridget Finn, Colleen Greenan, and White Columns» Deputy Director and Curator Erin Somerville; the tenth in 2016 was selected by White Columns» Director Matthew Higgs.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Other speakers will include artist and writer James Bridle, writer and Goldsmiths lecturer Mark Fisher, SPACE curator Paul Pieroni, senior curator at the V&A Kieran Long, and writer Charles Graeber.

Thomas Solomon and Jancar are the most established venues, while Actual Size, Charlie James, and the other galleries there tend to emphasize emerging artists, making them a good match for artist - run spaces such as Human Resources and Favorite Goods.

Recent years have seen vast new spaces opened on or near Highland Avenue by Regen Projects — with 20,000 square feet of exhibition space for such local superstars as Doug Aitken, Raymond Pettibon, Lari Pittman, and James Welling — and Perry Rubenstein, who built a 10,000 - square - foot site for work by such artists as Candice Breitz, Zoe Crosher, Georg Herold, and Alex Katz.

McDowell met Hannah Barry at Chelsea Space gallery in 2006 and became friends, often meeting at Lyndhurst Way to discuss plans and ambitions with artists such as James Balmforth, Oliver Griffin, Christopher Green and Bobby Dowler who managed the squat, its residents and also invited individuals for periods of stay.

James Marshall - commonly known as the artist Dalek - made his mark in the art world with his iconic Space Monkey character and has since then evolved onto simpler, more minimal geometric paintings an

An excerpt from Time Out Bejing: ALTERNATIVE ART: TELESCOPE As a non-profit gallery, Telescope offers an alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - based space.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.