Wallace taps into the visceral nature of
Suprematism while simultaneously conjuring the bodily experience of Light and Space; a marriage between the cognitive and intuitive that occupies a dimensional, non-linear space.
Not exact matches
Nina Katchadourian's five - part portfolio Window Seat
Suprematism (2014) is based on photographs of airplane wings she took over the course of numerous commercial airline flights; in this work she documents her peripatetic lifestyle
while also channeling the pared - down compositions of the Russian avant - garde.
One can divide painting abstracted into two groups: - on the one hand the geometric abstraction characterized at the beginning by the
suprematism of Malévitch in Russia and the constructivism of Piet Mondrian in Holland, - and on the other hand, the abstracted expressionnism in which form and color are often posed arbitrarily
while expressing the unconscious feelings and emotions of the painter.