Sentences with phrase «stella-esque enamel on canvas»
George Shaw, The Rude Screen, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.
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George Shaw, The School of Love, 2015 - 2016, Enamel on canvas, 46 × 55 cm.
George Shaw, Every Brush Stroke is Torn Out of My Body, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.
Flying Carpet with Magic Mirrors for a Distorted Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/8 inches (274.3 x 914.7 cm)
Flying Carpet with Petri Dishes for a Disturbed Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/4 inches (274.3 x 915 cm)
September 8 — October 8, 2007 Sharon Brant, Untitled, 2000 Enamel on canvas under handmade glass, framed, 24 x 24 x 2.25 inches Curated by Kat Griefen, Director of AIR Gallery, from the membership of American Abstract Artists, the artists in Material Matter affirm the group's openness to difference, both in form and theory, and its non-party line approach.
«thought - form of overlapping sounds of arrival, conception and destination» 2012 Cel - vinyl, spray enamel on canvas over wood panel 88 x 102 inches (223.5 x 259.1 cm)
«thought - form of the beginning and of the ending of identity» 2012 Cel - vinyl, spray enamel on canvas over wood panel 102 x 88 inches (259.1 x 223.5 cm)
Steven Parrino, Universal Mafia, 1992 Enamel on canvas, 72 x 103 inches September 25 — November 3, 2007 Gagosian Gallery is pleased to announce an exhibition of works by Steven Parrino.
Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»
Oil, resin, and enamel on canvas.
Oil and enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.
Image: Lorser Feitelson, Hardedge Line Painting, 1963, Enamel on canvas, 72 x 60 in.
Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and oil enamel on canvas)
Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
Image: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel on canvas, Museum of Modern Art, New York, acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rockefeller Fund, © Pollock - Krasner Foundation / Artists Rights Society (ARS), New York and DACS, London 2015
Enamel on canvas, 90 3/8 x 78 3/4 inches (229.6 x 200 cm).
Enamel on canvas; 90-3/8 x 78-3/4 in.
Jackson Pollock, «One: Number 31, 1950,» Enamel on canvas, 105 7/8 x 209 1/2 inches.
St. Andrew, 2006 oil and enamel on canvas in antiquated frame with gilded ornaments painting: 96 x 84 1/4 inches (243.8 x 214 cm) framed: 110 x 98 inches (279.4 x 248.9 cm) KW - 6
Enamel on canvas, 85 3/8 x 97 in.
Jackson Pollock, «Number 1A, 1948,» Oil and enamel on canvas, 68 x 104 inches.
The former is a series of enamels on canvas in which the artist translates his passion for urban life's fast movement and vehicles, like cars and trams.
The exhibition includes nine enamel on canvas paintings made between 1961 and 1964.
The same sensibilities are apparent in works such as Dynamic Dispatch (acrylic and spray enamel on canvas, 2011) and Wireframe Landscape # 2 (laser etched marble, 2006).
Reginato has recently produced a series of paintings in enamel on canvas that are brilliantly colorful and dynamic, adding a new dimension to his work.
Acrylic and aerosol enamels on canvas, 48 x 60 inches.
Image credits, top to bottom: Cindy Sherman, Untitled, 1981, chromogenic print, 24 x 48 in., collection Walker Art Center, Art Center Acquisition Fund, 1982, courtesy of the artist and Metro Pictures; installation view of Benches & Binoculars (hipsters may vary), photo by Cameron Wittig, courtesy Walker Art Center; Andy Warhol, Sixteen Jackies, 1964, acrylic, enamel on canvas, 80-3/8 x 64-3/8 in., collection Walker Art Center, Art Center Acquisition Fund, 1968, © 2009 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
Shara Hughes, Relax, 9 x 12 inches, oil, acrylic, and enamel on canvas, 2013 (courtesy of the artist and Brian Morris Gallery)
Material: Enamel on canvas.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches
Oil and enamel on canvas.
Paul Feeley Maia USA, 1963 oil - based enamel on canvas 30 h x 25 w inches Feeley was a proponent of color - field painting.
Her black - and - white Frank Stella-esque enamel on canvas, Stella Tomlinson Court Park (First Version)(Study), 1990, went for $ 550,000, soaring past a $ 150,000 high estimate.
Image Credit: The Rude Screen, 2015 - 16, Enamel on canvas © Private Collection, Belgium, Courtesy Maruani Mercier Gallery
EDDIE MARTINEZ Love Letter # 15 (Fine Ants) 2017 Silkscreen ink, oil, spray paint and enamel on canvas 96 by 75 in.
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
Oil and enamel on canvas, 96 × 72 in.
Adolph Gottlieb, Burst 1973, 1973 Acrylic and enamel on canvas 213.4 x 152.4 cm Collection Adolph and Esther Gottlieb Foundation, NY
Portrait of Andries Stilte, 2006, Kehinde Wiley, American, b. 1977, oil and enamel on canvas, 96 x 72 in., Private Collection, Golden Beach, Florida, © Kehinde Wiley.
Apart from enamel on canvas paintings the exhibit will feature a selection of archival documents related to the series, including an original 1960s Ducolux paint sample card that inspired the artworks.
«Flying Carpet with Magic Mirrors for a Distorted Nation,» cel - vinyl, spray enamel on canvas over wood panel, 108 in x 360 1/8 in, 2013.
Glenn Ligon, Untitled (I Am a Man), 1988, oil and enamel on canvas, National Gallery of Art, Washington, Patrons» Permanent Fund and Gift of the Artist
The Swiss art dealer Dominique Lévy sold the geometrically coloured painting Zehn Farben (1966), an enamel on canvas, asking for $ 5 million.
2014 Spray enamel on canvas, reclaimed wood, glass and window tint 87 1/4 by 59 3/8 in.
Faring Purth There Are Spirits In The Corners (but those voices are yours) Oil, Acrylic, & Enamel on Canvas, 2x2ft $ 900.
Enamel on Canvas
Napoleon Leading the Army over the Alps, 2005; oil and enamel on canvas; 108 x 108 in.
Jack Davidson, back down the goldbourne road we go, 2014, oil and enamel on canvas, 18 x 15 inches.
Jack Davidson, you said something i've never forgotten, 2014, oil and enamel on canvas, 57.25 x 29 inches.