Sentences with phrase «state painting collections»

Her work is also part of the Bavarian State Painting Collections.

Highlights The museum's collection, which - like all the Pinakothek galleries - is managed by the Bavarian State Painting Collections includes one of the most outstanding holdings of Early Italian, Old German, Old Dutch and Flemish old master paintings in the world.

Bavarian State Collections receive 58 works from Engelhorn collection 58 works that once formed part of the collection of pharmaceutical billionaires Christof and Ursula Engelhorn have been donated to the Bavarian State Painting Collections by the Art Mentor Foundation Lucerne.

Not exact matches

I keep thinking that things stated to go bad for the velvet paintings business after the 1979 release of the movie «The Inlaws» which featured a South American dictator that had the world's greatest collection of Tijuana velvet paintings.

But spurred by her interest in saving one painting, Flora Doody soon discovered that scattered throughout the city and hidden underneath three - quarters of a century of grime — and, in some cases, a layer or two of paint — lay one of the largest collections of Progressive Era and New Deal murals in the United States.

In a beautiful, contemporary collection of paintings and free - verse poetry, 140 Texas artists and poets convey their love of Texas as a «state of mind,» not just a place.

Her award - winning paintings are in collections throughout the United States, Switzerland and Italy.

The art series is a collection of celebrity portraits digitally painted in gold in an immortalized state.

His work has shown in galleries and collections throughout Canada, the United States, Europe and Mexico, affording him the opportunity to meet with fans, which he finds exciting and says motivates him to paint more.

In addition to important paintings and works on paper, the Parrish collection includes an unusually large number of works in a less finished state, including some unstretched paintings on canvas and a large number of paintings on boards.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Artists — Americans, in some cases, expatriates in others — played key behind - the - scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.

She works in a variety of media — painting and photography alongside film, video and installation - and exhibits regularly in the United States, Europe and Mexico, with works held in major museum collections worldwide.

Some butterflies are perfectly formed whilst others are in various states of decay and still others are mere coagulated collections of oil paint.

His paintings have been shown nationally and are included in the collections of The Schomburg Center for Black Culture, Montclair State University, the United Nations, and Chase Manhattan Bank.

Titled Tarsila do Amaral: Inventing Modern Art in Brazil, the exhibition will examine do Amaral's production from the 1920s through approximately 130 works, including paintings, drawings, sketchbooks, and photographs drawn from collections across the United States, Latin America, and Europe.

Many works in the exhibition are drawn from major museums and galleries across the United States and Europe, and a number of paintings are borrowed from private collections, some of which have rarely been on public display.

February 24 - 25 Shawn Barber earned his BFA from Ringling College of Art in 1999 and has paintings held in private collections throughout the United States, Canada, Asia, Europe and Australia.

Examples include co-organizing the most comprehensive J.M.W. Turner survey mounted in the United States; publishing the first catalogs of the DMA's collections of African art, and Asian art; opening a paintings conservation studio; and securing the 15 - year loan of the prestigious Keir Collection of Islamic Art.

To the consternation of some and the delight of others, the painting is now housed less than two miles away from the Corcoran at the National Gallery of Art — a public museum that is arguably the most prestigious in the United States — where its been brought into the permanent collection.

As Lobel states, «While the reference images for most of Lichtenstein's signature Pop paintings are now known, the source for Mr. Bellamy, an important early canvas in the collection of the Modern Art Museum of Fort Worth, has long gone unidentified.»

2008 Abstract Painting, Galería Javier López, Madrid Joseph Albers, Donald Judd, Peter Halley, Galerie Thomas, Munich Painting: Now and Forever, Part II, Matthew Marks Gallery, New York Weight Watchers, Galerie Xippas, Paris The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The National Gallery of Art, Washington, DC (catalogue) Summer Exhibition, Waddington Galleries, London Out of Storage I: Chosen Paintings from the Collection, Mudam Musée d'art modern Grand - Duc Jean, Luxembourg Indian Winter, Albert Baronian Gallery, Brussels Totally Rad: New York in the 80s, Paul Kasmin Gallery, New York The Big Bang, Museo Carlo Bilotti, Rome, Italy (catalogue) Abstract Vision, Thomas Ammann Fine Art, Zurich (catalogue) Collecting Collections, The Museum of Contemporary Art, Los Angeles Modern Prints: Classic Modern to Pop Art, Galerie Proarta, Zurich

Primarily a collection of drawings, the Vogels» collection also includes paintings, sculptures, photographs, and prints by more than 170 contemporary artists, mainly working in the United States.

The exhibition includes approximately 70 paintings and drawings from public and private collections across the United States.

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

Co-curated by acclaimed novelist Colm Tóibín and Declan Kiely, head of the Morgan's Department of Literary and Historical Manuscripts, the exhibition includes a rich and eclectic selection of more than fifty paintings, drawings, watercolors, sculptures, photographs, manuscripts, letters, and printed books from two dozen museums and private collections in the United States, Great Britain, and Ireland.

Little's paintings are in the collections of the New Jersey State Museum, the Everson Museum of Art, Syracuse, the Studio Museum in Harlem, the Library of Congress, Washington, DC and the Paul R. Jones Collection, Atlanta.

The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection — comprising more than 19,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 2,900 artists — contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty - first centuries.

This exhibition, which has received support from the Samuel H. Kress Foundation, presents twenty - eight Renaissance paintings from one of the most renowned Old Master collections in the United States.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

In 1930 The Times stated «Our highest hopes for the future of English painting are centred in the members of the East London Group... No other exhibition or society has been able to show us anything like so good a collection of paintings by the younger generation».

A Divine Light: Northern Renaissance Paintings from the Bob Jones University Museum & Gallery and its accompanying catalogue, which have been awarded financial support from the Samuel H. Kress Foundation, presents twenty - eight works of art from one of the finest collections of Old Master paintings in the UnitePaintings from the Bob Jones University Museum & Gallery and its accompanying catalogue, which have been awarded financial support from the Samuel H. Kress Foundation, presents twenty - eight works of art from one of the finest collections of Old Master paintings in the Unitepaintings in the United States.

The Daum collection was established by Dr. Harold F. Daum, who offered his personal collection of roughly 200 paintings and ceramics to State Fair Community College in 1999 to form the nucleus of a museum of contemporary art.

Angela has exhibited regularly and has many paintings in private collections all over the world including Italy, Germany and the United States of America.

Several mixed - media works by Brazilian artist Leda Catunda, a sculpture by Colombian artist Mateo López, and a series of photographs and related paintings by Mexican artist Pia Camil, among others, will now be part of one of the most comprehensive collections of Latin American art in the United States.

The first exhibition to explore this formative period, Wayne Thiebaud 1958 — 1968 brings together more than 60 early paintings gathered from private collections and museums throughout the United States.

Expelled from the USSR in 1977 due to his provocative paintings, his works are now included in many of the world's most important private and state collections.

His paintings are in the collections of many major museums in the United States and abroad.

Alex Olson is an American artist whose elegant paintings are included in many permanent collections of institutions around the States.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

Thanks to a bequest from the late German scholar Barbara Göpel (1922 — 2017), the Staatliche Museen zu Berlin (Berlin State Museums) have acquired two paintings, 46 drawings and 52 prints by Max Beckmann, and one painting by Hans Purrmann, to be placed in the collections of Berlin's Nationalgalerie and Kupferstichkabinett (Museum of Prints and Drawings).

Drawn from important public and private collections from across the United States and Europe, the exhibition includes CMA's newly acquired Ohio Stadium painting and both well - known and rarely seen works.»

The paintings that comprise the Belgian collector Jef Rademakers's collection have been displayed at the State Hermitage in Saint Petersburg, at the Gemeentemuseum in The Hague, at the Koekkoek - Haus in Kleve, and elsewhere.

Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography will include approximately fifty of Hawkins's most important paintings, both well - known pieces and others rarely seen.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

The exhibition celebrates this new acquisition, explores Durand's significant contribution to the history of landscape painting in the United States, and features several major works from both public and private collections.

The exhibition features American artists for whom Blake was an important inspiration and includes more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

Though he had been gaining attention and gallery shows from his work, it wasn't until he received a $ 40,000 commission for a 60 - foot painting for the Empire State Plaza art collection in Albany that he quit his last regular job, as editor of the AAA Magazine, to concentrate on painting full - time.

Tron Meyer «Mars» Patrick Parrish OPENS: April 5 For the Norwegian artist and architect's first solo exhibition in the United States, Patrick Parrish gallery presents a new collection of furniture, sculpture, and paintings that draws on the shared capacity of architecture, design, and art to both communicate and contain narratives.

The exhibition will feature American artists for whom Blake was an important inspiration and will include more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.