Sentences with phrase «stripe paintings mark»

Not exact matches

One can't help but wonder when terrorists are going to start burning our unprotectable forests, not to mention burning our cities, ie; fuel pipelines are clearly and continiously marked with paint stripes and raised signs (all along their buried routes).

The Grand Sports had blue metallic paint with a white stripe and red «hash marks» on the left - front fender with an LT4 engine under the hood.

LDW works less well when lane markings are old, or when the lane markings are raised dots, rather than 20 - foot painted stripes.

Called the Ford GT ’66 Heritage Edition, the modern GT40 tribute comes painted in black with the matching silver - stripe livery of the Mark II GT40 race car that was part of the famous 1 -2-3 Ford finish in the world - famous endurance race.

The attractive option package adds on Watkins Glen Gray Metallic paint, the Satin Black Grand Sport full - length racing stripe, Tension Blue hash marks, Carbon Flash badge package, and black wheels with black brake calipers.

Barré created spare, minimal figures which left much of the canvas open; when he began using spray paint in 1963 as a reflection of his appreciation of graffiti in the Paris metro, he employed a particular matte black to create white surfaces marked by traces or stripes.

Even the «zip,» or vertical stripe, of a Barnett Newman painting began as a mark with a palette knife.

A painting such as Untitled # 17 (1980)-- hazy stripes of varying widths whose fluttering boundaries are marked in graphite — might hold the interest in isolation: you could get lost in it, like fog.

From Bridget Riley's stripe paintings in London to Mark Garry's screen prints in Dublin, Skye Sherwin and Robert Clark find out what's happening in art around the country

To mark its own 65th anniversary, and to coincide with a show of Bridget Riley's Stripe paintings at David Zwirner, London, ArtReview has delved into the archives to retrace Riley's career, through a selection of reviews and interviews published in the magazine between 1962 — the year of her first solo show — and 2010.

Three principal issues animate all these works: the formal device of the stripe, borrowed from Jasper Johns's flag pictures; the all - over mark of Jackson Pollock; and the attempt at non-relational painting, where decision making is eliminated.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

In Cain's painting, loose pink and gray graffiti - like marks appear above the gold leaf and then, suspended on top of the graffiti, is a frame of painted stripes lined with cut - out fringes along the bottom.

The works by Richard Artschwager (American, 1923 - 2013) range in date from 1974 to 2011, beginning with a ghostly drawing entitled Door Window Table Basket Mirror Rug # 10 and ending with a late painting — Landscape with Median — in which a red road, marked with two bold yellow stripes, leads ambiguously into the middle - distance.

Sean Scully did stripes, Thornton Willis made wedge paintings, Ron Gorchov made these great shield paintings with two marks on a field.

His work has been compared to the intoxicatingly atmospheric qualities of a Mark Rothko and Dan Flavin's neon bars of light, and Bavington's paintings, a bit like Rothko's, appear to alter slightly when viewed from different vantage points, the clean stripes blurring when seen up - close, to mesmerizing effect.»

Meanwhile, the horizontal stripes of pigment in Mark Rothko's abstract paintings (which are almost always hung vertically) are rarely construed as mere bands of color.

They include one of Barnett Newman's «zip» paintings, «Onement II,» with its vertical brick - red stripe slicing through a scarlet field; Mark Rothko's 1949 «Untitled,» an arrangement of abstract forms that foreshadows his iconic imagery of the 1950s; and Clyfford Still's «Number 5,» a vivid yellow canvas with splashes of color that seem to leap off its surface.

I used painters tape to mark out the stripes before painting.

Then take your white paint and do a coat inside the «B» marked stripes.

Just mark off a strip of the panel using masking tape and use matt emulsion to paint a stripe.