Sentences with phrase «suprematism artist»

Not exact matches

Constructivist artists were strongly inspired by technology and architecture (also criticized as only their inferior imitation, by the Russian artist Malevich, the founder of Suprematism).

The Russian Suprematism started circa 1915/16 by founding artist Malevich.

Suprematism and its artists, the Russian art - movement, described and explained in short art - quotes and images, for students, pupils teachers.

These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of abstraction, deploying visual signals of Suprematism, color - field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

And finally, there are certain noticeable omissions: Bridget Riley, Frank Stella, Marlow Moss and a host of artists who exhibited at the Last Futurist Exhibition of Paintings 0.10 (1915 - 16), the event that hailed the birth of suprematism.

Kazimir Malevich, From Cubsim and Futurism to Suprematism, The New Painterly Realism, 1915 On 17th December 1915, the Russo - Polish artist Kazimir Malevich opened an exhibition of his new «Suprematist» paintings in the Dobychina Art Bureau in the recently renamed city of Petrograd.

Using photographic techniques, painting, drawing, collage, and screen - printing, the artist creates manifold compositions that allude to embryonic modernisms (the Orphism of František Kupka, the Metaphysical painting of Giorgio DeChirico, Futurism, Constructivism and Suprematism), science fiction, philosophy and architecture, particularly Viennese Gothic architecture like Stephansdom (St. Stephens Cathedral).

Although the four exhibiting artists concentrate on Abstract Art, they refer to distinct art forms such as Futurism, Suprematism, and Op - Art.

El Lissitzky was a Russian artist and polemicist who helped the development of avant - garde and suprematism with his mentor Kazimir Malevich.

The initial artistic movement in the Soviet period had been the Avant Garde led by artists such as Kazimir Malevich, Alexander Rodchenko and Mikhail Larionov and this incorporated neo-primitivsim, futurism, suprematism and constructivism.

Students discover how artists respond to world events during an investigation into art movements like DaDa, Futurism, Suprematism, Cubism and Modernism.

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

The artist combines the purism of avant - garde movements such as Suprematism, with a totally modern expressionistic energy to create powerful abstract compositions.

His paintings resonate with artists and movements of the past and present, including Suprematism, Latin American Concrete Art, the geometric minimalism of Cuban - American painter, Carmen Herrera, and the modernist - inflected paintings of Mexican contemporary artist Gabriel Orozco.

Kazimir Malevich is known as the artist who laid down the foundations of Suprematism as he published its manifesto From Cubism to Suprematism.

For this solo exhibition at Mercer Union, London, Ontario artist Gerard Päs draws on both his early childhood experiences of being handicapped and his interest in the early 20th century art movements — De Stijl, Neo-Plasticism, Suprematism and Constructivism.

Pure plasticity — the aesthetic «truth,» as it were — was expressed, if in different formal terms from those of Cubism, in the abstract expressionism of Wassily Kandinsky, the leader of Der Blaue Reiter («The Blue Rider») artists in Munich, Germany, in Kazimir Malevich's Suprematism, in Russian Constructivism, and in the geometric abstraction of Piet Mondrian and Theo van Doesburg of the Dutch De Stijl group.

(Suprematism, Constructivism, and De Stijl, the early avant - garde movements that were Minimalism's point of departure, had a conceptual dimension, as the theoretical writings of their artists make clear, but it was their rejection of representation in favour of pure abstraction that gave them their important place in the history of modern art, in the eyes of Greenberg.

This series marks a break with the complexity and large scale of my paintings and explores the strong influence Suprematism has played in my work and my development as an artist.