Not exact matches
Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero
movie helmed by a woman director, a box - office smashing
debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how
studios approach big - budget stories about characters of color.
As schematic as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable
debuts for first - time feature director Mimi Leder and fledgling film
studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a
movie star.
OUR TAKE: Fresh young faces starring in a
movie about a board game that hinges on delusion - as directed by Stiles White, a special effects guru from the Stan Winston
studio, who has written films like Knowing and The Possession, but is admittedly making his directorial
debut with this
movie.
THR's sources say that the «heavy comedic tone» of the Channing Tatum - led film led the
studio to moving it from February 14 (the same weekend Deadpool
debuted in 2016) to a more traditional summer
movie date.
The
studio's two Allen
movies (Café Society and Wonder Wheel) have grossed a combined $ 12.5 million at the domestic box office, and the TV show the director did for Amazon (Crisis in Six Scenes, which cost $ 80 million)
debuted to negative reviews.
Gareth Edwards makes the leap from «Monsters» to his mega
studio debut, with the
movie expected to be in 3D.
On average, analysts set the
movie's
debut at $ 25 million, with
studio estimates in the low 20s.
The few who did take an interest in the
movie wondered if the low - key approach Disney took to marketing and exhibiting its film had something to do with the
studio maintaining properties nearer and dearer to its heart, namely its long - promoted in - house fully - CGI
debut Chicken Little and the increasingly optimistic negotiations with Pixar.
The
studios are only
debuting one little
movie in theatres this weekend, which is considered the worst one of the year to release a new
movie, writes Peter Howell.
by Walter Chaw With boring being the one thing from which an action
movie can't recover,
studio supergroup DreamWorks SKG marking their
debut by giving professional director of boring action
movies Mimi Leder the bank suggests they were asking to make a terrible first impression.
There is just very little to like about this film, an assertive, confident
debut that squandered the backing of one of the world's biggest
movie studios.
Now, with the film (and its cliffhanger conclusion)
debuting to surely gargantuan numbers, it's clear that Marvel's perpetual - motion machine couldn't even get that right, and the only real infinite war is the one the
studio is waging against a superhero - free night at the
movies.
Director Lawrence Sher, making his feature
debut after a career as a cinematographer, brings the skills he established shooting
movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit
studio comedy while still neglecting to frame, cut, or pace scenes for actual laughs.
But then look at how the
movie is making its Blu - ray
debut: arriving alongside fellow box office flop Treasure Planet with minimal promotion in July, a month that the
studio regularly ignores when making its annual home video schedule.
Virtually all of the two - disc edition's contents are retained on a single Blu - ray Disc issued by Criterion this week (oddly not in the
studio's preferred Dual Format Edition), which marks the
movie's
debut on that high definition format.
uncan Jones was probably bombarded with a number of offers to direct a big
studio movie following the release and cult success of his directorial
debut, «Moon,» but there's something about his decision to choose «Source Code» as his follow - up that tells you a lot about the kind of filmmaker he hopes to become.
The service to
debut later this year will include «blockbuster
movies, classic films and original TV shows from major
studios» for viewing on tablets, televisions or smartphones.
Some of his mixed - media art projects include Three's Company The Drama, an update to the sitcom using video and art that premiered at the 2011 Sundance Film Festival; Unfinished, a collaboration with director Van Sant on two
movies centered on River Phoenix that were presented at Gagosian Gallery in Beverly Hills; and Collage, a show he directed featuring live dance, theater, music and poetry that
debuted at Stella Adler
studios in New York.
The company last August had announced plans to
debut its own streaming service in 2019 with content like Star Wars and Marvel
movies, Disney
studio and Pixar films.