Not exact matches
Selected
group exhibitions include: Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museum, USA, 2015; Artists and Empire: Facing Britain's Imperial Past,
TATE Britain, London, 2015; 18th Biennale of Sydney: all our relations, Sydney, 2012; National Indigenous Art Triennial: Culture Warriors, National
Gallery of Australia, Canberra, 2009; Beyond the Pale: Contemporary Indigenous Art, Adelaide Biennial of Australian Art, Art
Gallery of South Australia, Adelaide, 2000; Fluent: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson, 47th Venice Biennale, Venice, 1997; Aratjara: Art of the First Australians, Kunstsammlung Nordrhein - Westfalen, Dusseldorf, and Hayward
Gallery, London, 1994; Australian Perspecta, Art
Gallery of New South Wales, Sydney, 1993; The First Asia Pacific Triennial of Contemporary Art, Queensland Art
Gallery, Brisbane, 1993; and Unfamiliar Territory: Adelaide Biennial of Australian Art, Art
Gallery of South Australia, Adelaide, 1992.
Recent solo exhibitions of his work have been held at Gemeentemuseum, Den Haag; the BALTIC Centre for Contemporary Art, Gateshead; Limoncello
Gallery, London; and Mary Mary, Glasgow; his work has also been included in recent
group exhibitions such as the British Art Show 8 at Leeds City Art
Gallery, Leeds and
group shows at
TATE St. Ives, Saint Ives and Fondation d'Enterprise Galeries Lafayette, Paris.
Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel
Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly,
TATE Britain, London, UK (2014); Aquatopia,
TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site
Gallery, UK.
Select
group exhibitions include Lynda Benglis, Erika Verzutti, Jesse Wine, Fortes D'Aloia & Gabriel, Rio de Janeiro (2017); Regarding George Ohr: Contemporary Ceramics in the Spirit of the Potter, Boca Raton Museum of Art, Florida (2017); Battersea Power Station and CASS Sculpture Foundation — Powerhouse Commission, London (2017); That Continuous Thing: Artists and the Ceramics Studio, 1920 — Today,
TATE St Ives, Cornwall (2017); Jesse Wine Peter Voulkos, Parrasch Heijnen, Los Angeles (2017); Sludgy Portrait of Himself, Museum of Cambridge, Cambridge (2017); Looking North, Walker Art
Gallery, Liverpool (2017); Paul Heyer, Jeanette Mundt, Jesse Wine, Andrea Rosen
Gallery, New York, (2016); Luster — Clay in Sculpture Today, Fundament Foundation, Tilburg, The Netherlands (2016).
Selected
group exhibitions and performance programmes in
galleries and institutions, including: ICA, London, UK;
TATE Modern and
TATE Britain, London, UK; g 39, Cardiff, Wales, UK; Zabludowicz Collection, London, UK; Jerwood Visual Arts, London, UK; Plymouth Art Weekender, Plymouth, UK; Cardiff Contemporary Visual Arts Festival, Wales, UK; Victoria and Albert Museum, London, UK; South London
Gallery, London, UK; Focal Point
Gallery, Southend, UK; Modern Art Oxford, Oxford, UK; New Art
Gallery, Walsall, UK; MK
Gallery, Milton Keynes, UK; Arnolfini, Bristol, UK; Grimm
Gallery, Amsterdam, The Netherlands; Skanes Kunstforening, Malmo, Sweden; and Gavin Brown Enterprise, New York, USA.
Selected
group exhibitions include: GENERATION: 25 Years of Contemporary Art in Scotland, Scottish National
Gallery of Modern Art, Edinburgh (2014); Year After Year: Works on paper from the UBS Art Collection, Galleria d'Arte Moderna, Milan (2014); Drawing Room, London (2013); British Art Show 7 — In the Days of The Comet, touring (2011); Imagining Islands: Artists and Escape, The Courtauld
Gallery (2013); Altermodern, 4th
TATE Triennial, London (2009).
Her work has been included in
group exhibitions at
TATE Britain, Scottish National
Gallery of Modern Art in Edinburgh, Der Kunstverein, Hamburg, Dundee Contemporary Arts, and Drawing Room in London, among other venues.