Sentences with phrase «tarantino on films like»

But before he was director, Doueiri worked with renowned filmmaker Quentin Tarantino on films like Pulp Fiction and Reservoir Dogs.

Not exact matches

There are moments where Django Unchained feels like Quentin Tarantino's take on Blazing Saddles, for example, particularly a sequence involving the KKK that plays far funnier than the rest of the tone of the film.

It was a time of big budget, Oscar nominated studio films like Misery and early genre work from filmmakers who would go on to become the best in the business, like Fincher's Seven, M. Night Shyamalan's The Sixth Sense, Tarantino and Rodriguez's From Dusk Til Dawn, and Adrian Lyne's Jacob's Ladder.

Easier said than done, the picture is a fantastic, spot - on shrine to films that don't deserve it and, like a more carefree Tarantino, obviously the product of guys intoxicated by the strange wine of B - cinema.

While names like Claude Chabrol, Jacques Rivette, Eric Rohmer and Francois Truffaut may not be familiar to even film - buffs without an extensive education in European art house (though most would certainly recognise the name of Jean - Luc Godard) they have gone on to influence filmmakers such as Quentin Tarantino, Martin Scorcese and Michel Gondry.

Anderson has long been a proponent of shooting on celluloid and releasing his films theatrically, which puts him on an anti-streaming team that also includes directors like Christopher Nolan and Quentin Tarantino.

For the past couple of years — except 2013 when he was working on his own «Django Unchained «-- Quentin Tarantino wasn't shy about sharing the films he liked, and sometimes, the ones he didn't.

Tara Wood will direct the Quentin Tarantino documentary which follows her work on last year's similarly themed 21 Years: Richard Linklater, which focussed on the US director of films like Slacker, Before Sunrise and Boyhood.

Yet filmmakers like Joe Dante, Martin Scorsese, and Quentin Tarantino have singled him out for praise, and recently Image Entertainment released «The Mario Bava Collection» on DVD, vanquishing the bastardized American versions of his films with digital transfers of the original European releases.

Granted, the first half of the film moves like molasses as Tarantino gets all of his pieces on the board, but the pacing is intentional, slowly building to a boil that spills out into a flurry of violence in the final hour.

It's an exceptionally strange film, somewhere between a yakuza thriller and a ponderous reflection on the violent childishness of the criminal mind — only finally getting its due when Quentin Tarantino stepped in to offer U.S. distribution and certain themes began to show up in weirdo crime flicks like Jim Jarmusch's Ghost Dog (which itself culled themes from Branded to Kill and Le Samouraï, the latter of which Beat cited as a particular influence).

At the recent press day, Tarantino and his actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from other movie sets, how Leigh and Russell played off each other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran actors who have been with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.

Top directors like Quentin Tarantino, Paul Thomas Anderson, Kelly Reichardt, Wes Anderson and Xavier Dolan work almost exclusively on film, while Steven Spielberg, David Lynch and Martin Scorsese are returning to film after brief flirtations with digital.

The two - disc release of «Inglourious Basterds» isn't quite as heavy on bonus material as fans would probably like, but it's still better than we're used to seeing from a Quentin Tarantino film.

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