Sentences with phrase «t. wiley»

A retrospective of Wiley's career, titled What's it all Mean: William T. Wiley in Retrospect, opened at the Smithsonian in 2009 and moved to the Berkeley Art Museum in 2010.

William T. Wiley, born in Bedford, Indiana, in 1937, studied at the California School of Fine Arts (now the San francisco Art Institute), where he received his B.F.A. in 1960, and his M.F.A. in 1962.

The gallery also offers works on the secondary market by Luis Cruz Azaceta, Jose Bedia, Red Grooms, Alfred Leslie, David Park, Manuel Neri, Richard Shaw, H.C.Westermann, and William T. Wiley, among others.

The exhibition features new paintings by Ellen Berkenblit, Jeff Elrod, Magalie Guerin, Rebecca Morris, Lui Shtini, and Molly Zuckerman - Hartung, and a 1981 painting by Miyoko Ito; new collages by Lesley Vance; recent hand - tinted photographs by Josiah McElheny; and a 1962 sculpture by William T. Wiley.

There are also more than 80 works on paper, often in the form of illustrated letters, from artists including Hannah Wilke, H.C. Westermann, Billy Al Bengston, Claes Oldenburg, Felix Gonzalez - Torres, William T. Wiley and Andy Warhol.

Artist books and prints by Jess, R.B. Kitaj and William T. Wiley.

While maintaining a global scope, Crown Point has also sustained a deep connection with Bay Area artists, particularly Diebenkorn, Thiebaud, Robert Bechtle, and William T. Wiley.

Works by R.B. Kitaj, William T. Wiley, Alex Katz and Bruce Conner.

The exhibition «Thirty - Five Years at Crown Point Press,» which opens Saturday at the Palace of the Legion of Honor, features 200 prints by such diverse artists as Helen Frankenthaler, John Cage, Sol LeWitt, William T. Wiley and Claes Oldenburg.

What's It All Mean: William T. Wiley in Retrospect (March) A career survey of one of the Bay Area's most probing, restless, humorous and versatile contemporary artists.

The exhibition also presents prints by Anne Appleby, Leonardo Drew, Mary Heilmann, Jacqueline Humphries, Shoichi Ida, Sol LeWitt, Chris Ofili, Laura Owens, Richard Tuttle, William T. Wiley, and Fred Wilson.

Also included is Andy Warhol's Little Electric Chair, 1964 that Twombly traded directly with the artist, a cerulean blue in stark contrast with the dark silkscreen inks and, two rare early works by Bruce Nauman, including one of only three Light Trap photographs, William T. Wiley or Ray Johnson Trap, 1967.

Among the highly accomplished artists associated with the Davis campus are the painter Wayne Thiebaud; «Bay Area Funk» figures Robert Arneson, Roy DeForest and William T. Wiley; the conceptualist Bruce Nauman; and the sculptor Deborah Butterfield.

Crossroads of American sculpture: David Smith, George Rickey, John Chamberlain, Robert Indiana, William T. Wiley, Bruce Nauman

Opening Saturday, February 8th at Hosfelt Gallery, San Francisco is «Newslate» featuring works by William T. Wiley, one of the most influential American artists to come out of the Bay Area.

Post Bay Area Figurative painters, Robert Bechtle, Robert Hudson, Wayne Thiebaud and William T. Wiley, continue anchoring their portion of regional cultural legacy.

Through his singular artistic vision, Westermann influenced a number of artists including Ed Ruscha, Jeff Koons, Ken Price, Peter Doig, Mike Kelley, William T. Wiley, Mark Grotjahn, Billy Al Bengston, the Hairy Who, Bruce Nauman (who created a work inspired by the artist titled Westermann's Ear - 1967; Museum Ludwig Collection, Cologne), and Donald Judd (who wrote in 1963 upon viewing his work, «It would seem that Westermann is one of the best artists around... It is obvious that Surrealist sources could be found for many of Westermann's ideas.

Works by William T. Wiley, Kiki Smith and Jjess.

In one or both cities, he mounted first or early shows of H. C. Westermann, Peter Saul, Robert Arneson, Philip Pearlstein, Leon Golub and William T. Wiley; showed early Mondrian landscapes, Munch prints, Miró drawings and Matta pastels; and displayed African and pre-Columbian art.

have had nationally and, in some cases, internationally visible careers: the Hairy Who's Jim Nutt, Gladys Nilsson and Karl Wirsum; from Funk, the ceramicists Ken Price and Robert Arneson and the painters William T. Wiley and Peter Saul (represented here by a wacky 1966 sculpture of a man in an electric chair, one of the few 3 - D works he made); and Mike Kelley and Jim Shaw of Destroy All Monsters.

The show continues with instruments and works by composers like Alvin Lucier and John Cage; works by artists of the 1960s, such as the sound boxes of Robert Morris and Nam June Paik; kinetic sculptures, sound installations and examples of the iconic and formal appropriation of the musical instrument, such as the pianos created by Arman, Richard Artschwager and Joseph Beuys; and hybrid instruments like the guitars of Ken Butler and William T. Wiley, which are genuine sculptures that can be played.

Represented artist include: Robert Bechtle, John Chamberlain, Chuck Close, Raphael Collazo, Vernon Fisher, Jasper Johns, Robert Mangold, Olivier Mosset, Steven Parrino, Tom Uttech, Jim Waid, and William T. Wiley.

Circle of Friends: Paintings, Drawings, and Sculptures by Robert Arneson, Joan Brown, Roy DeForest, Peter Saul, and William T. Wiley

«Circle of Friends: Paintings, Drawings, and Sculptures by Robert Arneson, Joan Brown, Roy DeForest, Peter Saul, and William T. Wiley,» George Adams Gallery, New York, NY, 2011.

During the month of June the George Adams Gallery will present an exhibition of rarely seen works from the 1960's by Robert Arneson and William T. Wiley.

Acquisitions include works by James Havard, Gustavo Ramos Rivera, John Chamberlain, Chuck Close, William T. Wiley, Vernon Fisher, Tom Uttech, Paho Mann, Joyce Scott, Gregory Crewdson, and James Drake.

Arneson first became interested in the medium while teaching at the University of California, Davis; between 1963 and 1965 he made approximately 20 unique cast works at the University's foundry, working alongside artists such as Tio Giambruni, Steve Kaltenbach, Bruce Nauman and William T. Wiley.

The exhibition will include works in all media by five artists working in the San Francisco Bay Area during the 60s: Robert Arneson, Joan Brown, Roy DeForest, Peter Saul and William T. Wiley.

Artists in the exhibition include Robert Arneson, Joan Brown, Bruce Conner, Jay DeFeo, Roy De Forest, Lawrence Ferlinghetti, Wally Hedrick, Lynn Hershman Leeson, Robert Hudson, David Ireland, Tom Marioni, Ron Nagle, Bruce Nauman, Manuel Neri, Dennis Oppenheim, Peter Saul, Peter Voulkos, H. C. Westermann, and William T. Wiley, among others.

June 9, 2017, 11:30 AM - 12:15 PM Funk Art and Assemblage: Bruce Conner, William T. Wiley, Wally Hedrick, and Jay DeFeo Amy Owen, Curator

Claes Oldenburg, Corita Kent, Roy Dean De Forest, William T. Wiley, Don Nice, David James Gilhooly and others who share an anti-establishment agenda.

William T. Wiley Certain Things No One Can Teach You 1973 watercolor / mixed media on paper 22 1/4 x 33 inches WTWd 12

As described by the OMCA website, the communities highlighted are: The circle of artists who worked with and were influenced by Diego Rivera and Frida Kahlo in San Francisco in the 1930s; the legendary painters and photographers associated with the California School of Fine Arts (now San Francisco Art Institute) in the 1940s and 1950s, including Mark Rothko, Richard Diebenkorn, and Imogen Cunningham; the free - spirited faculty and students at UC Davis in the 1960s and 1970s, such as Wayne Thiebaud, William T. Wiley, and Bruce Nauman; and the streetwise, uncompromisingly idealistic artists at the center of a vibrant new Mission scene that took root in the 1990s through the present, including Barry McGee and Chris Johanson.

The backbone of this Gund Associate (intern)- curated exhibition is composed of Gund Gallery collection works ranging in date from the late 1960s to the early 2000s by artists such as Claes Oldenburg, Corita Kent, Roy Dean De Forest, William T. Wiley, Don Nice, David James Gilhooly and others who share an anti-establishment agenda.

William T. Wiley I Visit Bob, 1981 acrylic and charcoal on canvas 43 x 45 inches WTWp 10 11.

William T. Wiley Embers, 1976 watercolor and ink on paper 30 1/2 x 22 1/2 inches WTWd 13 2.

During July and August, George Adams Gallery will present a survey of paintings, drawings, and constructions by Roy DeForest and William T. Wiley, two prominent Bay Area artists whose distinct oeuvres have addressed similar narrative and personal mythologies over the last forty years.

William T. Wiley Modern Limits, 1974 - 75 acrylic on canvas 64 x 86 inches WTWp 11 7.

This piece by William T. Wiley, «Slant Step,» 1966, depicts a UC Davis icon picked up at a salvage shop.

GERHARD WURZER GALLERY: 30 Years of Landfall Press, featuring works by Jim Dine, Christo, Sol Lewitt, Claes Oldenburg, Pat Steir, Philip Pearlstein, Terry Allen, Vernon Fisher, William T. Wiley, H.C. Westerman, Jeanette Pasin - Sloan, Robert Cottingham and Ed Paschke.

The walls of museums are permeable and curators seem eager to welcome into polite society artists such as Edward Kienholz, Tom Wesselmann, William T. Wiley, and Valie Export, whose overt political and sexual content once made them marginal at best.

Their family connection to Northern California is reflected in works by Bay Area artists Richard Diebenkorn and David Park, as well as by William T. Wiley, who became a friend the Pokrosses frequently visited.

The exhibition includes a group of early collages by Ellsworth Kelly; drawings by Arshile Gorky, Jasper Johns, Eva Hesse, and Robert Smithson; and pieces by important Bay Area artists, including Robert Arneson, Jay DeFeo, Jess, and William T. Wiley.

Artists in the exhibition include Robert Arneson, Joan Brown, Bruce Conner, Jay DeFeo, Roy De Forest, Lawrence Ferlinghetti, Viola Frey, Wally Hedrick, Lynn Hershman Leeson, Robert Hudson, David Ireland, Tom Marioni, Ron Nagle, Bruce Nauman, Manuel Neri, Dennis Oppenheim, Peter Saul, Peter Voulkos, H. C. Westermann, and William T. Wiley, among others.

Summer Choices includes work by Tomma Abts, Anne Appleby, William Bailey, Christopher Brown, Al Held, Sol LeWitt, Tom Marioni, Susan Middleton, David Nash, Jockum Nordström, Chris Ofili, Nathan Oliveira, Gay Outlaw, Laura Owens, Markus Raetz, Laurie Reid, Wilson Shieh, Shahzia Sikander, Pat Steir, Wayne Thiebaud, David True, Richard Tuttle, and William T. Wiley.

Lerma's peers include Wallace Berman, George Herms, Roy De Forest, Bruce Conner, Manuel Neri, William T. Wiley, Luis Cervantes and Jay DeFeo.

Additionally, Robinson's affinity for words suggests alliances with text / image «cousins» Jenny Holzer and Barbara Bloom, or the Bay Area conceptualist branch of the family: William T. Wiley, Richard Shaw, Bruce Conner.

William T. Wiley, Unobjective Abstraction in Leonardo's Basement with Blue Corners, 2011.

The gallery represents approximately 20 artists, including: Jae Ko, Jim Sanborn, Athena Tacha, William T. Wiley and the Estates of Gene Davis and Nathan Oliveira.

William T. Wiley, I Hope You Learned Your Lesson, 2008.