Sentences with phrase «tiff last»

Clif Prowse and Derek Lee's Afflicted got rave reviews out of TIFF last summer and now CBS films has set its...

I caught the pic at TIFF last fall and found it to be a massive disappointment.

The drama, which has been sweeping award ceremonies and been gathering critical acclaim since its premiere in TIFF last year, is finally out in Ireland and it's incredible.

And finally, the site also report that Juan Carlos Medina, who made some waves at TIFF last year with «Painless,» will direct an adaptation of Peter Ackroyd «s «Dan Leno And The Limehouse Golem,» which has a script from «Kick - Ass» and «X-Men: First Class» writer Jane Goldman.

Theatrical exhibition is dying, Fox is disappearing into the Disney fold — indie arm Fox Searchlight is operating «business as usual» this year, but it could very well be their last — and Netflix, driver of big deals in the recent past, has 80 films of their own slated already, so no one knows how much they're really looking to acquire (they were relatively quiet at TIFF last fall).

Pic premiered in the fall festival trifecta of Venice, Telluride and TIFF last year.

We've been singing — nay, belting — the praises of Gina Prince - Bythewood's «Beyond the Lights» since its world premiere at TIFF last year.

If you are listening Toronto theatre programmers, please get a 35 mm print up here for those who missed it at TIFF last year.

The provocative «We Steal Secrets: The Story Of WikiLeaks» is an essential doc as is «The Gatekeepers» which we saw at TIFF last year.

Coverage from TIFF last year here.

During TIFF last fall, our own Steven Weintraub chatted with Hunnam about the autobiographical tale of the late Henri Charrière «s experiences in the French prison system and its penal colony.

More of my thoughts on it from TIFF last year.

Rob Zombie's The Lords Of Salem had its world premiere at TIFF last night.

How did the premiere here at TIFF last night compare to the one in Venice?

Big Game premiered at TIFF last year and our own Jason...

But by most accounts, including ours, debut filmmaker Ned Benson pulled it off with «The Disappearance Of Eleanor Rigby» when the film (s) premiered in a work - in - progress form at TIFF last September.

I meant to see Chop Shop at TIFF last year but my schedule conflicted.

Not exact matches

The film received rave reviews last fall when it screened at Telluride and TIFF.

The identity of Sofia's next film isn't finalized yet, and Francis Ford's latest, Twixt, won't get much of a rollout in the U.S. (which may be a good thing, judging from the tepid response at last year's TIFF).

April's To the Wonder already screened at TIFF and Venice last year, where it was booed by some and praised by others as Malick continued to stretch the conventions of narrative filmmaking.

Every single Best Picture winner from the last decade except The Departed, Million Dollar Baby, and The Lord of the Rings: Return of the King played at the Toronto International Film Festival, so the odds are very likely that one of the films screening at TIFF 2013 will be our eventual Best Picture winner.

Freeheld does have the potential to be something very special; Moore's turn last year at TIFF for Still Alice won her the gold, and the relevant topics that the film presents might be too much for critics to ignore.

This year's edition of TIFF didn't seem to have as many of the hot sales that happened last year.

Searchlight tried to save face with a press conference at last year's TIFF, but the damage had already been done.

As a special TIFF edition of The Seventh Art Live Directors Series, we screened Don McKellar «s classic Toronto film, Last Night, in honour of its 15th anniversary.

While word from Venice — where the film closed the festival before heading to TIFF — was good, the question to be answered was whether or not Stillman's style and cinematic persona would stand up in a filmmaking landscape that has changed immensely since «Last Days of Disco.»

Special guest star Andrew Robinson joins us on the last day of the Toronto International Film Festival 2012 for our final TIFF ’12 podcast!

Daniel Barber's feminist Western, which sees Brit Marling, Hailee Steinfeld, and Munu Otaru as three women menaced by Union soldiers (Sam Worthington and Kyle Soller), premiered at TIFF a year ago, where we gave it a middling review, but Playlisters who've caught up with it since loved it to death (it was on my Top 10 of last year, for instance).

The Hollywood Reporter said last month that, as they have in the past with «Crazy Heart» and «Hitchcock,» the studio might try the so - called «sneak attack» with one of their slate, and «Belle» seems like a much more natural fit for that than the studio's other potential: Jude Law crime comedy «Dom Hemingway» (also at TIFF, but not obviously Oscar material unless it's transcendently good) and Wes Anderson «s «Grand Budapest Hotel» (which we're assuming will be held for Cannes, or at least a «Moonrise Kingdom «- style summer release).

And then there's «The Blackcoat's Daughter,» a film I walked into at TIFF at the last minute (where it was called «February»), knowing almost nothing about it.

Following the Michael Peña Q&A, we'll segue into a film that first earned buzz at last year's Toronto International Film Festival (if you're keeping track, that's a day of films that premiered at SXSW, Sundance, Berlin, and TIFF — capturing the spirit of CCFF in the way it's designed to bring the international film festival experience to Chicago).

If you haven't seen Barbara, their last collaboration, do yourself a favour and watch it as soon as possible to understand why Phoenix is one of TIFF's more anticipated titles.

A weak result from a TIFF premiere last year?

«Deepwater Horizon» (Peter Berg) A true world premiere for TIFF, Berg's latest is rumored to be a similar, quality commercial play along the lines of his last endeavor, «Lone Survivor.»

The Toronto International Film Festival kicked off its 40th edition Thursday night with the world premiere of Jean - Marc Vallee «s «Demolition,» which features yet another bold turn from Jake Gyllenhaal after last year's TIFF entry «Nightcrawler.»

Penned by Jeremy Brock («The Last King of Scotland «-RRB- and Tony Grisoni (The «Red Riding» Trilogy, the much - hyped «Southcliffe» which also screens at TIFF), it's got tough subject matter — not least from a quasi - incestuous romance at the center — but it certainly looks the part judging from the trailer that features the halcyon, sun - kissed «before» as well as scenes of a violent, militaristic «after.»

There's already Oscar chatter about Stone, who won last year's best - actress award for La La Land, a TIFF favorite that helped boost the festival's reputation as an awards forerunner.

In a little more than a year, Robbie and the pic's producers Tom Ackerley and Bryan Unkeless got Steven Rogers screenplay for I, Tonya up and running and here to TIFF, a story that Deadline broke exclusively back in March of last year.

But thanks to a promising trailer, and appearances in both the TIFF and Telluride line - ups, the film's certainly been the center of plenty of talk in the last few weeks.

With Christian Petzold's Phoenix opening today at the Bell Lightbox in Toronto, here's another link to Angelo Muredda's review from last year's TIFF.

If I recall correctly, the movie was a major divider of cinephiles and casual movie - goes alike when it screened at last years edition of TIFF.

TIFF's People's Choice Award has gone to Oscar Best Picture winner twice in the last six years; «Prisoners,» «Philomena» named runners - up

I'm telling you, I'm a HUGE sound nerd... It was one of the few films at last year's TIFF I allowed myself to get excited about.

Award - winning filmmaker Chloe Zhao's second full - length feature film, The Rider, screened as a part of the TIFF» Next Wave» section last week.

0:00 — Intro 4:05 — Headlines: Karl Urban is the New Judge Dredd, Sam Worthington to Star in Commando Remake, Terminator 3 - D Animated Remake, Lights Camera Jackson: The - 11 Year - Old Film Critic 20:35 — Review: The Expendables 57:45 — Review: Scott Pilgrim vs. The World 1:47:30 — Trailer Trash: Skyline, Enter the Void, Unstoppable 2:03:30 — Other Stuff We Watched: BBC's Sherlock, Man v Food: Season 3, Lock Up, 12th & Delaware, Marooned, Billion Dollar Brain, Cropsey, Johnny Handsome, Until the Light Takes Us, And the Pursuit of Happiness, The Last Lovecraft, Mad Monkey Kung Fu, Standard Operating Procedure, Spartan, Master and Commander: The Far Side of the World, Cobra 3:05:45 — Junk Mail: Film Junk Mega Mix, Favourite and Best Actors, Devil Trailer, Movies with Right Wing Agendas, TIFF Tips 3:26:20 — Twitter Poll: Why did Scott Pilgrim Fail at the Box Office?

Last Sunday TIFF's Midnight Madness program unveiled the world premiere of Oculus.

2 — B (Review — The Film Experience) Happy End — A -(TIFF Review — The Film Experience) Home Again — B - Hostiles — B The House — C - I, Tonya — B - In the Fade — C Ingrid Goes West — B - It — C + It Comes At Night — B + (Review — The Film Experience) Jane — B Justice League — D + (Review — The Film Experience) Kiki — B + (Review) The Killing of a Sacred Deer — A (TIFF Review — The Film Experience) King Arthur: Legend of the Sword — C (Review — The Film Experience) Kong: Skull Island — C + (Review — The Film Experience) Lady Bird — A (TIFF Review — The Film Experience) Lady Macbeth — B Landline — B Last Flag Flying — C The Last Word — C - The Lego Batman Movie — B - Life — C The Little Hours — C + (Review — The Film Experience) Logan — C - Logan Lucky — B + (Review — The Film Experience) The Lost City of Z — B + (Review — The Film Experience) The Lovers — B + (Review) Loving Vincent — C - The Lure — B Manifesto — C + Marjorie Prime — C + Mark Felt: The Man Who Brought Down the White House — D - Maudie — B -(Review) Menashe — B (Review) The Meyerowitz Stories (New and Selected)-- A - Molly's Game — B - mother!

After «Gloria» and «A Fantastic Woman,» he completed his first English - language feature, «Disobedience,» which screened last fall at TIFF (Bleecker Street releases it theatrically in 2018).

When the film first debut in September of last year at TIFF, director Ned Benson showcased it as two separate films subtitled Her and Him.

The second adaptation of Robert Penn Warren's 1946 Pulitzer Prize - winning novel about a populist - leaning stump - thumper modeled after Huey Long, the film garnered attention first for its sterling cast and Tiffany pedigree, then for its sudden disappearance from last year's Oscar slate, only to appear now, without fanfare (save a gala screening at last week's TIFF), in the middle of what's traditionally a dumping ground for dead weight.