Sentences with phrase «such movies end»

Such movies end up feeling, to anyone familiar with the source material, like summaries of the Cliff's Notes version.

Not exact matches

By the end of the movie I was moved and in tears but also a little ashamed that such «worldly» entertainment had struck a chord in me.

In its attempt to ask big questions such as whence and whither humankind, Prometheus presents an action / monster suspense movie in the place of Kubrick's classic, but such deep questions remain to the end in the character of Dr. Elizabeth Shaw (Noomi Rapace).

The season is upon us where culture junkies such as myself become enjoyably worked up over various year - end «Best of 2011» lists - best album, movie, novel, etc..

After its release, its visions of purring Thunderbirds and Impalas inspired such a craze among local teens emulating the movie that San Rafael had to put up a sign forbidding U-turns at one end of Fourth Street to stop kids from cruising their cars up and down all day long.

The governor argued that «they are turning governance to Nollywood, such that when one movie is about to end, they release another one.

such a beautiful story, you have no idea how the movie ends until it ends — So many unexpected twist of events, so good!

Although the movie has a happy end for the gold diggers, you may not always expect such luckiness to happen.

After Taxi ended, Lloyd went primarily into movie work with such characters as Doc Brown, Fester Addams, and Colonel Kruge, to name a few.

In all seriousness, it's almost inconceivable that such a boring movie could be made from a story that starts with a mutant rat terrorizing a space station, ends with a 60 - foot crocodile devastating Chicago, and peaks with a scene where a silverback gorilla flips off the star of HBO's «Ballers.»

You can't deny that this film is incredibly well made and I can understand why this film garnered such critical acclaim but at the end of the day, I was left somewhat disappointed by this movie.

To that end, it's tempting to give Pellington credit for trying to make such an unsentimental movie about the power and potential value of sentimentality.

The story jumps around so much and with such inept transitions that at the end I couldn't help but wonder if Kapur ended up shooting a five - hour movie and leaving most of what made sense on the cutting room floor.

Such a principle applies to a film like Avengers: Infinity War, which is the end result of a decade of filmmaking (and the 19th Marvel movie out of the gate).

Ulu Grosbard, a Tony - nominated stage director who also worked in film, directing such movies as «True Confessions» and «The Deep End of the Ocean,» died late Sunday or early Monday in New York City, according to his family.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

It ends with a title card that states «A Paul Schrader Film,» but it is such in name only — a version of the movie that neither Schrader nor Refn (who retains an executive producer credit) nor Cage endorse or have done anything to promote, assembled by a team of producers without the input of Schrader or the film's credited editor, Tim Silano.

Sometimes you see such a piece of crap that you yank off your clothes, cover yourself with ashes, and go out onto the street with a sandwhich board proclaiming that the End Of The World is coming, because movies this horribly putridly awful are being made.

And though some of Shyamalan's fans will complain of the lack of a twist ending, think about it - is this really a movie that would have been enhanced by such a conclusion?

One thing you should know about the Reader's year - end film rankings is that, from time immemorial, we've limited the candidates to movies that premiered locally between January 1 and December 31 — that's why Toni Erdmann, a big awards favorite in 2016, wasn't eligible until this year, and a handful of highly touted films premiering on the coasts now to qualify for the Oscars (such as Paul Thomas Anderson's Phantom Thread and Michael Haneke's Happy End) won't be considered until 20end film rankings is that, from time immemorial, we've limited the candidates to movies that premiered locally between January 1 and December 31 — that's why Toni Erdmann, a big awards favorite in 2016, wasn't eligible until this year, and a handful of highly touted films premiering on the coasts now to qualify for the Oscars (such as Paul Thomas Anderson's Phantom Thread and Michael Haneke's Happy End) won't be considered until 20End) won't be considered until 2018.

The World's End is such a good time purely as a film about men of forty reconnecting and reflecting on their youth that you don't want that movie to end and become simply a springboard for more graphic actiEnd is such a good time purely as a film about men of forty reconnecting and reflecting on their youth that you don't want that movie to end and become simply a springboard for more graphic actiend and become simply a springboard for more graphic action.

Avengers: Infinity War is an unprecedented movie that is the end result of 10 years of storytelling; and it needs to be viewed as such.

CHERISH is a definite guilty pleasure, the kind of movie that makes very little sense, but has such quirky charm that you may end up loving anyway.

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The constant violation of the «one five - minute conversation would end this movie» rule would be forgivable if the production offered something interesting and non-story-related for these characters to do, but no such luck.

Not to mention the niggling fact that, in the face of The Sweet Hereafter's sure - footed feel for tragic desolation, The Captive resolutely doles out not one, but two giddily happy endings — both hug - laden reunions / endurance tests, shot in blandest TV - movie fashion, as though even Egoyan couldn't care less about such tidy resolution.

Movies with unclear endings aren't hard to come by but films such as this that make you want to discuss and evaluate its twists are hard to duplicate.

Such coincidences end up forming the entire basis of the movie's third act, as the three are reunited and a decision, apparently, must be made.

The ending, however, is too abrupt and leaves the audience without the catharsis that such an emotionally charged movie needs.

The joke left to the end of the video is that if you vote, Mark Ruffalo will do a nude scene in his next movie (at which point Mark Ruffalo pretends to be surprised that he's expected to do such a thing).

A wealth of other efforts — from TV comedies Married... with Children and The Simpsons to movies such as The Royal Tenenbaums and Welcome to the Dollhouse — have all fared well, albeit from vastly varying ends of the spectrum.

Bad movies happen to good actors all the time, but it's hard to explain how so many stars ended up in such an inexplicable Christmas comedy.

In the tradition of such end - of - class movies, Superbad chronicles Hill and Cera's epic misadventures in securing alcohol for a raucous party where they hope to finally score with their respective crushes.

The title is a bit of a giveaway as to what happens in the movie for the group of four men sent to do recon to find a major leader in the Taliban, but to its credit, the film does begin with a shot that takes place toward the end that acknowledges as such.

The quintessential sequel, the quintessential sci - fi actioner and one of the greatest films ever made, James Cameron's sequel to his breakthrough classic was such a massive upgrade over its predecessor that it ended up decimating the 1984 original in all filmmaking departments with effortless ease, and remains one of the most influential, entertaining and breathtaking action extravaganzas to ever grace our movie screens.

In the shadow of such tragedy, where innocent people saw their lives abruptly, senselessly ended, one must ask: what are we doing here talking about movies?

Home Alone marked the beginning of the end of John Hughes as a creative force, who has spent the remainder of his career penning screenplays for such movies as Dennis the Menace, Baby's Day Out, Beethoven, Flubber, and the two Home Alone sequels — almost all kid stuff.

Such comparisons may be unfair, but they were also inevitable, and although «The World's End» isn't as likely to become an instant classic as its predecessors, the movie is an incredibly fitting end to the trilogy that's every bit as funny at times and still vastly better than a majority of Hollywood comediEnd» isn't as likely to become an instant classic as its predecessors, the movie is an incredibly fitting end to the trilogy that's every bit as funny at times and still vastly better than a majority of Hollywood comediend to the trilogy that's every bit as funny at times and still vastly better than a majority of Hollywood comedies.

On the other hand, British movies often confuse the daylights out of me because they weave subplots together in such a way that sometimes instead of finishing with... oh, say a nice cinematic cardigan, the end result is more reminiscent of the dust bunnies under my sofa.

It's hard to imagine a big - ticket summer movie in 2013 ending on either an out - of - season holiday greeting or such a quiet, melancholy note.

I want to reiterate that these are NOT my end of the year selections, as I have so many other movies I am eager to catch up on such as Ava DuVernay's «13th» and Theodore Melfi's «Hidden Figures,» as well as new films by Martin Scorsese, Robert Zemeckis and many others.

It is just the most amazing thing to watch: «The World's End» becomes a totally different kind of movie about halfway through — intense, paranoid, violent — yet maintains the dry, rapid - fire wit that made its earlier scenes such a joy to watch.

However the ending left me with such a incomplete feeling, I felt that it would be my review to wait for the next movie before seeing this.

And it is not hard to imagine such pulse and respiratory data influencing the way directors and editors put together their films, much the way test - audience reactions can lead film - makers to drop certain scenes, or even to change a movie's ending entirely.

Even without taking under account the evident, constant battle between both characters» «little angels and demons,» there are indeed several religious images throughout «Changing Lanes» and my guess is that Michell tried to make a not so subtle parallel between both characters escalating wrong - doings and Christ's dying for our transgressions, not unlike the ones depicted here, only for them to end the film by actually achieving a redemption of sorts similar to Christ's resurrection, which for both characters in the film seemed so elusive throughout this day, even in moments such as the one when the movie manages to casually place the character played by Affleck (a non-Catholic, I think) inside a confessional with a priest, no less.

Yet, the film pulls and tugs at the heartstrings in such a stereotypical fashion — every pause and every beat hits the mark at the same point that every other tragedy does — and the contrivances built into the script (a white woman Oscar helps at the grocery store ends up being the one taking the cell phone video) overload an already loaded movie.

«Red» is such a rich movie full of intelligence and craft and a great ending to Kieslowski's brilliant career.

Overbearing mothers in movies are as plentiful as shells on the sand, but rare is the overbearing mother who's written with such love and care that she ends up being less defined by her obnoxiousness than by everything else.

This buddy movie / cop comedy takes its cue from such police - dog stories as «Turner and Hooch» — which it directly references — as well as the 1990 TV pilot «Poochinski,» in which the ghost of a murdered detective ends up inhabiting a gassy English bulldog.

Midway through an 11 o'clock number set in a bar in «The Greatest Showman» — there are several such numbers; this movie musical's turned up to 11 all the time — Hugh Jackman, as impresario P.T. Barnum, ends his song and departs.