Not exact matches
To explore and reveal the unconscious,
Surrealists such as Joan Miro and Roberto Echuarren Matta developed a technique known as
psychic automatism, a spontaneous expression of the unconscious through line.
Matta introduced him to the
Surrealists» process of
psychic automatism, spontaneous drawing or writing that flowed, unedited, from the artist's unconscious.
In 1940 Motherwell joined them in the workshop of Kurt Seligmann in New York where he studied etching and first began to adopt the
surrealist's technique of
psychic automatism, an artistic strategy where chance and accident is allowed to dictate the structure of a composition freed from rational control.
They show similar emphasis on the unstudied and intuitive application of that paint in a form of
psychic improvisation akin to the
automatism of the
Surrealists, with a similar intent of expressing the force of the creative unconscious in art.
Gorky centered his aesthetic on a hidden but predefined subject matter, which he transformed through
psychic metamorphosis (using
surrealist automatism).
This is a typically
surrealist application of «
psychic automatism.
Although it was the
surrealist artists who helped to legitimize the unconscious as a subject for Pollock, as early as 1942, he already seems to have begun using
psychic automatism in a wholly different way.
Grounded by Motherwell in the principles of
psychic automatism, deriving from the
Surrealists, Thomas sought to paint in a free and fresh way, as if form and color were autonomously materializing from her brush.