Sentences with phrase «subsequent solo museum»

His first solo museum exhibition was held at The Pasadena Art Museum in 1970; subsequent solo museum shows have been held at the Stedelijk Museum, Amsterdam, 1977; The Museum of Modern Art, New York, 1986; Dia Center for the Arts, New York, 1997; and the Pulitzer Foundation for the Arts, St. Louis, 2003.

His first solo museum exhibition was held at the Pasadena Art Museum, California (1970); subsequent solo museum shows have been held at the Stedelijk Museum, Amsterdam (1977); The Museum of Modern Art, New York (1986); Dia Center for the Arts, New York (1997); and The Pulitzer Foundation for the Arts, St. Louis (2003); among other venues.

Not exact matches

His first solo show at the Seattle Art Museum was in 1936, with subsequent shows there in 1945 and 1960.

Martin's work has been the subject of nearly 100 solo shows and two retrospectives including the survey Agnes Martin organized by the Whitney Museum of American Art, New York, which later traveled to Milwaukee, Miami, Houston, and Madrid (1992 — 94), and Agnes Martin: Paintings and Drawings 1974 — 1990 organized by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991 — 92).

His work has been featured in subsequent one - man museum shows at the Santa Barbara Museum of Art (1976), the Oakland Museum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, Mmuseum shows at the Santa Barbara Museum of Art (1976), the Oakland Museum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Art (1976), the Oakland Museum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of California (1977), the Palm Springs Museum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Art (1978), and the National Academy of Science (1981), and in over two hundred solo and group exhibitions internationally, in venues such as the Museum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Contemporary Art, Chicago; the Jewish Museum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum, New York; the Indianapolis Museum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Art; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Art; the Museum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, MMuseum of Contemporary Art, Los Angeles, and the Museo Nacional Centro del Arte Reina Sofia, Madrid.

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

Michael Rosenfeld Gallery presents its third solo exhibition of work by Bob Thompson (American, 1937 - 1966), including discoveries revealed subsequent to the artists» momentous 1998 Whitney Museum of American Art retrospective.

Earlier solo exhibitions include the Walker Art Center, Minneapolis and Nelson - Atkins Museum of Art, Kansas City which co-organized and exhibited Joel Shapiro: Outdoors, the first major outdoor exhibition of the artist's bronzes (1995 - 96); Joel Shapiro organized by IVAM Centro Julio Gonzalez, Valencia, Spain that later traveled to the Louisiana Museum of Modern Art, Denmark, Kunsthalle Zurich and Musee des Beaux - Arts, Calais, France (1990 - 91); Joel Shapiro, an exhibition of drawings and sculpture, was organized by the Stedelijk Museum, Amsterdam and later exhibited at the Kunsthaus Düsseldorf and Staatliche Kunsthalle, Baden - Baden, Germany (1985 - 86); a major mid-career survey organized by The Whitney Museum of American Art, New York with subsequent venues at the Dallas Museum of Fine Arts, the Art Gallery of Ontario, Toronto and San Diego Museum of Contemporary Art (1982 - 84); and Joel Shapiro: Sculpture and Drawing at The Whitechapel Art Gallery, London that later traveled to the Museum Haus Lange, Krefeld, Germany and Moderna Museet, Stockholm (1980).

Other recent solo exhibitions include teamLab: We are the Future, 2012, at the Digital Arts Creativity and Resource Center at the National Taiwan Museum of Fine Arts, Taichung; and teamLab and Saga Merry - go - round Exhibition, 2014, at the Saga Prefectural Art Museum, which was shown at subsequent venues including The Saga Prefectural Space & Science Museum, Kyushu Ceramic Museum, and Saga Prefectural Nagoya Castle Museum, Saga, Japan.

Recent acquisition of works by Museum More and his subsequent solo exhibition, Enter The Void, has secured his position as a master of photo realism.

Since her first solo exhibition in 1958, Martin has been the subject of over 80 exhibitions, including in recent years Agnes Martin: The Nineties and Beyond, The Menil Collection, Houston (2002); Agnes Martin: Paintings and Drawings 1974 - 1990, organised by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991 - 92); Agnes Martin, organised by Whitney Museum of American Art, New York, travelling to Milwaukee, Miami, Houston and Madrid (1992 - 94).

Subsequent important solo presentations were held at the Corcoran Gallery of Art, Washington, D.C. in 1990; the Barbican Gallery, London in 1992 (traveled to Louisiana Museum, Humlebæk, Denmark; Folkwang Museum, Essen; and Fotomuseum Winterthur); documenta IX, Kassel, Germany in 2002; Museum Ludwig, Cologne in 2003 (traveled to Museu Serralves, Porto; Nasjonalmuseet — Museet for samstidkunst, Oslo; Louisiana Museum of Modern Art, Humlebæk, Denmark; San Francisco Museum of Modern Art; Albertina, Vienna; and Dallas Museum of Art).

A.R. Penck's first solo museum exhibition occurred in 1971 at Museum Haus Lange, Krefeld; the following year he participated in Documenta 5 (he contributed major works to three subsequent presentations of Docummuseum exhibition occurred in 1971 at Museum Haus Lange, Krefeld; the following year he participated in Documenta 5 (he contributed major works to three subsequent presentations of DocumMuseum Haus Lange, Krefeld; the following year he participated in Documenta 5 (he contributed major works to three subsequent presentations of Documenta).

Though his talent as a photographer was recognized early in his career, it was his solo exhibition at The Victoria and Albert Museum in 1986 and the subsequent use of his images on album covers and concert backdrops for the musician Morrissey in the 1990s that renewed interest in his work.

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).