Sentences with phrase «studio wall drawings»

We're excited to announce the gallery's 2017 programme which includes the biggest and most ambitious project of brand new art ever undertaken by Sir Quentin Blake and previously unseen studio wall drawings by Turner Prize Winner Keith Tyson.

Not exact matches

In the studio with The Beach Boys, Pohlad draws on his documentary experience to play shaky - cam fly on the wall.

If we think about drawing as an act that has utilization beyond the studio walls, then we can see the potential the drawing practice has once you re-discover your drawing mind.

The first storyboard in history was developed at the Walt Disney studios during the early 1930s, when animator Webb Smith came up with an alternative to describing a cartoon plot with words: He drew sequential scenes on separate sheets of paper and pinned them up to the walls of his office.

He might start that night to draw in charcoal on canvas pinned on his studio wall (his habitual practice), or perhaps he would wait for tomorrow's daylight.

The centerpiece is a 50 - foot drawing that took two and a half months and 400 to 500 ballpoint pens to complete, with the artist working on sections at a time that were propped up against the wall in his Brooklyn studio.

«Her studio space is tight, the walls sparsely adorned with small drawings and paintings made by her 13 - year - old daughter, Charlotte....

He has coated walls with grey ash, and exhibited drawings burned in an accidental studio fire.

The work of South African artist Robin Rhode originates from his physical interactions with drawings executed on walls on the streets of Johannesburg or, most recently, in his studio in Berlin, where he is now based.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.

There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.

Her wall - mounted vitrines, which contain bits of fluff, dust, hair, twigs and woollen pom - poms collected from her studio and the street outside, have drawn critical praise - and, predictably enough, a few sarcastic comments from the media.

The space includes a drawing studio, painting studio with moveable wall, and a non-toxic print studio featuring three printing presses.

Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and small - scale relief sculptures.

In his Brooklyn studio, Martinez maintains a «drawing wall,» wherein sketches ranging in size, shape, and material serve simultaneously as a source of inspiration and a data bank for the artist's incessant imaginative output.

On the other two walls of the main gallery, which are painted a customary white, there is an oil painting of blue balls on a white field, «Bloobs» (2014) by Mathew Cerletty; a loopy, oddly affecting drawing, «Untitled (shit)» (2011) by David Shrigley, of concentric circles emanating from the word «shit»; Vern Blosum's «Off The Hook» (2015), a larger - than - life - size graphite drawing of a vintage payphone with its receiver dangling, appropriately, off the hook; and Emily Mae Smith's «The Studio (Science Fiction)» (2015), which depicts the split halves of an eggshell hovering above a flying saucer / fried egg, the edge of its white perimeter forming the words «THE STUDIO» against the starry blackness of outer space.

[Image above: a wall of drawings in my studio]

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

«Eddie Martinez: Studio Wall» at the Drawing Center Painter Eddie Martinez is never without pen and paper, drawing as he goes about his day and hanging the resulting drawings — created on the subway, at doctors» appointments, and even at restaurants — on a wall in his Brooklyn stuWall» at the Drawing Center Painter Eddie Martinez is never without pen and paper, drawing as he goes about his day and hanging the resulting drawings — created on the subway, at doctors» appointments, and even at restaurants — on a wall in his Brooklyn Drawing Center Painter Eddie Martinez is never without pen and paper, drawing as he goes about his day and hanging the resulting drawings — created on the subway, at doctors» appointments, and even at restaurants — on a wall in his Brooklyn drawing as he goes about his day and hanging the resulting drawings — created on the subway, at doctors» appointments, and even at restaurants — on a wall in his Brooklyn stuwall in his Brooklyn studio.

He works primarily in large scale, first making hundreds of individual drawings, which he then pins to his studio walls, allowing them to coalesce in his mind.

The wall drawing was accompanied by two recent «pull paintings» by the artist, a new technique he developed through the process of making MATRIX wall drawing tests in the studio.

The five artists in the first session, which began January 3 and lasts until February 12, are Carrie Beckmann, a watercolorist who paints directly from nature and can normally be found working in the Conservatory; Danielle Durchslag, who is using cut and layered paper to represent Wave Hill's natural surroundings; Sabrina Gschwandtner, who has covered her studio floor with 16mm - film strips (some found stock and some she's shot at Wave Hill) that will be sewn together to create illuminated quilts; Nick Lamia, who is experimenting with plein - air drawings as a source for multi-dimensional abstractions; and Adam Parker Smith, who has been busily painting colorful, wall - sized assemblages of plants and flowers based on observations at Wave Hill.

The execution of the wall drawings at the Centre Pompidou - Metz is an exceptional opportunity for young artists and students in north - east France to work alongside professional draftsmen from the LeWitt studio.

2008 has been a big year for DoN: co-chair of the Absolutely Abstract committee at The Philadelphia Sketch Club, membership in the Plastic Club and the Da Vinci Art Alliance, paintings, drawings and photos included in shows at Off the Wall Gallery @ Dirty Franks and First Impressions in Salem NJ, a one - person show at The Beauty Shop Cafe, produced videos for Paul DuSold, Henry Martin and the Philadelphia Sketch Club, DoNArTNeWs is part of Culture Pundits and a successful open studio as part of Philadelphia Open Studio Tours.

I am particularly drawn to three oil and spray paintings — «Before Beginnings,» «The Brevity of Oracles» and «A Perishable Delight» (all dated 2014)-- which she rearranges on her studio wall.

Here are some images from a recent visit to Austin Thomas's studio, where three - dimensional collages, text - based drawings, and handmade prints line the walls.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MarDrawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Mardrawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

A drawing by artist Eddie Martinez on the studio wall (Greenpoint, Brooklyn, 02.23.12).

The walls of his studio are covered, salon - style, with his most recent paintings and drawings.

Sarah has worked for the studio of Sol LeWitt since 2000, realizing LeWitt wall drawings for museums, galleries, and private collections.

In partnership with the Laurenz Foundation, of Basel, Switzerland, MoMA bought the entire archive of Matthew Barney's «Drawing Restraint» series, which documents, in drawings and videos, obstacles and physical restraints the artist set up in his studio while attempting to make drawings on the wall or ceiling.

In 2017, she started a foundation to help young artists afford studio space — FST StudioProjects Fund — with money garnered from selling an early Sol LeWitt wall drawing along with other works in her collection.

Fully illustrated with 95 color images (and a plate section), the book includes three essays, including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, Autobiography, a publication consisting solely of 1,101 photographs of LeWitt's New York studio, organized over 128 pages in nine - part grids.

In the first six installments (1987 - 1989), Barney climbed on and struggled with various obstacles and physical restraints he set up in his studio, while attempting to make drawings on the wall or on the ceiling.

The making of the wall drawings at Centre Pompidou - Metz has been the occasion of an exceptional collaboration with professional drafters trained by the LeWitt studio, local artists, and more than 60 students from local art and architecture schools.