Taking key paintings as its starting point Leonora Carrington examines Carrington's diverse practice and uses the artist's own words, brought together by Mexican author Chloe Aridjis, to narrate the display.
Not exact matches
In its semi-annual financial stability report, Canada's central bank
painted a picture of a housing market where
key steps have been
taken to improve the quality of lending, particularly in the most expensive cities such as Toronto.
Rhoades
took the various iconographies and
key themes and adapted them to a modern day aesthetic in his theatrical installation, with the baptismal font of the
painting becoming a Jacuzzi and the medium (oil
paint) reconfigured through the use of motor oil in the work.
Jack Burnham's systems aesthetic
took issue with late modernist
painting, offering five
key insights:
The
key, he says, is to avoid distance and to make
painting human: «The moment you
take something that has a human effect on you, something you can't describe, the whole thing transforms from a topic to something that is about yourself.»
The show
takes the considerable risk of starting not with a punchy, scene - setting overture, but a roomful of intriguing, mostly small early
paintings by
key figures.
Further reflecting his interest in the notion of trilogy, each
painting relies on three
key elements; the silk screened texts by Blanchot, the female figures and hand - drawn phrases such as I Love You Too Much and You
Take My Breath Away, which are also the titles of the works.
A
key moment in Frankenthaler's career
took place when she began thinning her
paints with turpentine so that they would be absorbed into the fabric of the canvas.
She
takes from him two
key early
paintings, and she adds a clumsy later one (a Death of the Virgin in San Diego) to stress his range of tastes.
Artists often use found images as their source material, a
key example being Marlene Dumas» haunting portraits based on images
taken from newspaper and magazine reportage,
painted in a very specific colour palette and style.
Reinterpreting Malevič, Tatlin, El Lisitzky and other
key exponents of these movements allowed Pardi to
take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary
painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.
Perhaps this is the
key to Rochelle Feinstein's vibrant work, which can raise the pulse if viewers follow where the artist would
take them:
painting that does not pacify, but is an event, an experience of the world.
The
painting titled I wouldn't have worn mascara if I knew I was going to be
taking a trip down memory lane, 2008, from the collection of the Dallas Museum of Art, bookends The Contemporary Austin exhibition as the earliest work on view, and is the
key to a significant transformation in the artist's work.
, Irish Times, October 23 Louise Jury, «Now they're REALLY
taking the p ***: urinating model is shortlisted for Turner Prize», London Evening Standard, October 22 Aidan Dunne, «Derry courts controvery as Turner Prize opens offshore for first time», Irish Times, October 22 «Turner Prize exhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20
Key Works», Blouin Artinfo, August 1 «John Moores
Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - Boakye?»
Works in the exhibition range from the canvas from which the exhibition
takes its title,
Painted on 21st Street (1950 — 51) to the celebrated Mountains and Sea, of 1952; to
key paintings of the later 1950s, among them The Museum of Modern Art's Jacob's Ladder (1957), and the UC Berkeley Art Museum's expansive Before the Caves (1958).
Studying
painting in Rio de Janeiro her artistic career
took shape in the 1960s and 1970s, a
key period in Brazilian art when artistic experimentation clashed with a repressive political regime.
Jones wrote perceptively about the Canada
paintings and the Briey
paintings, which «court risk, walking a fine line between attraction and repulsion,» and a number of
key people read his piece and
took notice.
For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that
takes shape from
key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film,
painting, sculpture, drawing, photography, and a laser - light installation.
Discovering how easy it is to achieve fantastic, professional - looking
paintings with a few
key materials in a relatively short space of time when we
take the right
painting approach.
[vi] As noted by art historian Robert Hobbs, Hofmann's «
painting sessions were particularly rewarding for Thomas who was alerted to the emotive potentialities of color, the need to work contrapuntally in terms of positive as well as negative spaces, and the significance of
taking the overall dimensions of a given canvas into consideration as
key compositional elements.»
The best time to shop for boat insurance isn't after you get the
keys,
paint your name on the hull, find a convenient dock space, or
take it for an inaugural sail.
Marketing a home and finding a new, good tenant is costly and time consuming, the longer a good tenant stays in the home the less expense you will have for advertising, vacancies and the maintenance items (carpets,
painting, etc.) Good, regular communication is
key, check in with them periodically, this will help to keep up with deferred maintenance issues and keep the tenant happy and loyal and in turn they will
take better care of your investment.