Sentences with phrase «subsequent exhibitions of»

His collaborative film project with Brian Jungen, Modest Livelihood, was originally presented at the Walter Phillips Gallery at The Banff Centre in collaboration with dOCUMENTA (13) with subsequent exhibitions of this work at the Logan Centre Gallery at the University of Chicago, Catriona Jeffries Gallery in Vancouver and at the Art Gallery of Ontario.
In the subsequent exhibitions of the Incoherent arts (also in the 1880s) the writer Alphonse Allais proposed other monochrome paintings, such as «Première communion de jeunes filles chlorotiques par un temps de neige» («First communion of anaemic young girls in the snow», white), or «Récolte de la tomate par des cardinaux apoplectiques au bord de la Mer Rouge» («Tomato harvesting by apoplectic cardinals on the shore of the Red Sea», red).
Burri's performativity recalls many European contemporaries: his use of fire connected him to Yves Klein and the Zero Group; the photographs of him shooting a beer - can, and the subsequent exhibition of the can, link him to Niki de Saint - Phalle; and his desire to transform materials connects him to Joseph Beuys, who met Burri in Città di Castello in 1980.
Ms. Haskell organized a subsequent exhibition of Arthur Dove's work, which eventually moved to the Whitney.

Not exact matches

Baker writes: «Drawing a connection between the redrawing of political borders and the subsequent exchange of ideas among previously alienated artists, the exhibition theorizes that the surge of creativity in the 1920s and 30s could have been a direct response to the mingling of Russian Constructivists (who migrated west due to the increasingly conservative Soviet policies against the avant garde) and the radical Dutch conceptualists they encountered.
There I learned that my difficulties with the art world that had increased after I decided to have children were by no means unique, and my subsequent exploration of maternal ambivalence became a group exhibition and then a book.
Beginning at the turn of the twentieth century with the still - lifes of John Frederick Peto and landscapes of John Frederick Kensett and Childe Hassam, the exhibition will progress through subsequent generations, including paintings by Edwin Dickinson, Walter Murch, Philip Pearlstein, Neil Welliver, George Nick and Lennart Anderson.
Its ambitious curated exhibitions programme responds to national and international trends, promoting artists at key stages of their careers, including subsequent Turner Prize nominees / winners and exhibitors at international festivals.
«FOCUS: Lorna Simpson,» a subsequent exhibition on view at the Modern Art Museum of Fort Worth in Texas, was the first museum presentation of her new work.
After opening with an exhibition of an artist at the height of his fame, Georges Mathieu, subsequent exhibitions were devoted to work by Frank Auerbach, R.B. Kitaj and Joe Tilson, as well as Kenneth Armitage, Lynn Chadwick, Ben Nicholson, Victor Pasmore, John Piper, Georges Vantogerloo and others.
The exhibition focuses on the extraordinary breadth of motion achieved by Calder from the moment he turned to radical abstraction in 1930 and continuing throughout the subsequent decades of his career.
Its creation was the subject of «Afterword,» the artist's subsequent exhibition at Sikkema Jenkins in November 2014.
September 27th - October 27th During the post war years the British Council promoted a group of British sculptors on the prestigious stage of the Venice Biennale and at subsequent touring exhibitions across Europe, North and South America.
Her 2009 exhibition at the Guggenheim Museum, Material for a Filmtold the story of the eleven Israeli athletes and coaches killed by Palestinian terrorists in the 1972 Olympics in Munich and the subsequent murder of Wael Zuaiter, who was killed in retribution for the attacks.
Harald Szeemann's radical exhibitions at Kunsthalle Bern and subsequent experiments at documenta and the Venice Biennale challenged the limits of the art institution and its methods of display.
It is through this catalog of and subsequent gallery exhibition that we hope to once again bring Weiss's photography to the forefront, but hopefully for good this time.
The exhibition considers drawing in Europe and the United States throughout time, observing how artists advanced the role of drawing in artist's creative processes — from a primary tool to record the visual world to a medium distinguished for its expressive qualities and immediacy in the advent of photography and subsequent technological advances in the digital age, ultimatelyunderscoring what makes drawing different from other forms of notation.
Tate Gallery, London, An Exhibition of Paintings from the Solomon R. Guggenheim Museum, New York, NY, 16 April — 26 May 1957 (and subsequent tour) Albright Art Gallery, Buffalo, NY, Contemporary Art — Acquisitions 1954 — 1957, 15 May — 15 June 1957 Arts Club of Chicago, Young British Painters, 25 October — 3 December 1957 (and subsequent tour) Walker Art Gallery, Liverpool, The John Moores Liverpool Exhibition, 10 November 1957 — 11 January 1958
Nonetheless, they manage to exert, via word of mouth and the occasional image in an exhibition catalogue or art magazine, a sub-rosa influence on subsequent painters.
Over the next decade, Judd worked as a critic for ARTnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.
A subsequent presentation of archive selections as projected images with accompanying musical mash - up took place at the Guggenheim Museum's «Past Tense / Future Perfect» performative event, produced to accompany the exhibition Carrie Mae Weems: Three Decades of Photography and Video.
Baghdad, Iraq, Exhibition of Contemporary Painting, April 1958 (Organised by the British Council) XXIX Venice Biennale, Venice, Kenneth Armitage, S.W. Hayter, William Scott, 1 June — 30 September 1958 (and subsequent tour)
In their most diverse exhibition to date, The Henry Moore Foundation's «Body & Void» exhibition draws connections between Moore's investigation of internal space and its relationship with the human body, and reveals how his ideas have been taken in new directions by subsequent generations of artists.
The focus of this work and its subsequent exhibition at Linda Warren Projects is to explore my fascination with the aesthetics of music and performance.
By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting the artist, promoting the Center's programs, promoting exhibitions and subsequent display on the Center's website of current and past exhibitions.
Coinciding with Frieze Masters, the exhibition of these important series will provide a renewed perspective in which to consider the significance of the artists» earlier works and their influence on subsequent generations of painters and photographers.
Her subsequent exhibition at the Serpentine Gallery in 1988 — the year she was nominated for the Turner Prize — produced a stream of ecstatic media coverage.
It comprises a studio stipend in the «Villa Minimo» of the Gundlach Company and a subsequent exhibition with publication in the Kunstverein.
Our dialogue continued through an exchange of emails, conversations at subsequent parties, and the following discussion, which took place at McGrath's studio in Gowanus during his recent exhibition Profiles in Fugitive Light at Sue Scott Gallery.
By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting exhibitions, promoting the Center's programs, promoting the artist and subsequent display on the Center's website of current and past exhibitions.
Not long after the National Gallery's opening of Delacroix and the Rise of Modern Art, here is another exhibition showing an iconic artist's influence on subsequent generations.
The subsequent gallery houses vocabulary of solitude (2014 - 2016), the centerpiece of the exhibition and the only work present in all venues of the retrospective.
His work has been featured in subsequent one - man museum shows at the Santa Barbara Museum of Art (1976), the Oakland Museum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, Madrid.
The exhibition positions the work of Hans Hartung with artists of the 1950's such as Georges Mathieu, Gérard Schneider, Hantaï, and international artists from subsequent decades, including Helen Frankenthaler.
Throughout the series of summer exhibition focused on the Civil Rights Movement, three original performances by local and regional performing artists will respond to the disturbances and subsequent occupation in Wilmington.
The subsequent rejection of Duchamp's Fountain by the exhibition's organizers ignited a controversy that continues today about the definition of art and who gets to pass judgment.
Subsequent exhibitions include Galerie Rolf Ricke in Cologne, Germany in 1969; The Whitney Museum of American Art in New York in 1970 - 71; Lisson Gallery in London in 1971; and the Wadsworth Atheneum in Hartford in 1998.
The subsequent exhibition, Second Hand, opening April 21, presents the artist's ongoing series of amended readymade paintings.
His collaborative film project with Brian Jungen, Modest Livelihood (2012), was originally presented at the Walter Phillips Gallery at The Banff Centre as a part of dOCUMENTA (13), with subsequent exhibitions at the Logan Centre Gallery at the University of Chicago and the Art Gallery of Ontario.
She had her first retrospective exhibition in 1973 at the Whitney Museum of American Art and subsequent retrospectives followed in 1982 at the Bass Museum of Art, Miami Beach, FL and 1993 at The Joseloff Gallery, University of Hartford.
In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).
The exhibition did three things: firstly, like other subsequent Asian biennials, it contributed to the «normalisation» of installation: film, video and performance becoming the dominant strand of contem - porary art, with curatorial validation and the exhibition opportunities that came with the emerging biennial circuit.
At Blaffer, Sánchez Martínez will work with director and chief curator Claudia Schmuckli on the organization of exhibitions and publications for presentation at the Museum and subsequent circulation to other venues.
Michael Rosenfeld Gallery presents its third solo exhibition of work by Bob Thompson (American, 1937 - 1966), including discoveries revealed subsequent to the artists» momentous 1998 Whitney Museum of American Art retrospective.
[1] The exhibition was a «seminal» [2] London group show which was significant in the subsequent development of the Young British Artists.
In 2008 he was a recipient of an ACE grant for the arts, supporting his first international solo exhibition at the CCA Warsaw and subsequent publication.
Deller's animation is based on one of the works he presented at the British Pavilion at last year's Venice Biennale (the subsequent touring exhibition, «English Magic» is moving from Bristol to Margate's Turner Contemporary for its final leg on 11 October).
Subsequent projects have included the Glyndeborne White Cube, a seasonal exhibition pavilion in the grounds of the historic opera venue in the English countryside.
In 2008, Martin Hellmold, Director of the Kunsthalle Tübingen, Germany, organized and curated Tim Eitel: Die Bewohner, a traveling exhibition which debuted at the museum and had subsequent installations at the Kunsthallen Brandts, Denmark and Kunsthalle zu Kiel, Germany.
Curated in partnership with Art Licks, a platform for emerging artists, the subsequent exhibition, On the heights, presents both indoor and open - air pieces, making full use of the Bothy Gallery and natural backdrop.
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