Sentences with phrase «standard free magazine»

The Evening Standard free magazine is on offer Thursdays and Fridays.

Not exact matches

They are used for reproduction in Jersey Standard's own magazine, The Lamp, and the other thirty - eight company publications, and given free to any magazine, newspaper, or publishing house that wants to use them.

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Standard membership includes: posting your profile at SeniorFriendFinder.com for free, access chat rooms and take advantage of instant messaging, limited use of search options, access to interactive magazine and the ability to respond 10 letters every 24 hours.

The 100 % free Standard Membership of ALT.com allows the members to chat, send messages, browse through the profiles and access the interactive Magazine.

Standard Membership Features • You can look for local members of the site, after joining in as a member; • You can send and receive winks; • You can use a messaging service and can set some limited functionality preferences; Sliver Membership Features • You can view the members and contact any you may like; • Your profile will be second in inquiries, after Golden members; • You have the chance the meet the new members that interest you; • Have access to any fetish video or live intros made by other members; • The access to blogs, magazines and groups is limited; • A friendly customer support 24/7; Sliver Membership Price If you like the Silver Membership, there are three versions of payment for it: • 1 month membership for $ 19.95, billed in a single payment; • 3 months membership for $ 11.99, billed in a single payment of $ 35.97; • 12 months membership for $ 8.95, billed in a single payment of $ 107.40; Gold Membership Features • View the profiles of other members and contact the ones you like; • Your profile will show up in the top of search results; • When new members appear, you are the first that has the privilege to contact them, if you like; • You will enjoy a full access to any video or live intro; • Full access to blogs, magazines and groups; • A friendly customer support 24/7; • You will access to extra-large photos; • Have access to the ID's of ICQ, AIM, YIM, and MSN of all members in your network; Gold Membership Price If you want to benefit from all the features offered by the Gold Membership, you can choose from any of the available payment plan: • 1 month membership for $ 29.95, billed in one single payment; • 3 months membership for $ 14.99, billed in a single payment of $ 59.97, with one month offered for free, so you get 4 months of membership at this price; • 12 months of membership for $ 8.95, billed in a single payment of $ 161.10, with 6 months offered for free, so you get 18 months of membership at this price.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

But when Jackson Pollock was featured on the cover of Life magazine with his free - spirited swirls, American modern art became the gold standard.