Sentences with phrase «state crafts exhibition»
Fifth [Eighth] Texas State Crafts Exhibition, pamphlet, 1956; Dallas, Texas.
https://texashistory.unt.edu/ Not exact matches
On May 23, focus will be on the talents and ingenuity of pupils and students as the state host the Science, Arts and Crafts Exhibition by Junior and Senior Secondary Schools across the Sstate host the Science, Arts and Crafts Exhibition by Junior and Senior Secondary Schools across the StateState.
She has had a solo exhibition at the Santa Monica Museum of Art, and has been included in numerous group exhibitions including at the Craft and Folk Art Museum, the Camera Club of New York, Metropolitan State University in Denver, and San Francisco State University.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforcecraft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in WilberforceCraft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.
Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24
Saturday, November 12 The Legacy of the California Design Exhibitions: Creating a Forum for Craft and Design Craft in America and LACMA collaborate to present a day of panel discussions and film screenings in conjunction with the exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 198Exhibitions: Creating a Forum for Craft and Design Craft in America and LACMA collaborate to present a day of panel discussions and film screenings in conjunction with the exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 198exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 1985 at CAFAM.
Davis» record as an artist and a curator is equally illustrious, including exhibitions at Studio Museum of Harlem, American Craft Museum, Renwick Gallery, Maryland Institute College of Art, Savannah College of Art and Design, Anacostia Museum, National Museum of Art of Senegal West Africa, United States Embassy Accra, Ghana and Museum fur Angewandte Kunst (Museum of Applied Arts, Frankfurt, Germany.
Selected exhibitions consist of Frances Trombly: Over and Under at Locust Projects, Miami (2013), included in Americana: Formalizing Craft, Perez Art Museum Miami (2013) and united states, The Aldrich Contemporary Art Museum, Ridgefield, CT (2012).
While the objects in this exhibition do not seem to share any formal or technical common denominator, they nevertheless coalesce into a narrative about the development of craft, particularly as it came into being in the United States during the postwar period.
As a curator, critic, and educator, she has been a Lecturer in art practice, history, and theory at Otis College Graduate Public Practice Program, San José State University, College of Marin, and UC Berkeley; curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served as a past board chair for Kearny Street Workshop and for the Northern CA chapter of ArtTable.
Exhibited in over 150 national and international exhibitions since 1966, his work is shown throughout the United States and the Netherlands, and was part of the Craft in America traveling exhibition.
Since 1965, Tennessee Craft has been the only networked community of craft artists across the state, with local chapters and regional opportunities for talent growth, professional development, and one - of - a-kind exhibitCraft has been the only networked community of craft artists across the state, with local chapters and regional opportunities for talent growth, professional development, and one - of - a-kind exhibitcraft artists across the state, with local chapters and regional opportunities for talent growth, professional development, and one - of - a-kind exhibitions.
Selected as one of twenty outstanding women artists of Tennessee, Juried by Beth Wilson, Director of The National Museum of Women in the Arts in Washington, DC 1997 Sculpture Garden, Chattanooga, TN 1997 48th Mid-States Art Competition, Evansville Museum of Arts and Sciences, Two Museum Purchase Awards (Nancy Hoffman, Juror) Evansville, IN 1995 Artstravaganza, 1995, Hunter Museum of Art, Juried Art Exhibiti, Chattanooga, TN 1995 Bell South Exhibition of Collection, (four pieces purchased for the corporate collection), Bell South, Nashville, TN 1995 Tennessee Crafts Showcase, Tennessee State Museum, Nashville, TN 1995 The Self - Portrait: From Carrots to Canines, Cheekwood Museum of Art, (curated by Marilyn Murphy), Nashville, TN 1995 Animate / Inanimate, Tennessee Arts Commission Gallery, Nashville, TN 1995 33rd Annual Mid-States Craft Exhibition, Evansville Museum of Art and Science, Evansville, IN 1995 From the Mountains to the Mississippi, Cheekwood Museum of Art, TN 1995 Exhibit sponsored by the National Museum for Women in the Arts. 1995 Water Tower Annual, Water Tower Museum, Louisville, KY 1992 New Works Series, Capitol Arts Center, Bowling Green, KY 1991 44th Annual Mid-States Art Exhibition, Evansville Museum of Arts and Science, Evansville, IN (Bud Harris, Juror) 1991 Mid-Cumberland Art Exhibition, Hendersonville Arts Council (Special Mention), Hendersonville, TN
«We have tried to be sensitive to the context and intentions of the artists,» Tom Eccles states, «but we have also tried to craft an exhibition that is contentious, provocative, and faithful to the character of the collection as a whole and the collector's bold and passionate choices over the past 40 years.»
Craft in America and LACMA collaborate to present a day of panel discussions and film screenings in conjunction with the exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 1985 at CAFAM.
Blunk's many solo exhibitions include shows at Blum & Poe, the Los Angeles Craft and Folk Art Museum, San Francisco Craft and Folk Art Museum and Oklahoma State University.
The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI
Recent exhibitions include the collaborative exhibition with Mike Bray at INOVA (Institute of Visual Art) in Milwaukee, WI; September Issue at Galerie Rob Koudijs in Amsterdam; State of Oregon Craft at the Museum of Contemporary Craft in Portland; and In Dialogue with the Baroque at Handwerkskammer fur Munchen and Oberbayern, Galerie Handwerk in Munich.
In her 50 - year career as an artist she participated in a long list of group and solo exhibitions including the Institute of Jamaica's Annual All Island shows, Victoria Craft Market Tercentenary, the Tom Redcam Library, US Universities of Minnesota and Morgan State College in Baltimore, with the Jamaica Tourist Board in Chicago and New York, The Gallery, Constant Spring, Jamaica Citizens Bank, Bank of Jamaica.
Examining how the state of making in today's globalized society has spurred a confluence of art, design and craft, this exhibition explores this trend in several distinctive cities throughout Latin America, where some of the most pertinent directions in art and design are emerging today.
Professional work experiences with The MOMA, The Edward R. Broida Collection and the Leonard Hutton Gallery enabled her to work directly with fine arts.Her work has also been exhibited throughout the United States including exhibitions at Duxbury Art Complex Museum (Duxbury, MA), James Library Gallery (Norwell, MA), Fuller Craft Museum (Brokton, MA), the Attleboro Art Museum (Attleboro, MA), Columbia University and Syracuse University (NY).
Sinha has participated in numerous group exhibitions and art events held in India including All India Fine Arts & Crafts Society, New Delhi; State Art Gallery, Hyderabad; and Artscape, Punjab.
Exhibitions include: Threewalls, Chicago Cultural Center, Hyde Park Art Center, Gallery 400, Illinois State Museum, The Bike Room, INOVA, the DeVos Art Museum, Hampshire College, Smart Museum of Art, SOFA Chicago, The Society of Arts & Crafts, Boston, and The Museum of Fine Arts, Boston.
Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!
His work has been shown in numerous group and solo exhibitions, and featured in The New York Times, Sculpture Review, Artnews and American Craft Magazine, as well as on NJTV's State Of the Arts.
Crafting Resistance Opening Reception: January 26th, 2017 5 - 8 pm Exhibition continues through March 28th, 2017 Visual Arts Center — Gallery One (Liberal Arts Building) The Visual Arts Center gallery at Boise State University has organized the exhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equExhibition continues through March 28th, 2017 Visual Arts Center — Gallery One (Liberal Arts Building) The Visual Arts Center gallery at Boise State University has organized the exhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equexhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equal rights.
Czibesz earned his MFA from San Diego State University and his BA from Humboldt State University, and has shown his work in solo and group exhibitions throughout the United States and internationally, including the Houston Center for Contemporary Craft, The Center for Craft, Creativity & Design, the Riga Porcelain Museum in Latvia, and the Ceramics Annual at Scripps College.