Sentences with phrase «swiss national centre»

This research was supported by the DOE Office of Science Biological and Environmental Research, ARM program; the NOAA Climate Goal and the NASA Radiation Projects Office; and the Swiss National Centre for Competence in Climate Research.

«The results of this study shed light on the great complexity of factors that contribute to the physiological differences between people and allow us to better understand how genetic diseases develop,» explains Maria Gutierrez - Arcelus, first author of this article and member of the Swiss National Centre of Competence in Research Frontiers in Genetics.

Not exact matches

As part of the «National centre of Competence in Research — NCCR LIVES» funded by the Swiss National Science Foundation, researchers at the University of Geneva (UNIGE) examined data from more than 24,000 people aged 50 to 96 living in 14 European countries.

The Queen's scientists have been working alongside a team of experts from Switzerland (ETH Zurich, Empa — Swiss Federal Laboratories for Materials Science and Technology), USA (Florida State University) and Taiwan (National Taiwan University of Science and Technology, National Synchrotron Radiation Research Centre).

The Swiss National Science Foundation's National Centre of Competence in Research (NCCR) Climate, which hosts atmospheric physicists, historians, biologists, and economists, runs the International NCCR Climate Summer School.

To achieve their 4500 - atom model, the researchers benefited from access to the world's third - most - powerful computer — Piz Daint — which is located at the Swiss National Supercomputing Centre (CSCS) in Lugano and can perform up to 20 million billion operations per second.

«The electro - chemical stability of the electrolyte we are using here can withstand three volts, whereas many solid electrolytes previously studied are damaged at the same voltage,» says Arndt Remhof, a researcher at Empa and leader of the project, which is supported by the Swiss National Science Foundation (SNSF) and the Swiss Competence Centre for Energy Research on Heat and Electricity Storage (SCCER - HaE).

Research organisations including: African Rice Centre, Bayer, CERN, COST, Elhuyar Fundazioa, Elsevier, Engineering and Physical Sciences Research Council, University of California Davis, Helmholtz - Gemeinschaft, Imperial College, Wiley, Elsevier, Irish Research Council for Science, Engineering & Technology, European Fusion Development Agreement (EFDA), European Molecular Biology Laboratory, University of Illinois at Urbana - Champaign, European Science Foundation, Taylor & Francis, European Southern Observatory, European Synchrotron Radiation Facility, Fondazione Parco Biomedico San Raffaele, The Geological Society of America, Harvard University School of Engineering, Max - Planck - Gesellschaft, Mayo Clinic, Research Council of Norway, Swiss National Science Foundation, Tekes, Vetenskapsrådet,...

The Swiss Embassy in Ireland, the Swedish Research Council and Le Centre national de la recherche scientifique (CNRS) in collaboration with EuroScience had run a call for young researchers.

Pierre Darier (Swiss), art collector and MAMCO director Gilles Fuchs (France), President of the ADIAF, Art collector Jacqueline Matisse - Monnier (France, USA), Artist Alfred Pacquement (France), Musée National d'Art Moderne director, Centre Pompidou, President of the jury Julia Peyton - Jones (UK) Serpentine Gallery director Guy Tossato (France), Musée de Grenoble director Walter Vanhaerents (Belgium), Art collector

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

Behar's work appears at festivals, galleries, performance spaces, and art centers worldwide, including the Museum of Contemporary Art North Miami, Judson Church in New York; UNOACTU in Dresden; The Girls Club Collection in Miami; Feldman Gallery + Project Space in Portland; De Balie Centre for Culture and Politics in Amsterdam; the Mediations Biennale in Poznan; the Chicago Cultural Center; the Swiss Institute in Rome; the National Museum of Art in Cluj - Napoca; and many others.

Recent Solo and Group Exhibitions include: Dark, Boijmans Museum curated by Jan Grosfeld and Rein Wolfs, Rotterdam» Afterhours», GEM, the museum of contemporary art, The Hague; «I Love My Scene» Mary Boone Gallery New York curated by Jose Freire, «Youth of Today» Schirn Kunsthalle, Frankfurt, «The Image is Gone», Gallery Lisa Ruyter, Vienna, «Low Intensity Conflict» Swiss Institute, New York, 2006; «First we take museums» KIASMA, Helsinki, «Superstars» Kunstforum Vienna, «Leaps of Faith», UN Green zone Cyprus, curated by Katerina Gregos, «Emergencies, MUSAC Museo de Arte Contemporáneo de Castilla y León, «Populism», National Museum of Art, Oslo / Contemporary Art Centre, Vilnius / Frankfurter Kunstverein, Frankfurt / Stedelijk Museum, Amsterdam, «On Patrol, De Appel, Amsterdam, «Festival of Dreams (part 2) «curated by James Fuentes, Lombard Freid Fine Arts, New York.

Over the last dozen years alone these have included shows at Le Consortium, Dijon, France (2014); Fernand Léger National Museum, Biot, France (2014); Dairy Art Centre, London (2013); Swiss Institute, New York (2012); Peggy Guggenheim Collection, Venice (2011); Kunstmuseum St. Gallen, Switzerland (2010); Kunstverein Hannover, Germany (2006); Tate Liverpool, England (2006); and the ICA, Philadelphia (2006).

Selected exhibitions include «Bastard Kids of Drella,» Le Consortium, Dijon (1999, curated by Steven Parrino); «None of the Above,» Swiss Institute, New York (2004 — 05); «Bastard Creatures,» Palais de Tokyo, Paris (2007); «Born to Be Wild,» Kunstmuseum St. Gallen, Switzerland (2009, curated by Konrad Bitterli); «American Exuberance,» Rubell Family Collection, Miami (2011); «The Old, The New, The Different,» Kunsthalle Bern (2012); «Blair Thurman,» MAGASIN Centre National d'Art Contemporain de Grenoble (2014); and «Blair Thurman» at Gagosian Gallery, New York (2014 / 2015).