HELEN FRANKENTHALER (1928 - 2011) Yellow
Span aquatint in colors, 1968, on Richard de Bas paper, signed and dated in pencil, numbered 15/75, published by ULAE, West Islip, New York, with their blindstamp, with wide margins, the yellow attenuated, light - staining, framed Image: 14 3/4 x 18 5/8 in.
Not exact matches
Lothar Götz has created a new
aquatint in an edition of 30 to accompany his site specific wall - painting which
spanned the entrance of The London Open 2015, the Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.
Among the art chosen by Anderson and acquired especially for the space are Works by Edmund de Waal, Richard Smith, Gloria García Lorca and perhaps most prominently, a wall -
spanning handpainted
aquatint print by Sir Howard Hodgkin on the theme of past present future.
Helen Frankenthaler Yellow
Span 1968
Aquatint in colors, on Richard de Bas Auvergne à la main paper, with full margins, I. 13 3/4 x 18 5/8 in (34.9 x 47.3 cm) S. 19 3/4 x 26 in (50.2 x 66 cm) signed, dated «68» and numbered 30/75 in pencil (there were no recorded artist's proofs), published by Universal Limited Art Editions, West Islip (with their blindstamp), unframed.
Spanning from Johns's early gridded and layered numbers of the 1960s to the 2010 etching and
aquatint Fragment of a Letter — based on an excerpt of a van Gogh missive and rendered in both stenciled type and American Sign Language pictographs — these puzzles compose a half century's exploration of the complexities not just of image making but of representation itself.
It includes 75 vividly colored graphic works — etchings, engravings,
aquatints, lithographs, collagraphs, screenprints, photo projections, and monotypes — all created over a
span of thirty years.
Helen Frankenthaler (American, 1928 - 2011) Yellow
Span, 1968 color
aquatint, ULAE, pub.
Helen Frankenthaler Yellow
Span 1968
Aquatint in colors, on Richard de Bas Auvergne à la main paper, with full margins, I. 13 3/4 x 18 5/8 in (34.9 x 47.3 cm) S. 19 3/4 x 26 in (50.2 x 66 cm) signed, dated «68» and numbered 4/75 in pencil (there were no recorded artist's proofs), published by Universal Limited Art Editions, West Islip (with their blindstamp), in very good condition, framed.