Sentences with phrase «street gallery window»

Not exact matches

The streets of pastel houses with wrought iron railings at the windows are home to art galleries and paladars alike, and we caught a glimpse of an incredible old library on the way to Plaza Mayor.

Walking past a gallery on Prince Street, Chartier noticed a painting in the window: «Gumball Machine» by Charles Bell.

The new gallery, designed by Caruso St. John who also designed locations in Rome, Paris and on London's Britannia Street, features two double - height gallery spaces, each day - lit with large windows.

NEW YORK — On January 26th in New York University's galleries at 55 E. 10th Street, artist Diane Simpson will unveil Window Dressing, previously exhibited at the Racine Art Museum in Wisconsin.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Just off Regent Street, where the heaving bodies and flickers of colour that illuminate the shop windows and populate the pavements collide, is the Bartha Contemporary Gallery.

Window Dressing, first created in 2007 for the street - level windows of the Racine Art Museum, Racine, Wisconsin, then re-installed in 2014 for New York University's Broadway Window gallery, celebrates the artistry and labor of the window dresser, while reframing her narratives on fashion and display within the public Window Dressing, first created in 2007 for the street - level windows of the Racine Art Museum, Racine, Wisconsin, then re-installed in 2014 for New York University's Broadway Window gallery, celebrates the artistry and labor of the window dresser, while reframing her narratives on fashion and display within the public Window gallery, celebrates the artistry and labor of the window dresser, while reframing her narratives on fashion and display within the public window dresser, while reframing her narratives on fashion and display within the public realm.

Over at Victoria Miro's second gallery in Mayfair, a screen in the window projects Enigma, a short, looped film that can be watched from the street.

The memorial exhibition at First Street Gallery presents what may be the single most appealing and accessible of her motifs: the cityscapes she painted from the window of studio at West 80th Street and Broadway.

Duchamp and Sons explained that they had had an idea to do a performance in the street opposite Whitechapel gallery and they wanted to hide the camera in an upstairs window where passers by would not see it.

There is one large window at the front of the gallery, which is at street level.

With a project space called «vitrine», artists and curators can propose exhibitions for the gallery's street window display.

Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.

Dzama utilized the architecture of the gallery itself — an eighteenth - century Georgian townhouse — by hanging puppets from a skylight above the five - story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street.

Inventing Downtown opens a window onto these radical efforts with rarely seen artworks by gallery members such as Allan Kaprow, whose 1958 environments, in which the gallery itself became an object with every corner filled with materials, smells, and recorded sound from the street, are represented by photographs taken by his then - wife, Vaughan Kaprow.

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

Along with co-founding the street art quarterly, Overspray Magazine, iO curated Climb in the Back Window at Shadow's Space Gallery in Philadelphia in 2009.

On a cold weekday afternoon on an upper floor of one of his Chelsea galleries, the art dealer David Zwirner pointed out the window at a corner lot on West 21st Street that is under demolition.

Our adjacent gallery façade has been renovated with floor to ceiling windows making our exhibitions more visible from the street and integrating the organisation further into the local environment.

Within a few years the gallery moved upstairs at 41 East 57th Street where anyone who has ever taken a Madison Avenue bus or walked north up Madison can picture the neat serif letters spelled across the south and west windows.

Additional suspended monochromatic works on multiple shifting plywood panels will be on view in the gallery's Water Street windows.

The young dealer couple Martha Moldovan and Harry Schleiff, who works by day at Gavin Brown, opened their by - appointment - only space Rear Window in their home in April 2015, naming it after both the Alfred Hitchcock movie and the gallery's main feature: it takes up the width of their 136 West 118th Street home's back - facing glass aperture.

Hung in the front window of the gallery, and thus viewable from both recto and verso, the work establishes a cogent, even menacing, relationship between the space of the gallery and the public street just outside.

At the head of the street, at 7a, is Sprüth Magers, its latticed floor - to - ceiling shop windows allowing exhibitions to be seen even when the gallery is closed.

The Artspace Gallery in Maddox Street W1, in one of London's most exclusive neighbourhoods, is removing the entire 36 - work contemporary art exhibition after banning a painting of Charles Saatchi from its window display, considering it inappropriate.

Chu's window display operates as both an artistic and commercial display, challenging what is and what is not art by fusing the gallery with the street culture from which is is inspired.

Street view of Raqs summer 2012 installation in the windows of Audain Gallery (Vancouver, Canada).

In 2010, Paul Harvey's painting of Charles Saatchi was banned from the window display of the Artspace Gallery in Maddox Street, London, on the grounds that it was «too controversial for the area».

Onsite Gallery is pleased to present a public non-commercial graphic design vinyl work installed on the two - storey street - level exterior window surface of 230 Richmond St. W. — the former site of Onsite Gallery which directly faces the gallery's future location across the street at 199 RichmondGallery is pleased to present a public non-commercial graphic design vinyl work installed on the two - storey street - level exterior window surface of 230 Richmond St. W. — the former site of Onsite Gallery which directly faces the gallery's future location across the street at 199 RichmondGallery which directly faces the gallery's future location across the street at 199 Richmondgallery's future location across the street at 199 Richmond St. W.

View Beno's larger - than - life vinyl mural on the window façade of 230 Richmond Street West which directly faces the gallery's future location across the street at 199 Richmond StreetStreet West which directly faces the gallery's future location across the street at 199 Richmond Streetstreet at 199 Richmond StreetStreet West.

(127 x 243.8 cm) Medium: Digital chromogenic print Credit Line: Purchased with funds from the Art Trust Fund Endowment Object Number: 2013.13 Culture: Irish Marks: Label at verso lower right in window adhered to support: JACK SHAINMAN GALLERY / 513 WEST 20TH STREET NEW YORK NY 10011 / TEL: [phone] / FAX: [phone] / RICHARD MOSSE / LOVE IS THE DRUG, 2012 / DIGITAL C - PRINT / 50 X 96 INCHES / 52 X 98 X 3 FRAMED / EDITION 3 OF 5 WITH 1 ARTIST PROOF / RIM12.015.

She was spotted on the streets of San Francisco, loitering in front of shop windows and visiting galleries (photographs show a glum bystander, out of place among contemporary art).

Hashimoto's installation seemingly pours out into the street through the gallery's windows to delight passersby and brighten the gray summer days of London.

Windows, curated by Anton Bashkin (Group Exhibition) at Next to Nothing Gallery — 181 Orchard Street, New York, NY [phone] — May 04 to June 03 / Featuring work by Tom Burckhardt, Lois Dodd, Franklin Evans, Dan Fig, Catherine Haggarty, Andrea Joyce Heimer, David Hockney, Sharon Madanes, nora Maite Nieves, Danielle Orchard, Iman Raad, and Ann Toebbe

Additionally, along with gallery space L21 initiated a mini project: «The Window» — a street facing white cube that invited 24/7, day and night viewing uninterruptedly, even from the exterior, without the necessity to enter the gallery and just by strolling down Doctor Fourquet Sstreet facing white cube that invited 24/7, day and night viewing uninterruptedly, even from the exterior, without the necessity to enter the gallery and just by strolling down Doctor Fourquet StreetStreet.

The exhibition space of the gallery, two stair steps upon Eldridge Street, represents though a real window to the future in which experimentation and consolidated art coexist, bound by a deep research about the forces that rules our world.

The large street - facing gallery window acts as a «shop front».

The character named Powhida entered the street - level Chelsea gallery in a classic car that drove through the front window — which retracted — of the gallery up to a large sheet of paper with his name written in ALL CAPS in what looked like Helvetica.

From the windows of SFU's Burnaby campus overlooking Vancouver, Audain Gallery's window facing Hastings Street, and the Teck Gallery's window onto the inlet and North Shore mountains, we have looked out at the city and observed artists» material practices and collaborations, the organizations they initiated and the discursive forums they convened.

This painting is currently on view in our Wellesley, MA gallery's window located at 16 Grove Street.

Anchoring these bodies of work are three unique architectural installations: a window from the artist's studio installed in an exterior wall facing the street, replete with a plant - filled windowsill and the radiator supporting it; a dividing wall from the studio with clerestory windows, installed free - standing in the middle of the gallery; and her own work table, relocated from her studio in Berlin and placed at the entrance to the gallery.

Kenny Schachter ROVE, London Props & Propositions, Cleveland Institute of Art, Cleveland, Ohio 2004 Five Ways to Say the Same Sadness, University Art Museum, University at Albany, New York eRacism: electronica, Contemporary Art Museum St Louis, St. Louis, Missouri reFunkt: prints & dvds, The Project, New York eRacism, Rutgers University, New Brunswick, NJ; traveled to Artists Space, New York 2003 Foddah, Drew University, Madison, New Jersey Some: Of Place and Desire, ArtHouse, Austin eRacism, DiverseWorks, Houston, TX; traveled to Portland Institute of Contemporary Art, Portland 2002 What's Inside a Boy, The Project, Los Angeles eRacism, ICA at Maine College of Art, Portland Incontinent, Wood Street Gallery, Three Rivers Arts Festival, Pittsburgh, Pennsylvania 2001 Hole Theory, The Project, New York 2000 Eracism: White Room, ThreadWaxing Space, New York The Hole Inside The Space Inside Yves Klein's Asshole, Concordia University, Montreal Eating The Wall Street Journal And Other Current Consumptions, Mobius, Boston 1998 Recent Work, The Project, New York 1996 Buddy Performance Objects, with Jim Calder, Touchstone Theater, Bethlehem, Pennsylvania 1993 William Pope.L, Horodner Romley Gallery, New York 1992 William Pope.L, Drew University, Madison, New Jersey 1991 How Much is that Nigger in the Window, 30 performances, writings and installations, Franklin Furnace, New York

Facing the large gallery windows that open onto Grand Street, four white organic pillow - like shapes hang on a free - standing floor to ceiling wall; one in each corner.

ONE - PERSON EXHIBITIONS 2010 Art Bin, South London Gallery 2009 Michael Landy, Galerie Nathalie Obadia, Paris 2008 Michael Landy, Thomas Dane Gallery, London Three - piece, Sabine Knust, Munich 2007 Michael Landy: H2NY, Alexander and Bonin, New York 2004 Welcome to My World - built with you in mind, Thomas Dane Ltd., London Semi-detached, Tate Britain, London 2003 Michael Landy: Nourishment, Sabine Knust / Maximilianverlag, Munich 2002 Michael Landy: Nourishment, Maureen Paley / Interim Art, London 2001 Michael Landy: Break Down, C&A Store, Marble Arch, London 2000 Handjobs (with Gillian Wearing), Approach Gallery, London 1999 Michael Landy at Home, 7 Fashion Street, London 1996 Scrapheap Services, Chisenhale Gallery, London 1995 Multiples: Editions from Scrapheap Services, Ridinghouse Editions, London Scrapheap Services, Tate Gallery, London 1993 Michael Landy: Warning Signs, Karsten Schubert, London 1992 Closing Down Sale, Karsten Schubert, London 1991 Michael Landy: Appropriations 1 - 4, Karsten Schubert, London 1990 Market, Building One, London Galerie Tanja Grunert, Cologne Studio Marconi, Milan 1989 Karsten Schubert, London Sovereign, Project for the windows of the Grey Art Gallery and Study Center, New York University

Above: A Natasha Juelicher sculpture in the window of Palo Alto's Bryant Street Gallery.

In her site - specific installation called «drifting Worlds» (displayed in the dramatic street level window of the gallery) the window is used not to see out but in, placing the spectator in an outsider / insider situation.

The Arts Commission's programs focus on three spaces: the main galleries on Van Ness, the storefront window on Grove Street, and the public spaces of City Hall.

Other unusual and noteworthy spaces: Right Window, a gallery in the windows of Artists» Television Access 992 Valencia Street, SF; Incline Gallery, a zigzagging ramp inside of an old warehouse, now offices, 766 Valencia Street, SF; The Thing Quarterly, entire exhibitions as objects, 447 O'Farrell gallery in the windows of Artists» Television Access 992 Valencia Street, SF; Incline Gallery, a zigzagging ramp inside of an old warehouse, now offices, 766 Valencia Street, SF; The Thing Quarterly, entire exhibitions as objects, 447 O'Farrell Gallery, a zigzagging ramp inside of an old warehouse, now offices, 766 Valencia Street, SF; The Thing Quarterly, entire exhibitions as objects, 447 O'Farrell Street.

The Window Box is located outside Gallery 1313's main entrance in the courtyard of 1313 Queen Street West in Toronto.

Between 1972 and 1982, he undertook a number of in situ projects, adapting his characteristic lines to specific locales: his stripes took form on the street in front of the Philadelphia Museum of Art, in the front windows of the Willard Hotel in downtown Washington, on the walls of the Corcoran Gallery Rotunda, on the ground of the parking lot at Artpark in Lewiston, New York, and even became colored tubes of water for the Muscarelle Museum of Art in Williamsburg, Virginia.