Sentences with phrase «space movement known»

Not exact matches

If we allow Blake's apocalyptic vision to stand witness to a radical Christian faith, there are at least seven points from within this perspective at which we can discern the uniqueness of Christianity: (1) a realization of the centrality of the fall and of the totality of fallenness throughout the cosmos; (2) the fall in this sense can not be known as a negative or finally illusory reality, for it is a process or movement that is absolutely real while yet being paradoxically identical with the process of redemption; and this because (3) faith, in its Christian expression, must finally know the cosmos as a kenotic and historical process of the Godhead's becoming incarnate in the concrete contingency of time and space; (4) insofar as this kenotic process becomes consummated in death, Christianity must celebrate death as the path to regeneration; (5) so likewise the ultimate salvation that will be effected by the triumph of the Kingdom of God can take place only through a final cosmic reversal; (6) nevertheless, the future Eschaton that is promised by Christianity is not a repetition of the primordial beginning, but is a new and final paradise in which God will have become all in all; and (7) faith, in this apocalyptic sense, knows that God's Kingdom is already dawning, that it is present in the words and person of Jesus, and that only Jesus is the «Universal Humanity,» the final coming together of God and man.

To those who know and love it, there is no greater and more satisfying exercise of our mental powers than classical music, which provides imagined movements in an imagined space that work by their own inner conviction toward closure.

I also think that with the two of them have excellent movement and the ability to find pockets of space in behind and we all know that we have the creative players to find them in Jack, Mkhi and Mesut.

We at JLM are proud to oppose the actions of the Israeli government but do you know that every time comrades in this room and around the party seek to delegitimise us as a voice in this party the impact that it has back in Israel is to provide fodder for the Israeli right and election leaflets from Netanyahu telling them that Europe is riddled with antisemitism where even left wing Jewish movements have no space to operate?»

We know there's a connection between motor movement and brain development, yet traditional learning spaces often aren't designed for motor skill — development activities.

Whether it is «no - excuses» schools sucking up most of the charter school movement's oxygen (and funding, and cap space) or the rush to adopt new classroom technologies before teachers are ready (or want) to use them, reformers often get ahead of themselves in their quest for scale.

He helps pushy large dogs know that little dogs need more space and more calm movements when being approached.

As you know, the visual characteristics of artwork are lines, colors, values, shapes, textures, space, and movement.

In the early 1960s, while much of America and Europe was fascinated with the new wave of Pop Artists, Southern California quietly gave rise to a very different aesthetic revolution known as the Light and Space movement.

Similar to the New York Minimalists, the Light and Space movement, as it is now known, was closer to a loosely defined sensibility than an organized collective.

These works, no longer for the eye alone, make the act of seeing part of bodily movement through space, as they change their shapes with each shift in perspective.

Pulled from raw material through the history of its function, the object made from an entire reclaimed bannister records the movements of the body through space when the body is no longer there.

Best known for sculptures made out of everyday materials that address issues of space, light, volume, time, and movement, Shotz's use of steel wire and colorful thread or yarn is a means of combining sculpture with drawing.

Although Corse, who is still making work today, is often lumped together with artists of the 1960s Light and Space movement — Larry Bell, Doug Wheeler, John McCracken — she didn't know those artists at the time, and wasn't even aware of their work.

One of the pioneers of the West Coast «Light and Space» movement, Irwin started out as an abstract painter but is now known for his architectural interventions made with translucent scrims, light tubes, and natural light (one of which, Excursus: Homage to the Square ³, is currently on view at Dia: Beacon).

Using modernist aesthetics and ideals elucidated by the Russian constructivists and the Bauhaus school — both of which are movements known for their utopian aspirations — Cerrillo makes steel frames that outline empty gallery space, exploring the failure of Modernist abstraction to connote real meaning.

A pioneer of the abstract art movement in the 1950s, Sandra Blow is best known for her monumental canvases experimenting with abstract form, rhythm, light, space, and texture.

Examples include Patio Taller, a performance space and grass - roots educational center in the industrial zone of San Antón that organizes a «theater of the oppressed» to address issues affecting their community; the collective transformation of the hillside town of El Cerro, Naranjito into a living mural that is socially and artistically charged; intergenerational workshops known as Escuelas Oficios (Trade Schools) that are recuperating artisanal traditions threatened by modernization and colonialism, such as weaving, lace making, and basketry; the revitalization of blighted properties and neighborhoods through participatory urban design of community centers, public parks, urban gardens, and food cooperatives; and the aesthetic and physical reclaiming of public space through movement by artist Noemí Segarra.

In this unexpected otherness I recognised the roots in a place, I have defined the map of my movements, I understood the urgent need to rethink the space, no longer understood as aesthetic of endless memories, but as a key element of existence.

«We know quite a bit about the internal defense mechanisms bacteria use to evade antibiotics but we don't really know much about their physical movements across space as they adapt to survive in different environments,» said study first author and research fellow in systems biology at HMS Michael Baym.

While Minimalism and Cubism have influenced Nolan's work, he also draws inspiration from lesser - known movements such as Pattern and Decoration and Op Art, addressing shifting perception of two and three dimensions; illusionist (plastic) space vs. real dimensionality.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Hito Steyerl: Artists Space For a wild look at what «the expanded field of cinema» might mean in the future, look no further than this brilliantly visual, powerfully political artist who uses scenes of aircraft boneyards in California, an interview with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays about information, power, the movement of capital, logarithms of the mind, and the human body.

Nipper is known as a artist who works with video, installation and live performance to explore movement, particularly ritualized gestures, and space.

Starting in the mid 1950s, the movement known as concrete poetry sought to explore the space between poetry and visual art, creating works that were visual (words in shapes and 3 - D form) but also played with the sound and cadence of language.

Inspired by Modernist architecture, Cubism and the Arts and Crafts movement, Bohl's work is well known for its highly effective and quasi-theatrical use of space.

Another important figure in the movement was Carl Andre, who shared a studio space with Stella and whose sculpture was exhibited for the first time in 1964, known for his use of materials such as bricks and metal plates arranged in simple geometric compositions positioned on the floor.

Situated in the Town Square on Pier 94 is a new commission by Tara Donovan, who is known for her command of vast spaces with accumulations of a single material that triggers our perception of infinity, movement, and the relation of parts to a whole.

[3] He drew their movements and strength up close and even sent them in his 1970's paintings to explore outer space for a new home, should planet Earth no longer support life.

Known for his immersive environmental spaces and his experiments with light, Doug Wheeler (born 1939) helped pioneer both the material and conceptual approach behind the Light and Space movement.

Born in the former Yugoslavia, long - time Los Angeles - based artist Vasa arrived in the United States just in time to help significantly shape what would become known as the Light and Space movement, which found its nascence in 1960s California.

Grosse is known for her work employing bold colors and ambitious movement in order to transcend, open, and test the limits and boundaries defining space.

Above the tropopause these limits are no longer present enhancing the movement of radiation to space.