Sentences with phrase «students exhibition catalogue»

Black Male Representations of Masculinity in Contemporary American Art, An Introduction for Students Exhibition catalogue, Whitney Museum of American Art, 945 Madison Avenue, New York, New York 10021, 10 November 1994 — 5 March 1995 SAHLI Abderrazak Sahli Exhibition catalogue Bakou, including price list, with foreword by Rose Issa.

Not exact matches

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»

The exhibition will be accompanied by a fully illustrated catalogue featuring short fictional narratives on individual photography by Vassar students and professors as well as artists.

The final exhibition in this student - led format was staged in 1986 with a catalogue which contained a historical introduction (and post-script), to the exhibition by Andrew Lambirth, New Contemporaries Past and Present.

A two - part interactive exhibition organized by Pratt Institute students that showcases the nature of the cataloging process at the New York Public Library's Picture Collection, with an interactive gallery in which audience members can try their hand at cataloguing objects on display.

Alongside the online gallery of each of the 80 works in the original exhibition are excerpts of faculty and student essays, access to a digital version of the original exhibition catalogue, and links to archival material.

The exhibition is accompanied by a fully illustrated catalogue with additional essays by Pat Hardy, Curator of Prints and Drawings, Museum of London and Geoff Snell, Doctoral Student, University of Sussex and the National Maritime Museum, Greenwich, England.

These students contributed to every step required in conceiving and executing the exhibition, including selection of artworks, layout and design, writing of didactic texts, and the crafting of scholarly essays for the catalogue.

Chase frequently adapted Old Master tropes of male portraiture when depicting his female sitters, resulting in evocative depictions of «new women,» a distinctly American subject.4 Chase's modern thinking extended to his portraits and to his mentoring of female students, a theme drawn out in the exhibitions as well as the catalogue.

Organized in collaboration with South Hampton High School, this group exhibition was framed by themes (Emerging, Assumed, Missing, Encoded, Local and Tribal Identity) and engaged students in the process of making studio and gallery visits, writing interpretive wall labels and catalogue entries, as well as selecting works from the museum's permanent collection.

We work with a team of art historians, students & bloggers to review the latest exhibition catalogues and art books - books that often go unreviewed in the media in order to give you a better idea of what to expect in the books that we carry.

Under the direction of Dr. Margaret Lindauer, VCU associate professor and coordinator of museum studies, the exhibition and accompanying catalogue essay were developed during a fall 2011 seminar by graduate students Andrea Alvarez, Grace Astrove, Kristie Couser, Elizabeth Fuqua, and Meredith Hertel.

If you're thinking about bringing a group of students to the gallery we offer free guided tours that you can book here: www.henry-moore.org/visit/henry-moore-institute/guided-tours Or if you're just looking for details on the artist, there is a press release that provides some more contextual information: www.henry-moore.org/press-office/press-release/2017/06/13/jiro-takamatsu-the-temperature-of-sculpture Unfortunately there are no plans for the exhibition to tour at the moment, but we are producing a catalogue that will be ready for the exhibition's opening, so keep an eye out for that!

Centurions associated with the Art Students League: [catalogue of] an exhibition at the Century Association in two parts: part one, The past, February 7 - 28, 1968, part two, The present, March 6 - 30, 1968

Exhibition Catalogue A catalogue will accompany the exhibition, with introduction text by Laurel Sparks, essay by Sarah Lawrence students Montana Jaro,» 14, Design and Layout by Kaitlyn Laurie, ’14 and Rachel Potter,&Exhibition Catalogue A catalogue will accompany the exhibition, with introduction text by Laurel Sparks, essay by Sarah Lawrence students Montana Jaro,» 14, Design and Layout by Kaitlyn Laurie, ’14 and Rachel Potter,&rCatalogue A catalogue will accompany the exhibition, with introduction text by Laurel Sparks, essay by Sarah Lawrence students Montana Jaro,» 14, Design and Layout by Kaitlyn Laurie, ’14 and Rachel Potter,&rcatalogue will accompany the exhibition, with introduction text by Laurel Sparks, essay by Sarah Lawrence students Montana Jaro,» 14, Design and Layout by Kaitlyn Laurie, ’14 and Rachel Potter,&exhibition, with introduction text by Laurel Sparks, essay by Sarah Lawrence students Montana Jaro,» 14, Design and Layout by Kaitlyn Laurie, ’14 and Rachel Potter,» 14.

Our exhibition catalogues and the WAAM Archives provide a valuable resource for art historians, students, collectors, and the general public.

Awards and Grants and Public Commissions 1988 Pollock - Krasner Foundation Grant 1978 - 79 Robert Smithson Memorial Scholarship in Sculpture Publications «Akiko Mashima 1980 - 2005» exhibition catalogue, Galerie Tokyo Humanité, 2005 Education 1979 - 1980 Art Students League, New York 1978 - 1979 Brooklyn Museum Art School, Brooklyn, NY 1972 - 1976 Musashino Art University, Tokyo, BFA in Sculpture

Any students who complete a one year course may participate in a «graduate» group exhibition and be awarded a certificate with a catalogue featuring photographs of the students and their works.

This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.

The exhibition, related programming, and catalogue are made possible through the support of the National Endowment for the Arts, the Bacca Foundation Visiting Lecture and Artist Fund, Herb Jackson and Laura Grosch Gallery Endowment, the Davidson College Friends of the Arts, Organization of Latin American Students (OLAS), and Multicultural Affairs.