Sentences with phrase «talk about art history»

How to Talk About Art History, September 19, 2016.

Not exact matches

When we talk about the key shifts of the twentieth century — those involving politics, trade, consumption, art — we leave out what is surely the most astonishing physical change in all of human history, one that has happened mostly during the last century: the doubling of the human life span in much....

I was talking to these churchmen about apocalyptic and I did this liberal arts, comparative, secular review of the Book of Daniel, the Book of the Apocalypse, and he was wrong and these people and Montanus, they were wrong, on and on and on and on; four days of listening to these wrong prophecies that described the history of Christian apocalypticism.

SARANAC LAKE A group of art, history and business executives convened last week to talk about ways the arts can spur economic development in the North Country.

About Blog A blog talking about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything About Blog A blog talking about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything Cuba.

Garland's screenplay is equally impressive, weaving references to mythology, history, physics, and visual art into casual conversations, in ways that demonstrate that Garland understands what he's talking about while simultaneously going to the trouble to explain more abstract concepts in plain language, to entice rather than alienate casual filmgoers.

In this interview from Print magazine's Imprint blog, Kim Munson talks about an iOS and Android app she developed called Comix Classics: Underground Comics based on Underground Classics: The Transformation of Comics into Comix, a book and exhibition on the history of underground comic - book art.

Including rap lyrics in a unit on poetry, or graffiti as a jumping off point to talk about the history of art establishes a bridge between youth culture and academic pursuits.

«They talked about hands - on, having a science lab, art and what they were learning in history, they would do a project in art involving that.

The six promising practices in afterschool for the arts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and Communitarts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts With Other Subjects; Involving Families and Communities.

If you try to ignore behavior you will end up talking about little else, whereas if you are intentional about behavioral culture and establish clear expectations, behavioral issues will ultimately fade into the background as you talk about history, art, literature, math, and science.

It's like meeting that construction worker again (previously seen wearing overalls, and a white safety helmet on his head) only this time he's at a gala, sporting a black tie attire, talking about fine cuisine, art collections, and history.

Andrew Farago talks to CBR about the return of the Cartoon Art Museum, and writing the history of Harley Quinn, Peanuts and»80s cartoons.

Dai Smith talks about the history of coal mining and what turned Cardiff around (hint: he's the head of the Arts Council) and what makes Cardiff one of the fastest growing cities in Europe.

Freddie Pikovsky, Founder and CEO at Off Track Planet, discusses the local booming art scene; and in the spirit of the old Brooklyn Dodgers, Roy Berger talks about baseball history and his new book, Big League Dream.

About Blog A blog talking about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything About Blog A blog talking about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything about Cuban cigars, culture & lifestyle including food, restaurants, entertainment, apartment or room rentals, Cuban art & music, travel, history and anything & Everything Cuba.

The spot's Aloha Friday celebrations focus on special dishes and cocktails highlighting Hawaiian flavors and, once a quarter, Splash Bar welcomes special community guests to «talk story» about the region's culture, art, music, and history.

We talk about our shared history with Electronic Arts and Microsoft and Wildman.

Kayla «Z06» Bianchi talks mostly about her own gaming history and preferences in the little interview, but you can also see some of her work for both the concept art and interior level design.

In this powerful interview American artist Kerry James Marshall talks about how he explores the presence and absence of the black figure in art history.

Collector and historian of LSD blotters Mark McCloud will talk about the history of psychedelics at Ever Gold Gallery on Thursday, October 11 at 7 pm, an Art Gallery Week special presentation.

Again, we are talking about these canonical figures in art history.

Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945 - 1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron about the storied history of the Dwan Gallery and the artists who exhibited there.

Women in Arts Brunch We talked with Teresita Fernández about the history of Art Basel Miami Beach in our October issue and featured her in our January / February Departures 100, so we're thrilled to see her honored for her work at this brunch hosted by Art Basel Magazine.

Here they talk about what it's like to install art in this unique space, and how responding to the museum's history touched on experiences that are painfully close to home — from Emin's abortive pregnancies to Rego's relationship with her mother

«Art Critic Estelle Lovatt FRSA has the experience of being on both sides of the canvas; having trained as a painter, read art history and as a gallery exhibition curator, Estelle is able to teach, judge and talk about works of art, from Cave Art to Banksy, with expert opinion.&raqArt Critic Estelle Lovatt FRSA has the experience of being on both sides of the canvas; having trained as a painter, read art history and as a gallery exhibition curator, Estelle is able to teach, judge and talk about works of art, from Cave Art to Banksy, with expert opinion.&raqart history and as a gallery exhibition curator, Estelle is able to teach, judge and talk about works of art, from Cave Art to Banksy, with expert opinion.&raqart, from Cave Art to Banksy, with expert opinion.&raqArt to Banksy, with expert opinion.»

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine ArArt History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine ArArt History and Archaeology - from NYU's Institute of Fine Arts.

Chief Curator Heather Pesanti joins McMillian to talk about his new art in the context of a larger body of a work that weaves elements of US social and political history, the body, and architecture into complex tapestries entrenched in myth, memory, and storytelling.

The experience of talking with Lemieux in her studio about these and other notable works, both finished and in - process, made me very appreciative of her eccentric and enigmatic wit, conceptual feminism, meticulous craftsmanship, and reverence for art history.

Twentieth century art history gave us plenty to talk about when it comes to architecture and how it informs the world and its individuals (or vice versa).

Although her book is not about art, it is about direct action and the history of American radicalism since the 70s, and I wanted to talk to her about action in the vile climate of 45.

She talked with A+C visual arts editor Devon Britt - Darby about the show and CAMH's role in presenting artists who often get overlooked or pigeonholed by standard art histories.

Delving into the 400 - page publication that takes on the politics, gender roles, and cultural variations of Pop, the organizers will talk about how they created an exhibition that attempts to recast this pivotal time in the history of art and culture, and what Pop foreshadowed of our current media - infused moment.

We look at the rich history of protest art and, on the eve of a new group show, talk to radical artists about their work

And in The Guardian, Charlotte Higgins talks to artist Sonia Boyce about the recent furore over the temporary removal of Hylas and the Nymphs (1896) at Manchester Art Gallery (on the work's much earlier reception history, see Peter Trippi's essay for Apollo).

In this video interview, Sergei Khripun talks about the history and program of the gallery, the focus on Russian artists, the importance of art fairs for the gallery, the collectors, the situation of contemporary art in Russia and ARCO Madrid.

Here, focusing on Turner's inventiveness, they talk about how the artist positioned himself within the history of art, the range of his subjects, and his open - ended process of discovery.

The prize is sometimes talked about as if it had no historical precedents, but in fact it fits into a history of exhibitions - more common in the 19th century than the 20th - that gave contemporary art a high public profile.

The New York Times and Artforum magazine sent writers and photographers, making this the most media - saturated of «any art event in Seattle history,» said Kucera, who added, «Did you hear White Cube and Marian Goodman Gallery are talking about coming next year?»

An inspirational and humorous public speaker whose breadth of knowledge spans art history and philosophy with ease, the opportunity to hear Scully talk about his life and work at the Nyack Library on April 28th is one not to be missed.

A controversy over cost erupted, and the sculpture, The Archer, became the most talked about work of art in the history of the city.

And in 2011 they got a rubber - stamped place in art history when Penguin books included them in much talked - about anthology 100 Artists» Manifestos: From the Futurists to the Stuckists.

A reminder that Britain before the 16th century was not entirely an artistic blank slate would have been useful, but this exhibition reflects the strengths in a collection whose starting - point is 1545, and it should change for ever how people talk about the history and identity of British art.

On the occasion of «Water Sports,» Todd Bienvenu's solo show on view at yours mine & ours through May 14, friend and fellow painter Cynthia Daignault talked to Bienvenu about learning to paint, art history, and the material reality of painting.

Shortly after the long - awaited second printing of Black Mountain College: Experiment in Art (MIT Press, edited by Vincent Katz with essays by Martin Brody, Robert Creeley, Vincent Katz, and Kevin Power), poet, translator, art critic, editor, and curator Vincent Katz welcomed publisher Phong Bui to his Chelsea loft to talk about the history of the legendary colleArt (MIT Press, edited by Vincent Katz with essays by Martin Brody, Robert Creeley, Vincent Katz, and Kevin Power), poet, translator, art critic, editor, and curator Vincent Katz welcomed publisher Phong Bui to his Chelsea loft to talk about the history of the legendary colleart critic, editor, and curator Vincent Katz welcomed publisher Phong Bui to his Chelsea loft to talk about the history of the legendary college.

In the arts, as in geopolitics, there is no end to history despite all the talk we have heard about the end of history.

Operating simultaneously as an artist and arts institution since its founding on September 11, 2001, the Bruce High Quality Foundation presents It's About Time, a talk covering the paradoxes of working simultaneously as an artist and organization, issues of timelessness, the construction of history, the progress of garbage, the politics of specificity, how to run a free art school, how to get rich, branding, the internet, the auction market from 1973 to present, community spirit, drinking in public, and how to build a better tomorrow.

In Focus Gallery Talk: Pierre - Auguste Renoir's Reading Monday, May 21, 2 — 2:30 pm Free with admission Miriam Stanton, a doctoral candidate in the history of art at the University of Pennsylvania, will lead a discussion about Renoir's Reading.

On the occasion of Irving Sandler's new publication, From Avant - Garde to Pluralism: An On - The - Spot History, a selection of seminal writings from half a century ago to the present, Rail publisher Phong Bui and Art Editor John Yau paid a visit one sunny Saturday to the author's home / office which he shares with his wife Lucy Freeman Sandler, scholar of Medieval art, to talk about his life and woArt Editor John Yau paid a visit one sunny Saturday to the author's home / office which he shares with his wife Lucy Freeman Sandler, scholar of Medieval art, to talk about his life and woart, to talk about his life and work.