Sentences with phrase «tanager gallery»

Pearlstein: Well, he used to drop by the Tanager Gallery.

His first one - person exhibition was at Tanager Gallery in 1953, not long after Giacometti debuted his walking figures in two major New York shows (1948 and 1950), which had a tremendous impact not only on the sculptural practice of the time, but also on avant - garde theater and dance.

He was part of the second generation of Abstract Expressionists and, like so many other of his peers, he began his exhibiting career in New York as part of the 10th Street scene of cooperative galleries that grew up around Irving Sandler's pioneering Tanager Gallery.

The artists were among a circle of friends who began their careers at Tanager Gallery on 10th Street, an artists» cooperative that as Frank O'Hara wrote in Kulchur 6 in the summer of 1962 was able to «confer on a first show by an unknown artist a distinction pretty much unavailable to the younger artist elsewhere.»

In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one - man exhibition at the Tanager Gallery.

She was part of the New York Tenth Street art scene in the 1950s and was one of the founders of the Tanager Gallery in 1952.

She also participated in important group shows during these years, such as one in late 1952 at Tanager Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the Stable Gallery on West 58th Street.

But it bothered me, too, that an artist long associated with New York, who had studied at the Cooper Union in the 1940's, who in the 1950's had been one of the founders of the Tanager Gallery - the most famous of the New York artists» co-op galleries - and who is today a member of two distinguished New York institutions (the American Academy and Institute of Arts and Letters, and the National Academy of Design), should be denied a showing here of one of her most remarkable exhibitions.

She studied at Cooper Union in the 1940's; she was one of the founders of the Tanager Gallery in the 50's; and she taught at Brooklyn College for many years.

The influence of this success is evident in the work of some of the artists in the exhibition, most notably in the work of Angelo Ippolito at the Tanager Gallery and Hale Woodruff of the Spiral Group, as well as several others.

The earliest of the three co-ops covered by the show, Tanager Gallery, was also the longest - lived, surviving from 1952 to 1962.

When Thomas exhibited her work in a group show in 1954 at Tanager Gallery (an artist's cooperative), Stuart Preston noted in the New York Times that she, along with Miriam Schapiro, were «both talented and comparatively unknown.»

«I'm off to weep for my youth,» explained the bushy - browed art historian, who in the 1950s managed the Tanager Gallery on 10th Street, where the likes of Alex Katz got his start.

1955 Tanager Gallery, New York.

He showed at the Stable Gallery and Tanager Gallery, and he was represented by the Bertha Schaefer Gallery, and in 1959, the Martha Jackson Gallery.

Angelo Ippolito, Poster for Painters Sculptors on 10th Street, Tanager Gallery, New York, December 1956 — January 1957.

I got a job managing the Tanager Gallery, the leading artists» cooperative on Tenth Street and then I began to run the Club and arrange the panels.

A founding member of the Tanager Gallery and intimate associate of the 10th Street School, Charles Cajori has had an extraordinary career steeped in the history of 20th century art.

JS: Your first exhibitions were held at some of the influential artist cooperatives of the 1950s, like Roko Gallery, the Sun Gallery, and Tanager Gallery.

Exhibition: PERLE FINE Born, 1905 Boston, Massachusetts Died, 1988 Southampton, New York SELECTED SOLO EXHIBITIONS Marian Willard Gallery, New York, 1945 Nierendorf Gallery, New York, 1946 Nierendorf Gallery, New York, 1947 M.H. De Young Memorial Museum, San Francisco, 1947 Betty Parsons Gallery, New York, 1949 Betty Parsons Gallery, New York 1951 Betty Parsons Gallery, New York 1952 - 3 Tanager Gallery, New York, 1955 Tanager Gallery, New York, 1957 Tanager Gallery, New York, 1958 Tanager Gallery, New York, 1960 Franklin Gallery, Cornell University, Ithaca, New York, 1961 Robert Keene Gallery, Southampton, New York, 1961 Graham Gallery, New York, 1961, Graham Gallery, New York, 1963, Graham Gallery, New York, 1964, Graham Gallery, New York 1967 Joan Washburn Gallery, New York, 1972 Andre Zarre Gallery, New York, 1973 Hofstra University Museum, Hempstead, New York, 1974 Andre Zarre Gallery, New York, 1976 Andre Zarre Gallery, New York, 1977 Guild Hall Museum, East Hampton, New York, Major Works, 1954 — 1978: A Selection of Drawings, Paintings, and Collages, 1978.

Subsequently she showed at Betty Parsons Gallery and the Tanager Gallery, the first New York artist's cooperative.

Most of what I know about art I learned by listening to artists in their lofts; at The Club (which I ran from 1957 to 1962), where the Abstract Expressionists met for panel discussions, lectures, drinking, and dancing; the Cedar Street Tavern; and the Tenth Street cooperative galleries, notably the Tanager Gallery (which I managed from 1956 to 1959).

In 1952, she was one of the founding members of the cooperative Tanager Gallery, next door to the 10th Street studio of Willem de Kooning.

These were artists whose work you would have begun to know, I guess, at Cooper Union in the case of Alex Katz or certainly at the Tanager Gallery in the case of both Katz and Pearlstein.

Both Dodd and Drummond, who are friends, exhibited at the Tanager Gallery and were part of the burgeoning downtown scene.

Wesselmann speaks of his family, childhood and education; his U.S. Army service; his early interest in art and drawing; the influence of humor; going to the Cooper Union School on the GI bill; artists who influenced him in his early career; experiences which changed him; early experiments with collage; his first awareness of pop art; collage technique; his affiliation with the Tanager Gallery; his early nudes; eroticism in his paintings; politics and art.

Selected Solo Exhibitions 1951: (first) Hacker Gallery, NYC; 1958: Grand Central Moderns Gallery, NYC; 1959: Tanager Gallery, NYC; 1960: Galerie Iris Clert, Paris; Pollock Gallery, Toronto; 1964: Byron Gallery, NYC; 1968: «Ten Year Retrospective of Albert Kotin's Work,» Long Island University, Brooklyn, NY; 1982: «Albert Kotin, 1907 - 1980,» Memorial Exhibition, Barron Arts Center, Woodbridge, NJ.

Dodd and King, along with three other artists, started the Tanager Gallery in 1952.

In 1952, she was the only female co-founder of the Tanager Gallery, along with artists Philip Pearlstein and Charles Cajori, among others.

A founding member of the Tanager Gallery and intimate associate of the 10th Street School, Charles Cajori has had an extraordinary career steeped in the history of twentieth - century art.

A key member of New York's postwar art scene, she was a founding member of Tanager Gallery, one of the 10th Street cooperatives, and later taught at Brooklyn College for 25 years.

(Dodd was also one of five artists to found the New York - based Tanager Gallery in 1952.)

He met Alex Katz through Henry Geldzahler and Katz offered Wesselmann a show at the Tanager Gallery, where he had his first solo show later that year.

Leaving Midtown focuses on three Tenth Street galleries which adopted a cooperative business structure where expenses were shared among elected members: Tanager Gallery, Hansa Gallery, and Brata Gallery.

She was one of the founders of the Tanager Gallery, which was integral to the Tenth Street - avant - garde scene of the 1950s where artists began running their own coop galleries.

OH; Colorado Springs Fine Arts Center, Colorado Springs; Atlanta Arts Association, Atlanta; City Art Museum, St. Louis; Isaac Delgado Museum, New Orleans; San Francisco Museum of Modern Art, San Francisco; Museum of Fine Arts, Houston; State University College, Oswego, NY) Pace Gallery, Boston, Pop Art Tanager Gallery, New York

Over the years she exhibited in New York at the Tanager Gallery, Green Mountain Gallery and Ingber Gallery.

In 1952 she was one of the five founding members of the legendary Tanager Gallery on 10th Street, one the first artist - run cooperative galleries in New York.

JS: By 1952, you, along with four other artists, founded the Tanager Gallery, one of the early artist cooperatives.

The Tanager Gallery was started by me, Cajori, Bill, Angelo, and Fred Mitchell.

Tanager Gallery (1952 — 1962), 51 East Fourth Street (May 1952 — March 1953), 90 East Tenth Street (April 1953 — June 1962) Louise Bourgeois, Charles Cajori, Lois Dodd, Perle Fine, Jean Follett, Mary Frank, Sidney Geist, Gloria Graves, Sally Hazelet Drummond, Angelo Ippolito, Al Jensen, Alex Katz, William «Bill» King, Fred Mitchell, Louise Nevelson, George Ortman, Philip Pearlstein

Wilson had three solo shows at Hansa, in 1953, 1955, and 1957, and also participated in important group shows during these years, including at Tanager Gallery, another of the most active artists» cooperatives, and in three annual exhibitions from 1953 to 1955 at the Stable Gallery on West 58th Street.

Starting with a show of engravings and intaglios at the Tanager Gallery in 1960 his work was painted from nature and always representational.

Mr. Sandler managed the Tanager Gallery in the mid-1950s.

The figurative painter Lois Dodd, the last living founder of the Tanager Gallery (1952 - 1962), the most influential of the artist - run galleries that clustered on East 10th Street, said it was difficult for people in today's supercharged contemporary art world to imagine how profoundly uninterested collectors and dealers were in the 1950s in most art being made at the time.

In 1955, she became affiliated with Tanager Gallery, where she had solo shows through 1960.

That started at Cooper Union and continues when he starts showing at the Tanager Gallery.

That same year he had his first solo show at Tanager Gallery.

The exhibition, which starts at Fifty - One East Fourth Street (Tanager Gallery) and travels all the way up to Fifteen West Fifty - Seventh Street (Green Gallery), introduces us to the nascent and crackerjack happenings from some of New York's finest and most renowned artists.

Cajori's writings include drafts on painting and drawing that Cajori prepared for classroom lectures and panel discussions; essays on Paul Cézanne and Chaim Soutine; and his account of the founding of the Tanager Gallery.