Sentences with phrase «suprematism with»

El Lissitzky was a Russian artist and polemicist who helped the development of avant - garde and suprematism with his mentor Kazimir Malevich.

Barbara Krueger brings her characteristic bold advertising type to agit - prop Russian vocab; Florian Pumhosl channels the spirit of Suprematism with his minimal white sculptures in a replica El Lissitzky room; Janice Kerbel makes beautiful geometric patterns from representations of Russian synchronised swimmers.

Not exact matches

Ruby has said of these compositions: «They continue with themes, theories and concepts that have been central to my previous work, but I have been trying to make them abstract and formal, my attempt to connect to the historical lineage of Suprematism.»

Malevich declared the square a work of Suprematism, a movement which he proclaimed but which is associated almost exclusively with his own work

So is its converse, the struggle of art, even for Suprematism and other art under Stalin, to see with the inner eye of creative freedom.

Mr. Kuo received his MFA in painting from Fontbonne University with his thesis work focused in Bauhaus, Suprematism, De Stijl, American abstract expressionism, architecture, and industrial design.

In 1967 he began his collaboration with Studio Marconi in Milan, focusing on creating works that were a new interpretation of historical avant - gardes, such as Abstractionism, Suprematism, Constructivism and Neoplasticism.

A projection of a cube floating a corner, Afrum synthesizes Turrell's interest in art history — Suprematism especially — with more psychological and phenomenological pursuits.

In 1915, Kazimir Malevich revolutionized abstraction with the creation of his iconic art style known as Suprematism.

Originally associated with the Russian Constructivists, Malevich developed a form of abstraction outlined in his essay, From Cubism and Futurism to Suprematism: The New Realism in Painting, 1915.

Cubism led the way for Suprematism, exemplified in Malevich's Black Square, 1915, a simple «pure» abstract painting invested with spiritual meaning.

The artist combines the purism of avant - garde movements such as Suprematism, with a totally modern expressionistic energy to create powerful abstract compositions.

Though she painted primarily abstract paintings, her work precludes Suprematism, with a visual vocabulary reminiscent of the work of Kasimir Malevich and Mark Rothko.

His paintings resonate with artists and movements of the past and present, including Suprematism, Latin American Concrete Art, the geometric minimalism of Cuban - American painter, Carmen Herrera, and the modernist - inflected paintings of Mexican contemporary artist Gabriel Orozco.

Movements like Art Nouveau and Cubism kicked off the new century with Bauhaus, Dadaism, Purism, Rayism, and Suprematism following close behind.

Other movements associated with modern painting include Futurism, Expressionism, Orphism, Suprematism, and Precisionism.

The Paul J. Sachs Prints and Illustrated Books Galleries, second floor Since the early 20th century, abstraction has been associated with so many artistic movements, from Suprematism and Constructivism to Abstract Expressionism and Op art, that it can no longer be defined by any one style or tradition.

With suprematism, he wanted nothing less seismic than to reinvent the world with paintWith suprematism, he wanted nothing less seismic than to reinvent the world with paintwith painting.

Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»

It was then taken up by others, such as his compatriot Kasimir Malevich (1878 - 1935)- the inventor of Suprematism - who wrote (in 1919) «In referring to non-objectivity, I wish to make it clear that Suprematism is not concerned with things, objects, etc..»

With a historical connection to Suprematism, Hawtin's «Torqued» series consists of monochromatic, acrylic paintings on irregularly shaped canvases.

As the name suggests, it kicks off with the famous black square and the art movement Kazimir Malevich named suprematism, running right through to today's art.

This series marks a break with the complexity and large scale of my paintings and explores the strong influence Suprematism has played in my work and my development as an artist.