2002 Crow's Shadow Institute: Printmaking Residency with Frank Janzen,
Tamarind Master Printer, Pendleton, OR Sitka Center for Art and Ecology: Printmaking residency with Julia D'Amario, Pace Editions Master Printer, Otis, OR
Invited artists collaborate with
a Tamarind Master Printer with the goal of creating one or more lithographic editions.
Newly - appointed
Tamarind Master Printer Valpuri Kylmänen (now Remling) in 2008, pulling a lithograph with artist Mark Licari.
Not exact matches
The first goal enumerated upon the founding of the
Tamarind Lithography Workshop in Los Angeles in 1960 was to «create a pool of
master artisan - printers in the United States» in an effort to revive the method of fine art lithography.
This work was printed by
Tamarind Institute
Master Printer Bill Lagattuta.
Likewise, Kylmänen, a
master printer at the
Tamarind Institute, foregrounds her lithographic practice in still - life drawing traditions.
Jack Tworkov, «TL # 3,» Lithograph, 1977, signed, dated, titled and numbered from the edition of 10, printed at
Tamarind Institute, with blindstamp in the lower - left sheet corner (and also that of the collaborating
master printer), on Arches paper, printed to the edge of the sheet, sheet size: 26 x 26 inches.
The trouble is that, by stopping around the end of the 50s, the British Museum's collection misses out on the remarkable boost in ambition and quality of American printmaking that came from such ventures as June Wayne's
Tamarind Lithography Workshop, which started in 1960, followed by the entrepreneurial ambitions of
master printmakers such as Tanya Grossman in New York and Gemini G.E.L. in Los Angeles.