Sentences with phrase «tableau works»

For each of the two Blackboard Tableau works (2007 — 15 and 2011 — 15) Celmins collected a nineteenth - or early - twentieth - century writing slate and then used wood, paint, and pastel to create an identical twin.

For each of the Blackboard Tableau works (2007 — 15), she collected an early - twentieth - century writing slate and then used wood, paint, and pastel to create an identical twin.

Limpet Apology (traffic tenses) from Marten is an example of her tableau works (Picture courtesy of the artist and Greene Naftali, New York)

Not exact matches

Babineau and Chou first worked on a tool where they would take care of the back - end work of cleaning up the data and making it usable, and then investors could use a tool like Tableau to chart it.

Technology providers including Microsoft, Tableau, Qlik and open source communities including Python and R are collaborating with Dremio to reimagine how users of these tools work with data.

«The KI Award recipients are innovators in back - of - house operations and work tirelessly to improve the challenges faced by restaurant operators,» says Dickie Brennan, Convention Chair for NRA Show 2018 and owner / managing partner of Dickie Brennan & Company, whose restaurant group includes Tableau, Palace Café, Dickie Brennan's Steakhouse, and Bourbon House.

But a new tableau was emerging this weekend from the Working Families Party convention, where Mr. Cuomo scored the labor - backed party's endorsement as he seeks re-election against an underfunded yet feisty Republican: Mr. de Blasio the savior, swooping in from City Hall to convince a party of disgruntled liberals that Mr. Cuomo, champion of corporate tax cuts, should be their gubernatorial candidate.

He pivots from grand, showy tableaus to hushed privacy, deftly reinforcing the weight of the dueling identities at work inside Camelot.

Brutality and visually striking tableaus have connected his work, and THE NEON DEMON continues this thread.

Her tableaus — for example, a shot of two kids sitting on a couch — sneak into the unconscious and work on the emotions, for reasons that are impossible to explain.

I worked on the visualization, using a software program called Tableau.

The words introduced are: Une salle de classe Une chaise Un tableau Un lecteur DVD Une règle Une porte Un stylo Une trousse Une fenêtre Un ordinateur Un cahier Une clé USB Un crayon Une horloge Un livre Un cartable Une table Une gomme Une carte 1st page introduces the vocabulary with pictures (pictures from cnpd.fr) 2nd page: match up pictures with words 3rd page: unscramble the words / decide if masculine or feminine / word search 4th page: label the picture (can be used for test) 5th page: reading comprehension (match text with pictures (credits at the end) + vocabulary extension for those who finish early 6th page: answer the questions: work on c'est / ce sont + write the items in the school bag 7th page: write the items in the school bag (end of exercise) + transform sentences into questions + transform sentences into negative sentences.

Tableau Numéro 20 is a collection of short stories by est em, whose other works released in English include Seduce Me After The Show and Age Called Blue.

You'll see examples of his work scattered throughout Union — from grisly photographs of his victims, to the «moment of death» tableaus he creates, capturing the last seconds of a person's life in a tangible, looping scene.

I see potential for a kind of theatricality through staging these tableaus, balanced with a directness that I like to offer through my work.

His re-evaluation and playful subversion of the tableau tradition continues throughout the works in the exhibition, shown in his use of disposable materials, such as wooden veneer, bungee cords and plastic washing baskets and brooms.

Works in the show include a tableau sculpture about airplane hijackings by Eleanor Antin, Robert Arneson's controversial ceramic portrait of assassinated San Francisco mayor George Moscone, and Mike Kelley's first - ever installation (an environment that reimagines a little girl's room).

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.

Bringing together the dynamism of Picasso (particularly the captivating polemic tableau Guernica), Robert Colescott's acerbic historical reimaginings, and an incisive distillation of pop cultural and socio - political content, Abney's work presents the figure in stunning and curious detail.

There are also unfamiliar works that mesmerize, including two from around 1930: «Adam and Eve and the Garden,» a carved wood tableau by José Dolores López that buzzes with medieval sprightliness, and Palmer Hayden's «Untitled (Dreamer),» which depicts a black man sleeping in a pose and simplified style reminiscent of both Henri Rousseau and Paul Gauguin.

The exhibition brings together more than 90 images representing Lieberman's body of work as a photojournalist with the Associated Press and numerous publications, encompassing a broad spectrum of subject matter including celebrity portraits, sporting events, nature tableaus and aerial photography.

Symbolism enters the work in a paint - caked sculptural tableau about the plague of black incarceration, but politics is really there throughout the exhibition, which feels like a completely realized act of civic and familial devotion.

His most recent work combines porcelain figures and electric lighting to create a modern take on the classic Greek tableau.

His early works — a sculpture of himself at his first communion, a tableau about bed - wetting, a cloaked shepherdess with a lamp — were directly figurative.

Building on his breakout body of stylized, just - left - of - surrealist tableaus, he fills his new work with elegant hodgepodges of traditional Modernist devices — supine nudes, fractured space, and tromp l'oeil details among them.

Walking around it is like entering a tableau of its predecessors, phantom presences back at work.

Over the years she has presented these works in a variety of ways - from life - size cut - outs of famous heads to grandiose tableaus and installations in which famous paintings come to life in our time with coke bottles, empty take - out food trays, etc. presenting these characters with humor & intelligence.

Orbiting around Isa Genzken's dysfunctional tableau, the works in Rupture employ collage or collage - like aesthetics to articulate a sense of physical, emotional, and psychological displacement.

But they have been serious about controlling their work ever since a number of their aerosol tableaus were photographed — without their permission — for a book and an... read more... «David Gonzalez and the rights of graffiti muralists»

In the present work, the depth of Basquiat's frenzied tableau becomes apparent under UV lighting, revealing a plethora of additional scrawlings erased by swathes of white paint.

«The Act of Drinking Beer With Friends...» is an interactive, audience participation, site - specific tableau sculpture, a situation, and a social art work.

These tubes disrupt the notion of tableau in art and disorient the viewer: Should the works be framed mentally as paintings, sculptures, faces, or all three at once?

Cindy Sherman, the first comprehensive U.S. retrospective of the artist's work in over a decade will bring together more than 170 key photographs from a range of Sherman's acclaimed bodies of work, in which she created myriad constructed characters and tableaus.

The work of Pablo Bronstein is distinguished by a series of projects and public interventions in which, assuming the role of art historian, architect and choreographer, the artist reconstructs historical moments and mimics them in tableau vivants.

From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.

What follows is a curious line - up of «surprise» events in the festival's opening week: a performative lecture on the current sound installation by Eva Kietzmann and Petra Kübert for uqbar; an evening of visuals and performances titled Preview Tableau Vivant at Grimmuseum; and the new (edible) works from multi-disciplinary artist and chef, Søren Aagaard, for Kinderhook & Caracas.

Swenson formed the work by casting each part piece by piece in polyurethane resin before painting and assembling the tableau.

His summery photo shows crowds lounging at the water's edge, but like much of Liao's work, the view is a slight fiction, made from multiple exposures digitally stitched together into a leafy tableau.

Christie's holds the auction record for Paik's work since it achieved $ 646,896 in Hong Kong in 2007 for his Wright Brothers, a 1995 propeller - plane - like tableau comprising 14 TV monitors.

The third in the Menil's Contemporary Conversations series spotlighting specific time periods or aspects of major living artists» work, this exhibit is the most tightly focused yet, presenting a single work, American Tableau, which Chamberlain created in 1984.

Drawing influence from his training as a painter and photographer, as well as the work of Jim Jarmusch, Yang's films are sequences of slow - moving, tableau - like dreamscapes, more evocative of moods and impressions than any clear narrative.

Viewed through the glass, from underneath, the piece evinces the look and feel of some of today's most pathbreaking still life photography, the composition - bending, drag - and - drop, chopped - and - screwed work of artists like Lucas Blalock or even Michele Abeles (if only a nude model or two could be propped up there as a tableau vivant).

From six - foot long gouache tableaus to charcoal preparatory drawings to rough pencil sketches, these works illustrate the important role working on paper plays for sculptors in the creative process, helping to translate ideas into three - dimensional forms.

Caldwell's work unfolds like a surreal psychological tableau, presenting a simultaneity of antagonisms and unresolved impulses: life set against death, the serious in concert with the absurd, the beautiful coexisting alongside the abject.

The works on exhibition appear to be a radical departure from Mathison's practice of casting iconic, utilitarian objects in concrete, ceramic and iron, then presenting them in a tableau that questions individual agency in basic acts of work.

As a material «insensibl [e] to contradiction», wax's ability to take imprints of the unique landmarks of the skin connects it to strategies of surveillance and data collection that measure visual, behavioural or chemical characteristics, connecting Hershman Leeson's hotel tableau to her later invented character.14 The artist described Roberta Breitmore as «my flippant effigy» and «a dark, shadowy, animus cadaver».15 Similarly, The Dante Hotel was for the artist simultaneously a scene of death and «a means of survival».16 As such Thek's and Hershman Leeson's volatile effigies connect two very different bodies of work and different political movements — the counterculture, gay rights, women's liberation — to make visible the restraints placed on the subject.

Dustin Yellin's glass tableaus are crowd favorites, but the equally compelling works by Charles Avery and Nick van Woert shouldn't be missed.

He has curated many works including the widely recognized «Le Tableau» in New York.

For Stephen Lapthisophon: Concentrations 56, the artist will create a series of tableaus incorporating anachronistic objects with more recent works on paper.