Stage action shots, create a comfortable setting and show the world your best side.
Not exact matches
Perversely (if unsurprisingly) for a big - budget historical epic, Scott
stages most of his «
action» in undistinguished, ground - level medium
shots and flip - flopping close - up dialogue sequences; after an hour of this, one's starvation for a few picturesque vistas is only briefly sated by a lovely
shot of the Thames Estuary, or Robin and his men's first arrival in Sherwood under sun - dappled branches.
The
stages themselves are filled with over-the-top
shooting action and twitch gameplay, so they're good for some kicks, even if Neo Contra ultimately doesn't provide much depth or challenge.
His performance truly does rank with his best, with the performance subtle and quiet, but also
action driven, with Cooper
staging some really impressive
shoot - outs and pursuits.
Leitch is a former stunt coordinator who knows how to
shoot intense, expertly
staged action scenes, and luckily, that's just what this sequel needed.
And as Flan and Ouisa recount their story to increasingly prurient groups of friends, the persistent emphasis on audience reaction
shots implicates us as viewers but equally reinforces the impression of «
staged»
action.
Gone are the ludicrous but gorgeously choreographed set pieces Fuqua is known for, replaced by generically brown villains, incompetently choreographed
action, and jarringly stock footage stitched together with badly mismatched sound
stage shots.
Yet the good cheer of the performers is infectious, the script contains a few satisfying surprises, and the
action scenes are crisply
staged and cleanly
shot.
Unlike other moviemakers who speak of «subtle» use of 3 - D, Zemeckis revels in the medium,
staging shots with people and objects in the foreground and various planes of
action.
The subject of guns in schools also might hit the Dolby Theatre
stage as DeKalb Elementary, favored in the Live
Action Short category, deals with a potential school
shooting thwarted by a 911 call.
The
action is brilliantly
staged and
shot,» and «the all - star cast is perfection.»
This guy knows how to
stage,
shoot and cut
action.
The
action is brilliantly
staged and
shot, the climax evoking (and equaling) the dizzying nightclub opening of «Indiana Jones and the Temple of Doom.»
Basically, it's a hodgepodge of
shots that don't match, seemingly created by people who have no idea of how to
stage action.
Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and
staging the
action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips,
shot in long takes and with appropriately edgy and shaky handheld camera work.
From the looks of things the picture was always simply meant to be a series of spectacular
action set - pieces — and in the
staging of said set - pieces, television director Abrams forgot that he had the option of
shooting in something other than extreme close - up or respectful medium.
Soon enough, however, Chon — who clearly knows his way around physical
action — was managing some very nice recoveries after
staging his fall from the bull, and director of photography Stacey had mostly finished the
shot.
Other special features include, Tim McGraw: Off the
Stage, Player Cam
Action Shots, and some Deleted Scenes.
There's few men standing who can handle edge - of - your - seat
action / drama like Ayer, so he might be what Schwarzenegger's late
stage career needs — a
shot of adrenaline to the heart.
In an early scene, Sanders
stages the
action with a nod to Christopher Nolan's Dark Knight trilogy, with skyline
shots framing Major as a sole avenger amid a festering city rife with crime and the glow of neon lights below suggesting a world of excitement and carnal possibilities.
We will cover topics such as: Advantages of mixed reality, origin of the idea, Adapting Colin's streaming tech to work in Post Production, Camera Choice, Frame Rate, Slating & World Rotation, The Green Screen
Stage &
Shooting on Set, Capturing first person VR footage, Post Production & Compositing mixed reality footage, Footage Calibration & Alignment,
Shooting Contraptions in the living room, Editing live
action VR reactions, Unresolved Problems & Hope for the Future Attendee Takeaway The audience will understand how to create mixed reality livestreams and trailers for their own VR projects.
While this would give reason for most god - knights to set off on an RPG - style adventure, Landis is a man who knows time is money and rightfully flies off to seven
stages of
shooting action.
Metagal features classic jump and
shoot action, 8
stages with unique environments, 30 different enemy types, boss fights, secret items to power up your character, and a soft death penalty «Gear» system that lets resolve mistakes with less frustration.
Now here's where things get a little more interesting; after every Turrican-esque
action stage follows a more familiar NG: Dev.Team
shoot - em - up
stage.
Colin Moriarty of IGN chose the very cool
action shot from Propeller Knight's
stage — Flying Machine.
When Duncan lived in L.A. in the»70s, he was known for
staging actions that were (to put it delicately) abject and raw, such as
shooting at a pair of friends with a pistol loaded with blanks.
Most importantly, it doesn't feel like a gimmick; I can see myself using it for all sorts of
action shots, including the finish line at a bike race, a spectacular
stage dive at a concert, or my baby cousin's first steps.