Schueler's early painting, exhibited at his 1954
Stable Gallery solo show, evoked nature's atmospheric and rhythmic force.
Not exact matches
De Kooning had her first
solo exhibition at the
Stable Gallery in New York in 1952 and exhibited almost annually thereafter throughout the United States, including shows at the Pennsylvania Academy of the Fine Arts, Philadelphia, and Washington
Gallery of Modern Art in 1964.
Her first
solo exhibition occurred at the
Stable Gallery in New York in 1952 and she presented almost annually at numerous institutional and commercial
galleries throughout the United States.
She was acclaimed worldwide, as we can see in her participation in international exhibitions that year, most notably the Venice Biennial, along with
solo shows at the
Stable Gallery in New York nearly every year.
Krasner's first
solo exhibition was held at
Stable Gallery in 1955, first retrospective - at Whitechapel
Gallery in 1965, first
solo show - at Whitney Museum in 1973.
Her first
solo exhibition was in 1952 at the
Stable Gallery in New York.
In 1964, her second
solo exhibition at the
Stable Gallery drew over 2,000 people a day.
«Made of glazed and fired clay, Rosen's primary medium, and not more than a few feet high... the sculptures seem to have neither fixed contours nor
stable shape; even their scale appears to shift as you look... not so much covered with as compounded of hundreds of writhing, snakelike elements, they are variously volcanic, beastly, catastrophic and unnervingly funny, suggesting things going terribly wrong, but not yet irreversibly...» Nancy Princenthal Rosen's work has been in many
solo shows in museums, commercial
galleries and non-profit spaces.
Wilson had three
solo shows at Hansa, in 1953, 1955, and 1957, and also participated in important group shows during these years, including at Tanager
Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the
Stable Gallery on West 58th Street.
Stacked from floor to ceiling at his
solo exhibition at
Stable Gallery in New York in 1964, they prompted one bemused critic to ask, «Is this an art gallery or supermarket warehouse?
Gallery in New York in 1964, they prompted one bemused critic to ask, «Is this an art
gallery or supermarket warehouse?
gallery or supermarket warehouse?»
In 1953, following successful
solo exhibitions at the Frumkin
Gallery in Chicago and the
Stable Gallery in New York, Burri was included alongside Karel Appel and Pierre Soulages, among others, in James Johnson Sweeney's «Younger European Painters» at the Solomon R. Guggenheim Museum.
For the remainder of the decade, Stankiewicz's work was increasingly well received, and he participated in numerous group and
solo shows, including Young America 1957 at the Whitney Museum of American Art, Irons in the Fire at the Contemporary Arts Museum in Houston (1957), the Venice Biennale (1958), and a one - man exhibition at the
Stable Gallery in 1959.
His first
solo exhibitions in the United States took place in 1953 at the Allan Frumkin
Gallery, Chicago, and the
Stable Gallery, New York, that same year his work appeared in «Younger European Painters: A Selection (1953 - 54)» at the Solomon R. Guggenheim Museum.
In 1964, after a period of relative seclusion, she had her first
solo show in eleven years at the
Stable Gallery, New York.
He was a regular at the Cedar Bar alongside Jackson Pollock, Willem de Kooning and Franz Kline and enjoyed three
solo exhibitions at the seminal
Stable Gallery.»
Giorno met Warhol later that year at his first
solo show at the
Stable Gallery, and the two became close friends and lovers.
Drawn exclusively from museum and private collections, this will be the first exhibition devoted entirely to this body of work since the artist's 1965
solo show at the
Stable Gallery, New York, over fifty years ago.
Marilyn was the centerpiece of Warhol's
solo exhibition at the
Stable Gallery in November 1962.
Despite her early successes and the fact that she was a respected member of the New York School, Bourgeois had only one
solo show — her 1964 exhibition at the
Stable Gallery — in a period of over twenty years (from 1953 to 1974).
When Tworkov did complete Barrier (1958), which is the first in a series of seven paintings, it was included the next year in his third
solo exhibition at the
Stable Gallery (April 6 - 25, 1959), and purchased directly from the
Stable by Mr. and Mrs. H. Gates Lloyd.
Janice Biala's work has been exhibited extensively both nationally and internationally during her lifetime with seven
solo shows at the
Stable Gallery and in five Whitney Museum Annuals.
The two attended events together and each exhibited their work in
solo shows at Eleanor Ward's
Stable Gallery as they came to be identified with the rising pop art movement.
After her first
solo exhibitions at the
Stable Gallery (1952, 1954, 1956), she showed in a number of other
galleries, including Graham, Gruenebaum, and Washburn in New York and the Dord Fitz
Gallery in Amarillo, Texas.
Opening: «Luc Tuymans: Le Mépris» at David Zwirner One of the stars of the David Zwirner
stable, Belgian painter Luc Tuymans returns for his 13th
solo show with the
gallery with a selection of new canvases painted over the past year.
The
gallery also used ZsONA MACO as an opportunity to present the work of local artist Gabriel de la Mora, who just joined their
stable and will have a
solo show at the
gallery in March.
Detailed Description: In 1962, Eleanor Ward's
Stable Gallery hosted Robert Indiana's first New York
solo exhibition.
In 1962, Eleanor Ward's
Stable Gallery hosted Robert Indiana's first New York
solo exhibition.
The
Stable Gallery hosted early
solo New York exhibitions for artists including Robert Indiana and Andy Warhol.
For the coveted
gallery exhibition slot during Frieze Week, Hannah Barry chose two stalwarts of her
stable: James Capper and Shaun McDowell, presenting
solo shows of new work on each of the two floors of the South London
gallery space.
Originally taken for potential use in association with Thek's
solo exhibition at
Stable Gallery, many images in this series providentially document the making of his infamous sculpture The Tomb / Death of a Hippie.
What are the chances that a 26 - year - old artist, even a very talented one, would be given his first
solo show at the venerable Hiram Butler
Gallery, whose
stable of A-list artists includes the luminaries James Turrell and Michael Petry?
His first
solo show, «In Motion», was at the
Stable Gallery in Wandsworth.
In 1962 he met Andy Warhol during Warhol's first New York Pop Art
solo exhibit at Eleanor Ward's
Stable Gallery.
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller
Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe
Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller
Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan
Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan
Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller
Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes
Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller
Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman
Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran
Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art
Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson
Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee
Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria
Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines
Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979
Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons
Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner
Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner
Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson
Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson
Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965
Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New
Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell
Gallery, Southern Illinois University, Carbondale Dwan
Gallery, Los Angeles Recent Paintings by Joan Mitchell
Stable Gallery, New York Holland - Goldowsky
Gallery, Chicago 1960 Galleria dell «Ariete, Milan
Gallery Neufville, Paris 1958
Stable Gallery, New York 1957
Stable Gallery, New York 1955
Stable Gallery, New York 1954
Stable Gallery, New York 1953
Stable Gallery, New York 1952 New
Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul
Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane
Gallery, Lake Forest
Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943
Solo exhibition Francis Parker School, Chicago
Previously exhibitions include: Soul Hackers — with Kate Steciw, Lvey Delval, Brussels (2015); Close Both Eyes To See, Obsolete Studio, Brussels (
solo, 2015); Don't look a gift horse in the mouth, The
Stable, Waregem (2015); V.I.P., Hole of The Fox, Antwerp (2014); Soft Intensities, Gloria Knight
Gallery, Auckland (2014); The New Beauty of Our Modern Life, Higher Pictures, New York (2014); Bad Gateway, Elaine Levy Project, Brussels (2013)
VITRINE Bermondsey Street represents a growing
stable of artists and presents
solo, two - person and group exhibitions at VITRINE's main
gallery space.
Elaine de Kooning had her first
solo exhibition in 1952 at the
Stable Gallery.
In his first
solo show at the
Stable Gallery in 1962, the iconography that would go on to define him was already present: the silkscreened Marilyn Diptych, 100 Soup Cans and 100 Coke Bottles.
the
Stable Gallery, whose advocacy for the younger Abstract Expressionists was unparalleled, and would have three solo exhibitions at the gallery by the end of the
Gallery, whose advocacy for the younger Abstract Expressionists was unparalleled, and would have three
solo exhibitions at the
gallery by the end of the
gallery by the end of the decade.
He has had numerous
solo shows at major
galleries such as the Luise Ross
Gallery, New York, NY, Peter Findlay
Gallery, New York, NY, The Columbus Museum, Columbus, GA, Hackett - Freedman
Gallery, San Francisco, Claude Bernard
Gallery, New York, NY, Alpha
Gallery, Boston, MA and showed his works during the 1960's in the
Stable Gallery, New York, NY.
(ii) Two years later, the Kootz
Gallery held his second
solo exhibition, and Baziotes joined Kootz's
stable of artists.
Queen, was first exhibited in a
solo show the
Stable Gallery in April 1957 (the artist's third solo show at the gallery and fourteens of this c
Gallery in April 1957 (the artist's third
solo show at the
gallery and fourteens of this c
gallery and fourteens of this career).
[31] Andy Warhol's first New York
solo pop art exhibition was hosted at Eleanor Ward's
Stable Gallery November 6 — 24, 1962.