Not exact matches
But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live
studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string
section and children's choir, intercut with scenes of Cave onstage
over the years.
A 3 - minute gag reel in which Cuthbert cracks up while faking an orgasm acquaints us with a moment or two found only in the
section of deleted / extended scenes (16 in all, totalling 11 minutes), wherein Greenfield, providing optional voice -
over, repeats «cut for time» like a mantra and generally demonstrates — as he does in his yakker for the film proper — that he rolls
over easily when confronted with
studio research.
Fully illustrated with 95 color images (and a plate
section), the book includes three essays, including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, Autobiography, a publication consisting solely of 1,101 photographs of LeWitt's New York
studio, organized
over 128 pages in nine - part grids.
I'm a HUGE photoshop freak and I love doing before / after transformations in it with the
sections I've been making
over for our little
studio.