Sentences with phrase «sunday times art»

In similarly argumentative form, Sunday Times art critic Waldemar Januszczak praises the Hayward Gallery's offsite «Infinite Mix» show, dismisses the idea that outgoing Tate director Nicholas Serota might be a «visionary» and quotes from a Kendrick Lamar record (#).

She also attracted the ire of Sunday Times art critic Waldemar Januszczak, who described Curtis as «a disaster».

Not exact matches

The latest YouGov / Sunday Times opinion poll on August 4th still gives Labour a six point lead over the Conservatives, which would give them a majority of 76, but — as Bismarck remarked — politics is the art of the possible.

Weekend Schedule Friday Evening 5 pm Hatha Yoga 6:45 pm Dinner 8:00 pm Evening program with Swami Saturday Early Morning Tea, Coffee, Fruit and Trail Mix Available 8:30 am Hatha Yoga 10:30 am Brunch Free Time 1 - 5 pm Art of Dying workshop 6:30 pm Dinner 8 pm Evening Program with Swami Sunday Early Morning Tea, Coffee, Fruit and Trail Mix Available 8 am — Silent Walk 9 am - Hatha Yoga 10:45 am — Brunch Noon — 4 pm Art of Dying workshop No transport?

I really enjoyed your Art Basel review, must say that Art sometimes is gorgeous, some other times is weird love the pictures and your sleek and chic outfit have a great Sunday http://www.theitalianglam.com/ the Italian Glam recently posted... Tutto è vanità.......

This blog post is featured here - Life Thru The Lens, The Art Of Home - Making Mondays, The Scoop, Inspire Me Tuesday, Nature Notes, The Maple Hill Hop, Homestead Blog Hop, Get It Together, Wonderful Wednesday, The Wednesday Showcase, Outdoor Wednesday, Wow Us Wednesday, Dream.Create.Inspire, Homestead Blog Hop, Home And Garden Thursday, Thursday Favorite Things, Our Simple Homestead Blog Hop, Thoughts Of Home Thursday, Simple & Sweet Friday, This Is How We Roll, Little Things Thursday, Clever Chicks Blog Hop, Dishing It & Digging It, Inspire Me Monday, Home Matters, What To Do Weekends, Pretty Pintastic Party, Share The Wealth Sunday, Happiness Is Homemade, Share It One More Time, Simple Saturday's Blog Hop, Amaze Me Monday

-LSB-...] Time to Sparkle (Love Grows Wild) / / Sunday Best Linky Party (The Girl Creative.com) / / Monday Funday (C.R.A.F.T.) / / Marvelous Mondays (Call Me PMC) / / Making Monday (Kitchen Table Art) / / From Dream to Reality -LSB-...]

At a Cannes Film Festival where the purposes and parameters of art have been much debated, with Netflix, virtual reality and television series making rare and sometimes first - time appearances, it was only fitting that the Palme d'Or was awarded Sunday night to «The Square,» Swedish director Ruben Östlund's blisteringly funny and provocative portrait of a modern - art museum curator enduring a crisis of conscience.

It would also let teachers focus more time on the art of teaching — that is, more time with student work and less time on Pinterest on Sunday night with an empty plan book at their elbow.

12th Annual St. Patrick's Parade in Historic Delano Date: March 17, 2018 Time: From: 12:00 PM to 01:00 PM Location: Begins at Douglas & McLean and ends at Douglas & Walnut 16th Annual Tallgrass Film Festival Date: October 17, 2018 - October 21, 2018 Time: Various times Location: Various locations around downtown Wichita 2018 Wichita Riverfest Date: June 1, 2018 - June 9, 2018 Time: Event times vary Location: Downtown Wichita 37th Annual Wichita Asian Festival Date: October 27, 2018 Time: From: 05:00 PM to 09:30 PM Location: Century II Performing Arts & Convention Center Autumn & Art 2018 Date: September 14, 2018 - September 16, 2018 Time: Friday, 6 - 9 p.m.; Saturday 10 a.m. - 7 p.m.; Sunday 10 a.m. - 5 p.m. Location: Bradley Fair Derby BBQ Festival Date: June 8, 2018 - June 9, 2018 Time: Begins Friday at 6 p.m. Location: High Park Great Plains Renaissance & Scottish Festival Fall 2018 Date: September 29, 2018 - September 30, 2018 Location: Sedgwick County Park Great Plains Renaissance & Scottish Festival Spring 2018 Date: April 21, 2018 - April 22, 2018 Location: Sedgwick County Park ICT Bloktoberfest 2018 Date: October 12, 2018 - October 13, 2018 Time: Friday, 5 - 9 p.m.; Saturday 10 a.m. - 9 p.m. Location: WaterWalk Open Streets ICT 2018 Date: September 23, 2018 Location: Douglas Avenue from Glenn Street to Roosevelt Street 14th Annual Anime Festival of Wichita Date: June 29, 2018 - July 1, 2018 Time: TBA Location: Hyatt Regency Wichita 4th Annual Wichita Mini Maker Faire Date: July 21, 2018 - July 22, 2018 Location: Exploration Place Autism CARE Walk Date: April 28, 2018 Location: WaterWalk Belle Plaine Tulip Festival Date: Location: Downtown Belle Plaine Celebrate America Date: June 30, 2018 Location: Old Cowtown Museum Midwest Beerfest Date: October 12, 2018 - October 13, 2018 Time: TBA Location: Expo Hall at Century II Midwest Huntfest 2018 Date: March 24, 2018 - March 26, 2018 Location: Century II Performing Arts & Convention Center Old Cowtown Victorian Christmas Date: Time: From: 06:00 PM to 09:00 PM Location: Old Cowtown Museum Old Town Farmers» Market - Winter Market Date: Location: Distillery 244 Old Town Pumpkins at the Park 2018 Date: Location: Tanganyika Wildlife Park

Day Two Sunday — Broken Hill — Mutawintji National Park — White Cliffs opal field — Departing Broken Hill we travel to the Mutawintji National Park to explore its history and grandeur with Aboriginal art and haunting memories to take us back in time.

Day One Sunday — Broken Hill — Mutawintji National Park — White Cliffs opal field — Departing Broken Hill at 0900 we travel to the Mutawintji National Park to explore its history and grandeur with Aboriginal art and haunting memories to take us back in time.

Square Enix brought an arsenal of Play Arts KAI and Static Arts collectibles to California's 2016 San Diego Comic - Con, but now it's time for Japan to shine, as Wonder Festival 2016 was held this past Sunday, July 24th.

FEATURING «ILLUSTRATED BOOKS, art - themed fiction, artist biography, nonfiction about the art world, original photography and original artwork,» the New York Times published its first - ever art - themed Sunday Book Review section today (June 28, 2015).

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratart», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Report, Jan / Feb 2000, p. 52, illustration

Peckham / Camberwell Art Venues ASYLUM Art Space (The Chapel, Caroline Gardens, SE15) Flat Time House / Latham Archive (Bellenden Road, SE15) Hannah Barry (Copeland Road industrial Park / Peckham Rye Multi Story Car Park, SE15) Home; Live Art (Flodden Road, SE5) House (Camberwell Church Street, SE5) M2 Gallery (Kings Grove, SE15) Peckham Space (Peckham High Street, SE15) Sassoon Gallery (Blenheim Grove, SE15) South London Gallery (Peckham Road, SE5) The Sunday Painter (Blenheim Grove, SE15)

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

Opening times: The New Art Gallery Walsall is open from 10 - 5 on Tuesdays to Saturdays and Sundays 12noon - 4 pm.

@ IPK @ NYU / 20 Cooper Sq. — floor 7 / FREE Tuesday, 12/2, 6 PM / Kate Gilmore on her work / SVA / 133 - 141 W 21 — room 101C / FREE Tuesday, 12/2, 6:30 PM / Fred Tomaselli on his work / New York Studio School / 8 W 8 / FREE Wednesday, 12/3, 6:30 PM / E.V. Day on her work: Exploded Couture / NY Academy of Art / 111 Franklin / FREE Wednesday, 12/3, 6:30 PM / D.Bricker Balken, C.Ducan, V.Hellstein, R.Hobbs on Richard Pousette - Dart / New York Studio School / 8 W 8 / FREE Thursday, 12/4, 5 PM / Kerstin Bratsch on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE Thursday, 12/4, 6:30 PM / Miriam Nichols speaks on her work / SVA Art Critism & Writing / 132 W 21 — floor 6 / FREE Sunday, 12/7, 4 PM / Mokuhanga crator & artists talk / Kentler International Drawing Space / 253 Van Brunt, Red Hook / FREE Monday, 12/8, 7:30 PM / Tamy Ben Tor & Miki Carmi speak on their work / Memorial Hall, Pratt / 200 Willoughby, Brooklyn / FREE Tuesday, 12/9, 6 PM / Media Farzin speaks / SVA / 133 - 141 W 21 — room 101C / FREE Tuesday, 12/9, 6:30 PM / Oriane Stender speaks on her work / Trestle / 168 7th, Gowanus, Brooklyn / FREE Wednesday, 12/10, 6 PM / Talk: Douglas Gordon; Helene Grimaud with Alex Poots / Park Avenue Armory / 643 Park @ 66 / $ Wednesday, 12/10, 7 PM / Panel: Zombie Formalism moderated by Amy Wilson / SVA / Theatre / 333W 23 / FREE Thursday, 12/11, 5 PM / Moyra Davey on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE Friday, 12/12, 6 PM / Performance: Aki Sasamoto / JTT / 170a Suffolk / FREE Saturday, 12/13, time TBA / Symposium: Studio School: M.Schor; B.Schwabsky; R.Bordo; D.Reed moderated by A.Belag / Kasher / 515 W 26 / FREE Saturday, 12/13, 2 PM / Stuart Shils speaks on his work / Harvey / 208 Forsyth / FREE Thursday, 12/18, 5 PM / Yvonne Rainer on her work / NYU; Einstein Auditorium 34 Stuyvesant St. / FREE

The Ferens Art Gallery opening times are: Monday - Wednesday: 10am - 5 pm Thursday: 10am - 7.30 pm Friday - Saturday: 10am - 5 pm Sunday: 11am - 4.30 pm

Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectoart critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women CollectoArt Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors.

In yesterday's Sunday Times (#), critic Waldemar Januszczak described the decision as a «collapse in educational values», and explained how the study of art history had «saved [his] life».

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expeart prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expeart: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» ExpeArt in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

His work has also been appeared in The New York Times, Harper's Magazine, Camera Arts, and The Sunday Review in London among other publications.

Nicholas Serota tipped as the next Arts Council Chairman According to reports from the Sunday Times and Evening Standard, current Tate director Nicholas Serota has been offered the opportunity to become Chairman of the Arts Council England, taking over from Sir Peter Bazalgette who will step down in January 2017.

Joe has exhibited his watercolour paintings at the Singer & Friedlander Sunday Times Exhibition, Royal Institute of Painters in Watercolour, Laing Art Exhibition, Chichester Open, Barings ING — Platform 100, World of Drawings and Watercolours, British Modern Masters, Royal Society of Marine Artists.

During the introduction, Heath reads out a paragraph from the article «Art in a Coke Climate» written by the art critic, David Sylvester, printed in the Sunday Times in 19Art in a Coke Climate» written by the art critic, David Sylvester, printed in the Sunday Times in 19art critic, David Sylvester, printed in the Sunday Times in 1964.

Neil Raitt solo presentation at SUNDAY Art Fair noted by Kenny Schachter in his review of Frieze week for artnet, among top picks of Elephant Magazine, The Financial Times, among top six artists at SUNDAY Art Fair according to FAD Magazine, and highlighted by aqnb, Artspace, and ARTnews.

A. Robertson, Winning art of innocence, Sunday Times Scotland, 25 September 1994, illustrated.

Artfetch Goes Undercover», Artfetch, December Pryor, Riah, «Busy start for younger galleries at the fair», The Art Newspaper, December Abbott, Rosa, «I Love Those Paintings @ Mother's Tankstation», Totally Dublin, April «Location One: One and Many», island, January 2011 «Atsushi Kaga», LEAP Art HK II Supplement, July Greg Cook, «Cartoon Network», Boston Phoenix, 18 February 2010 «Hay un conejo sobre la calavera de Michael Jackson», www.dadanoias.net, December «re (tour) sur foire», Bonnie Bulle, November Blount, Mai, «Universal Soul Grammar», mother's annual 2010 «Atsushi Kaga, 31, Artist», Sunday Business Post, July Daragh Reddin, «Atsushi Kaga: Rest With Us in Peace», Metro, 8 June «Der Künstler Atsushi Kaga...», Bavarian State Opera Magazine N ° 6, June «Furry creatures,» Image Interiors, May — June «Atsushi Kaga», Urban Outfitters blog, February 2009 David Marx, W., «Genius», Nylon Guys, July 2008 McCarthy, Gerry, «Super Funny Animals», The Sunday Times, 4 August Dunne, Aidan, «All eyes on the Marble City», The Irish Times, 15 August Gorman, Sophie, «Bunnies, Slogans and Donuts?

2011 Crow, Kelly, London's Hot Winter, The Wall Street Journal, 19 February Melikian, Souren, London Auctions Highlight Insatiable Appetite for Contemporary Art, The New York Times, 18 February Januszczak, Waldemar, The Master of Deception, The Sunday Times, 29 May, pp. 10 - 11 Weekend Agenda: 30 April / 1 May, Monocle, 30 April Glover, Michael, Surreal Scenes that Stir the Imagination, The Independent, 6 May, p. 16 Renoir With $ 15 Million Price Tag Boosts Sales After $ 1.4 Billion Art Fair, Bloomberg, 7 May

That came hours later, in the form of an electronic query during a Sunday midday conversation held at the museum: «Why does contemporary art choose to privilege kitsch, frivolousness, and the banal during a time that demands profound answers with respect to interiority, spirituality, and poesis?»

XLIII, No. 273, July - September Davies, Laura, The Not So Young British Artist, The Liverpool Post, 9 June Januszczak, Waldemar, Entering a Whole New Head Space, The Sunday Times, 6 June O'Hagan, Sean, Newspeak: British Art Now, The Observer, 6 June Guner, Fisun, Find Inspiration at the After - Party, The Metro, June Sherwin, Skye, Ged Quinn - London, The Guardian Guide, 15 - 21 May Nottingham, Michael and Tsitsovits, Yannis, Drifting in the Debris: New Art by Ged Quinn, Under Current Magazine, Spring / Summer

Solo Exhibitions Marks and Tilts Gallery - Jan 2018 5th Base Gallery - Nov 2017 The Studio Show - Feb 2018 Group Shows Art Antiques Fair - Jan 2018 Wimbledon Open Studios x 5 - 2016 - 2018 House and Garden - June 2018 Art 33 - June 2017 Electric Picture House - November 2016 Press: Vogue, House and Garden, Lad Bible, Daily Mail, Sunday Times Awards: Every Woman NatWest award 2018 - nominated

On Sunday September 20th, The Chimney NYC will broadcast live Rashaad Newsome's King of Arms Art Ball III, staged for the first time in Bushwick at Livestream Public.

2010 Mamma Andersson and Jockum Nordstrom Exhibit at David Zwirner, Art Daily, 25 June 2009 Dunne, Aidan, Paintings that shoot straight from the hip, The Irish Times, 25 February Conly, Sue, Taking Gravity to Art, The Evening Herald, 5 March Kenny, Ruth, How to Read a Painting, The Dubliner, Issue 82, March Butler, Kate, Mamma Andersson: Cry, The Sunday Times, 22 February White, Lucy, Art Round - Up, Metro Ireland, 2 March Lack, Jessica, Mamma Andersson, The Guardian, 28 October New Work Extra, Art World, Feb - March Degen, Natasha, Mamma Andersson, ArtForum Online, 12 January

2008 Mullan, Kelly, An artist with a lot of bottle, Disability Now Magazine, Issue 14, December Art World, Artists open domestic spaces, Dec 2008 - Jan 2009 Crow, Kelly, Family Flies into Museum, The Wall Street Journal, 25 November Schwartzkoff, Louise, MCA fortunes wax with works by a citizen of the world, The Sunday Morning Herald, 25 September Holmes, Pernilla & Wallis, Stephen, Departures, September Sandison, David, Yinka Shonibare: The Battle of Trafalgar, Independent Online, 24 June Fourth plinth winners announced, The BBC News Channel, 23 June Brooks, Richard, Fame up for Grabs in Trafalgar Square, The Sunday Times, 22 June Hirsh, Faye, Art in America, June - July Financial Mail, The Wombles of Woodstock, 30 May, p. 85 Wyndham, Constance, Yinka Shonibare, Art + Auction, February, pp.54 - 58 The battle of Trafalgar Plinth, London Paper, 8 January Message in a giant bottle: Interview, The Observer, 29 June MCA fortunes wax with works by a citizen of the world, The Sydney Herald, 25 September, p. 16

His extensive list of clients includes major brands such as Google, The New York Time, TFL, Mondo, Liberty, Penguin, English National Opera, Science, The Atlantic, The Sunday Time, Netflix, Medium, WIRED, Architect Magazine, Computer Art, Arte, GQ, Microsoft, Nokia, Little White Lies, Farfetch, The New Republic, The Telegraph, Virgin, Sadler's Wells Theatre.

While this striking body of work (parts of which ran as photo - essays in London's Sunday Times and Look magazine) earned the artist inclusion on the Magnum roster, Art Institute curator Matthew S. Witkovsky's nuanced retrospective of the artist, «Josef Koudelka:

Please Join the «Surrogates» (Matthew Lange, Tilton Widrow, Alex Chipkin, Becky Chipkin, Ben Godward) on Sunday, September 9th at 12 pm at Bogart Salon to discuss the data collected for the Art Time Capsule: Bushwick project.

Testing Ground Time Scale Royal College of Art and Goldsmiths College curatorial collaboration Friday 28 January 6 - 10 pm Saturday 29 and Sunday 30 January 11am - 7 pm

NY SUNDAY TIMES AT ART EXPO 2018.

He was born in 1930 in Nashville, came to New York to study jazz, got a job as a guard at the Museum of Modern Art and, from 1955 or so on, set himself up as the guy who painted white squares — thousands by now, with more coming all the time from a master who turned 80 last Sunday.

Many sculptures on display with A&E Fine Art Gallery including «Sunday NY Times» (Bronze 19 ″ x 21 ″ x 29 ″ approximately 300 pounds)

2008Andress, Sarah, Nicholas Byrne Studio Voltaire, Flash Art, November / December Margherita, Laera, Mania, Italian Vogue, September The Irish Times, 20th August Gorman S, Irish Independent Review, 16th August Butler, Kate, The Sunday Times, 17th August White, Lucy, Entering Academia, Metro, August 14 Coomer, Martin, Past Foward, Big Issue, 26th May O'Reilly, Sally, Past Forward, Time Out 27th May Honoré, Vincent, Past - Forward, Zabludowicz Collection

Video: Louisiana Channel, Paterson & Atwood; Future Library Scotland on Sunday 7 September 2014 The Guardian, 5 September 2014 Sculpture Magazine, November 2014 The Times, 26 August 2014 The Telegraph, Best of the Edinburgh Art Festival, 8 August 2014 The Sunday Times, 10 August 2014 The Times, 6 August 2014 The Independent Radar, 2 August 2014 The List Guide, GENERATION, June 2014

, The Upcoming, 19 February Chayka, Kyle, App Art: David Shrigley's «Light Switch» Takes a Swipe at Conceptual Art on the iPhone, Art Info, 16 February Hogan, Ruth, David Shrigley: Brain Actvity, This is Tomorrow, 16 February Charlesworth, JJ, David Shrigley: Brain Activity, Time Out, 8 February Gayford, Martin, Monster's Boots, Terrier Draw Ironic Laughs in London, Bloomberg Businessweek, 6 February Darwent, Charles, David Shrigley: Brain Activity, The Independent, 5 February Januszczak, Waldemar, Absurdly Amazing David Shrigley, Culture, The Sunday Times, 5 February Gillions, Jennie, David Shrigley: Brain Activity at the Hayward Gallery, Culture 24, 3 February Sutcliffe, Tom, The luxurious nature of whimsy, The Independent, 3 February What Does David Shrigley Do All Day?

, Independent on Sunday, 9 August (cover and pp.2 - 3) Smith, Aidan, Scotland on Sunday, 2 July DJ, Book of the Fortnight, Leeds Guide, 25 January 2005 Morton, Tom, V&A Magazine, Winter Beagles, John, MAP, Issue 4, Winter, p. 62 McLeish, Numpty, Nude, Winter The Times, 3 December Knave, 1 December Instant, December Baxter, Glen, Observer Review, 27 November Wilson, Rebecca, Art Review, 16 October Observer Magazine, 16 October Independent Magazine, 15 October, p. 7 AC, Metro, 5 October Sooke, Alastair, Telegraph, 1 October Quirk, Justin, Arena, October i - D, October Kultureflash, 28 September Allan, Vicky, Sunday Herald Magazine, 18 September (cover) Bucknall, Simon, Blueprint, 12 September Barton, Laura, Guardian, 10 September Quintessentially, 1 September Previews, Bookseller, 12 July The Bookseller, 8 July Hanley, Lindsay, Glasgow Herald, 18 June, p. 8

Three video interviews from the Louisiana Channel (Louisiana Museum of Modern Art) A Life of Storytelling Advice to the Young Letter Exchange with JFK A feature piece from The Atlantic (June 1, 2016) Q&A with The Guardian (March 27, 2016) An interview with The Sunday Times (April 17, 2016)