Not exact matches
[2] She did this by watching how babies reacted in a
sequence of situations: when the baby and mother were together, when they were separated, when the baby was with a
stranger, and when baby was reunited with the caregiver
after the separation.
It starts,
after a
strange animated credit
sequence which shows our heroines floating in a cave strewn with human remains (so you're in no doubt about what you're getting), with two young aquatic beauties floating in a lake up to their shoulders, looking not unlike the American vamps of John McNaughton's Wild Things.
And there's a
sequence near the end that feels like the seed of a far richer,
stranger sequel: a sendup of the corny «inspirational» TV movies that viewers of a certain age will remember all too well, in which a character overcomes a handicap
after years of feeling sorry for himself.
Also peppered throughout the 56 minutes are scenes of Bill Murray attempting to bring a couple back together
after getting cold feet about their upcoming marriage, and a very
strange dream
sequence that if nothing else, is beautifully shot with all white holiday reminiscent backgrounds, and appropriate wardrobes.