IT SUCKS, IT MAKES NO **** SENSE * SPOILER * HE GOES BACK IN TIME IN THE FINAL SCENE OF THE FIRST MOVIE, SHOWS HOW THE GUY GET STABBED AND THEN JESSE KILLS HIM * SPOILER END * THROW **** IN WHOEVER WROTE THIS, AGAIN THE HORROR
TYPE MOVIE WHERE THE ENTITY CAN DO EVERYTHING
Add just one more layer to the story, and this could be one of those «Jacob's Ladder» -
type movies where you never really know what is real and what is fantasy.
Not exact matches
It also reminded me of the
movie «Antz»
where the ants form the wrecking ball and what happens when the «neurotic -
type Woody Allen» ant has his doubts about his life's purpose.
Think about the
movies where the character is going to visit the big power - player CEO
type.
It's excellent for what he needed to do to get ready for the
movie role — a bodybuilding
type workout that packed muscle
where it mattered for film (chest, shoulders, arms) while giving a good strength base with squats and deadlifts (and making sure Wolverine wasn't walking on chicken legs).
So share what
type of
movies you like or how you like to travel,
where you've been and
where you'd like to go, or that you enjoy hearing live music and / or what
type of music.
Again, not that there's anything wrong with telling this
type of story,
where, supposed, civilized humans act like anything but once they're faced with something they're unfamiliar with, but you don't do it the way this
movie did it.
But before I wrote anything my (a relative) called from the (a public building)
where they were screening another new
movie called The (adjective)(nonsense word)(verb)(an animal), a foreign
type film which is supposedly very (adjective).
(To be fair, this will probably be the only
movie where you'll ever see the actress stare glassily as she rapid - fire
types up a storm on two side - by - side laptops.)
It's the
type of
movie (if there is a
type) that shows you who these characters are,
where they live, what they do and what happens to them, along with the consequences of their actions.
Saoirse said she was shocked recently when a close friend auditioned for a role in a
movie where the female character was described as «the leading man's
type».
Anna is a college drop - out now elevated to editor at the publishing company that happens to be owned by her new husband, but entirely on her merits, but the job itself is one of those cutesy Hallmark Christmas
movie -
type careers
where all she has to do is congratulate her hunky author on his success and ask him gently about the next book and tell an assistant to increase the font size on a cover.
«I think he recognized that we were treating his story with respect, as opposed to taking the easy route,
where I think many people would tackle this
type of
movie and try to make fun of Tommy and The Room and everyone involved.
I hope is not another
WHERE THE WILD THINGS ARE
type movie, but it sounds awfully similar.
Chris has done this incredible thing
where the sequel, the way he described it to me, elevates the
movie from being a horror
movie — and I wouldn't even say it's just a horror
movie because it's a horror, comedy, rom - com drama — into a Back to the Future
type of genre film
where the sequel joins us right from
where we left off, it explains a lot of things in the first one that didn't get explained, and it elevates everything.
By the 1920s, most American film production had moved to the wild west of Hollywood, California,
where producers were free to create and take risks with new
types of
movies.
The real losers are the actors themselves, because this is the
type of
movie where careers go to die, as evidenced by the involvement of former stars like Charlie Sheen, Lindsay Lohan and Heather Locklear.
The loss in cinematic power is more evident in the
types of visuals (split - screen shots that allowed focus choices now merely seem gimmicky) and in the runtime,
where the
movie is shy of even just an hour - long commercial television program and lacks the sensory overload to explain it.
This was the
type of fest
where folks talked more about the new - ish distribution company Neon buying the Heathers - meets - The Purge mash - up Assassination Nation for $ 10 million rather than passionately discuss the quality of the
movie itself.
Now we've got a whole new
type of
movie where the... [Read more...]
In a cinematic world
where James Bond and Jason Bourne are the current standard bearers for spy
movies, something like «Tinker, Tailor, Soldier, Spy» should have come as a nice breath of fresh air... a low tech and character based look at the
type of material that usually involves shootouts and explosions.
However
movies like «Helldriver» are specifically about that particular
type of fat and in this sense that is
where «Helldriver's» place in the world of
movies can be found.
This is the
type of
movie where a good curling iron can give a girl confidence to walk into a school dance.
All in all though, this is the
type of
movie where you have to overlook that kind of stuff.
Is he the new Morgan Freeman
where we can expect him to play the same
type of character in each
movie?
But when you think of
where we were in 2001, the
types of
movies being were about boys on spring break or guys having bachelor weekends.
While I thought the first
movie had a bad ass concept of a night
where all crime is legal, I was a bit disappointed that the
movie was a simple home invasion
type thriller.
And while McDonagh hedges his bets a bit here with the auto - critiques (you mention one instance, but it's hardly alone; this is the
type of
movie where the characters call their own speeches «corny»), this is, otherwise, a consistently downbeat film.
That film reportedly was a valuable lesson in the
type of
movie he didn't want to make, and Greengrass returned to real - life drama in 2002 with «Bloody Sunday,» a film which, while financed by Granada TV, premiered in Sundance
where it won the audience award, and played Berlin, tying with «Spirited Away» for the Golden Bear.
He has a few other
movies coming out soon
where he plays similar
types of roles.
Anderson assembles a cast
where any two would be enough to make a mediocre
movie watchable, but his real masterstroke is having them play against
type so Willis isn't the coolest guy on screen, Norton doesn't have to be the prickly, know - it - all and Murray isn't the zany eccentric.
The
movie traces his career through the aforementioned shows, his alter ego Tony Clifton, his foray into male / female professional wrestling
where he meets Lynne Marguiles (Courtney Love, The People vs. Larry Flynt, 200 Cigarettes), and his concert at Carnegie Hall, all the way to his death of a rare
type of lung cancer, which people thought was a hoax (Kaufman did not smoke).
I think Sony won on presentation their show was like a blockbuster
movie compared to a boring documentary for MS.. The flaw for me with Sony's line up though is a lot of the big first party games
where the same
type of game (3rd person, open
type world, action / rpg style games)
You are now forced to compete in a boxing championship
where players will fight all
types of ghouls and goblins from popular horror
movies.
ok, to make is easy for me and i do nt have to
type much... i totally agree with Speedle and Tiger, but and also on GoW there are cuts scenes and there are parts that its in a cut scene kinda deal and you can walk around while they are talking to you...... and i really like the part
where Tiger said, «if I wanted to watch a «
movie», I'd either rent one or go to the theaters.»
I love those old Merchant / Ivory
movies in the grand old houses in England of yesteryear
where they display row upon row of gleaming copper saucepans and butler's pantries filled to the brim with every
type of plate, cup, saucer, bowl and crystal stemware one could imagine.