Sentences with phrase «space artists embraced»

Not exact matches

As visitors to his full - dress, full - floor Whitney retrospective will perceive from the moment they get off the elevator and are confronted by the mural - length 1999 painting Das Erdbeben in Chili [M # 3], the 79 - year - old artist has evolved to embrace riotous colors, unwieldy materials, and explosive forms in his recent work — even as younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working Space.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

The term came to refer to the work of artists who playfully flirted with Op art, Minimalism, and geometric abstraction with an emphasis on transcendentalist levity, boundary - dissolving luminescence, and — in place of New York Minimalism's hard - edged industrial materials — an embrace of cutting - edge space - age fabrication methods.

Emotional Architecture, refers to the name that that he and artist Mathias Goeritz coined for their latest approach to modernist buildings; they rejected cold functionalism to embrace space, colour and light and create structures that encouraged meditation and reflection.

Abstraction is out, and the figure is in; flatness is out, as artists begin to embrace a space that lies somewhere between reality and a digital simulacrum of it.

Emerging Artists Energize the Sunroom Project Space 2018 New Grants Elevate Access to The Arts Spring Exhibition Explores Birds and Their Habitats Embrace the World of Birds at Wave Hill this Spring Announcing 2018 New York Community Trust Van Lier Fellows

These artists embraced and emphasized the negative space of the paper, the qualities of printed ink, as well as the distinct edges and surfaces of both the paper and printed forms.

By creating a space in which to question and dislodge socially constructed mores, the artist embraces the fluidity of GLBTIQ culture.

Artist German Stegmaier creates drawings that embrace four - dimensional spaces and paintings of simply layered and nuanced colors.

The answer was that, for us, artists like Levine and Bender have deliberately and steadfastly embraced a «critical» practice — work that is, at its core, committed to challenging the dominant culture and creating a space for debate — while those like Prince and Koons did not do so consistently over time, up to and including their most recent work (although individual works by both artists might arguably be described as such).

By launching Recess in a storefront space in Soho, once a neighborhood amenable to the emerging artist studio but now dominated by a prohibitively established arts community, we began challenging our surroundings to embrace changing modes of artistic production and reception.

Project space that gravitates toward visual and performing art that does not suppress emotional intensity and we encourage more contemporary artists to embrace the personal as political.

Space and Time investigates two significant artist - run projects, 112 Chambers Street and 79 Park Place, which occupied different conceptual terrains, embraced a wide range of media, and shared an interest in exploring temporality and geo - spatial dimensions.

Giving street artists a voice and space to exhibit, Known Gallery embraces artists who draw outside of the lines and desire to communicate their message on the gallery walls and outside on the streets.

Begun by a collective of six art curators and organisers in 2001, ARTS INITIATIVE TOKYO is a non-profit space that organizes various artistic programmes and projects, including an artist - in - residence program and Making Art Different (MAD), which embraces new approaches to contemporary art.

Lina Alattar's solo exhibition, Embracing Abstraction, is part of Hillyer's Art Space Typecast, an all media exhibition that will showcase artists whose work expresses, explores and questions ideas about identity.

Good Senses will run through February 21st at the 101 / EXHIBIT West Hollywood space, located at 8920 Melrose Ave on the corner of North Almont Drive, one block south of Santa Monica Blvd. Embracing the freedom of working on paper — in sketches, collages, gouaches — the artists in Good Senses experiment with color, pattern, and shape.

By embracing the subject of landscape as a sculptural possibility in a myriad of accomplished forms, mediums, and materials, the artist's extraordinary exhibition at MASS MoCA, As Above So Below, explores space, place, and time as perceived by the «ambulatory viewer.»

It embraces few generations of artists working in the country, without accentuating any particular medium the show gives space to wide range of practices.

The Faces of Evil 1939 - 2009, Ars Cameralis Culture Institution, Katowice, PL Blue Moon Over, screening 200 Artworks - 25 Years, Artists» Editions for Parkett, 21st Century Museum of Contemporary Art, Kanazawa, JP T - Tris, B.P.S. 22 Space for Contemporary Creation, Charleroi, BE Exposition Fleuves, Cneai =, Chatou, FR Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen, DK This Way Up, Eastside Projects, Birmingham, UK Time / Bank, e-flux, Frieze Art Fair, London, UK Drawing Gifts 6th Annual Benefit Auction, The Drawing Center, New York, US Phasezéro / 96 propositions spatiales, Galerie Serge Aboukrat, Paris, FR Time Festival, City of Ghent, BE Sol Lewitt Keith Sonnier Lawrence Weiner, Leo Castelli Gallery, New York, US Embrace!

Masters of their primary mediums and inspired by cultural specificity, each artist expands their artistic practice to embrace installation with works that fully engage the audience in constructed objects, the spaces they inhabit, and the concepts they conjure.

The texts by Annette Amberg and Simone Neuenschwander embrace the exhibition and the different viewing directions into and at spaces as well as the newly produced works by the artists.

With their emphatically horizontal spatial development, lack of internal armatures, and embrace of empty space as a physical platform, these works were clearly connected to those of approximate peets like Richard Serra, Keith Sonnier, and Bill Bollinger, and to European artists, particularly those associated with arte povera, such as Luciano Fabro and Mario Merz.

However, Hauser Worth & Schimmel has taken the advantages of expansive space to a new level by embracing the other major difference of the L.A. art world: that it is «artist - driven,» rather than «commercially driven,» as Schimmel says.

«The title of the exhibition references the name given to the style of modernist architecture conceived by Barragán and the artist Mathias Goéritz, who, frustrated by the cold functionalism of modernism, embraced space, colour and light to create buildings that engendered warmth, meditation, and reflection,» said Sean Kelly Gallery, which will show the images later this month.

The artist began making wire sculptures in the late 1940s following her enrollment at Black Mountain College in North Carolina, where she absorbed the teachings and influences of Anni Albers (whose work is also included in Making Space), Josef Albers, Buckminster Fuller, and Merce Cunningham, among others, and embraced her own vocation as an artist.

The title of the exhibition references the name given to the style of modernist architecture conceived by Barragán and the artist Mathias Goéritz, who, frustrated by the cold functionalism of Modernism, embraced space, color and light to create buildings that engendered warmth, meditation, and reflection.