Sentences with phrase «surface woodcut»

Image: Vija Celmins Ocean Surface Woodcut 1992, 1992, Grafit on paper, 49,5 x 39,4 © Vija Celmins Courtesy The Grenfell Press

Celmins works in traditional intaglio (see Alliance 1983), lithographic (see Untitled Portfolio: Galaxy 1975), and relief processes (see Ocean Surface Woodcut 1992) to make her prints.

Not exact matches

Crucially, it's VistaVision, that high - density 35 mm format that makes everything seem hyper - real and surreal at the same time, an entire world of woodcut surfaces that looks as if you can walk into it.

The pliable linoleum surface allows for a more fluid line than is possible in making a woodcut.

Once the celluloid solidified, Margo could alter the surface with standard etching and woodcut tools or use acetone to break down areas of the hardened celluloid.

To print a woodcut, the artist covers the surface of the woodblock with ink using a brayer, a tool similar to a rolling pin that evenly spreads the ink.

Woodcut: An image is sketched on a block of wood before the surface is carved into with gouging tools.

Two woodcuts by Vija Celmins — an ocean surface and a night sky — contain an intensity and sublimity that can only be experienced in person; in reproduction the magic between their meticulous process and image is lost.

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

The hyped artist Vija Celmins» mesmeric woodcut of the ocean's surface, which took a year for her to complete, is something not to be missed as are the chaotic swirls and emotive marks of Julie Mehretu.

A section relating to travel includes a woodcut by Vija Celmins depicting a rippled ocean surface and a cartoon by the great George Herriman that has the cast of «Krazy Kat» visiting Monument Valley.

The artist digitally distills the image down to a line pattern traditional to woodcut techniques, traces the outline onto linen using silicone, and then covers the entire adhesive surface with graphite dust.

Thus he created a rich surface pulsation that pervades not only his canvases and paintings on paper but also his late color woodcuts.