Sentences with phrase «teaching artists often»

Teaching artists often incorporate a variety of techniques and adjust instruction according to the specific needs of educational environments.

Not exact matches

Working in the hills of rural Pennsylvania, Brent Green is a self - taught filmmaker, storyteller and visual artist whose films have screened, often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.
It's also a tool that we used often in our collaboration as classroom teacher and teaching artist.
While I have thoroughly enjoyed my experience here, often times I found myself realizing that certain teaching and learning frameworks presented in class were the very same ones espoused and developed for teaching artists and community - based educators, especially those using culturally responsive arts in their practice in urban settings.
Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.
Check out our blog, where we often feature amazing classroom projects that wouldn't be possible without our highly - trained teaching artists.
, a self taught artist has often said.
Race and class prejudice are often implicit in art - critical categorizations, but so is the level of success achieved by the artist, and Taylor's inclusion in this year's Whitney Biennial is likely to affect the vocabulary used in describing his work: from now on his manner might be more often dubbed «direct» rather than «self - taught,» and «fresh» rather than «naïve.»»
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The most often repeated description of John's teaching style was that he treated his students with respect, always thinking of them as artists, not students, and allowing them to find their own voice.
Hiwa K: This year's edition of the Power 100 features a specially commissioned artist project by Berlin - based Hiwa K, a largely self - taught artist born in Iraqi Kurdistan, whose work focuses on knowledge gained from experience, whether through storytelling, music - making or engagement in political processes, often all at once.
Robson started acquiring pieces by self - taught artists in the 1980s when, according to Leslie Umberger, the museum's curator of folk and self - taught art, «few grasped the inherent value of work that was often made amid challenging circumstances and by those who lacked the agency of the mainstream art world.»
But the women artists who taught, studied, and made groundbreaking work with them are often remembered in history books as wives of their male counterparts or, worse, not at all.
Carol Rama, born Olga Carolina Rama, was a self - taught Italian artist, known for her unconventional paintings that depict an erotic, and often sexually aggressive universe.
Conceptual artist Michael Craig - Martin — who taught Damien Hirst, Gary Hume, and others at London's Goldsmiths College in the 1970s — is often called the godfather of the Young British Artists.
The most often repeated description of John's teaching style was that he treated them with respects, always thinking of them as artists, not students, and allowing them to find their own voice.
Albers, who attended the Bauhaus and later taught at Black Mountain College, is often cited as the foremost textile artist of the twentieth century.
It is difficult to precisely define what faux - naive means, but, loosely speaking, it is a term often attached to contemporary painting that actively embraces elements from the visual language associated with outsider and self taught artists.
We will also discuss the often fraught terms used to categorize folk / outsider / self - taught / visionary artists and I hope to be able to touch on the importance of the Kentuck Festival in championing the work of many of these artists
The drawings have an introverted, manic energy often associated with self - taught artists.
Gallery monitor jobs are often filled by students and a artist fellowship allows artists to come to the university to teach and exhibit their work.
Discovered by Darger's landlord, these works — which are populated largely by trans - gendered and often partially clothed girls who war righteously against evil adults and monsters — are now universally considered some of the most important and interesting artworks by any self - taught artist in modern history.
The late Carol Rama (1918 — 2015) was a self - taught artist with a fearless streak, who began her career with paintings that were erotic, obsessive and often branded obscene by the government of 1940s Italy, where she lived.
Both are artists and academics — teaching at Pitzer College and UC San Diego, respectively — whose work explores the boundaries of culture and art; their fields of expertise and methodologies, though distinct, complement each other and often overlap.
Previous years have taught us that our collectors want to make fresh discoveries, often of artists working outside the western canon, and our London First and Emerge sections in particular will be the perfect place to unearth new talent.
When the Stars Begin to Fall: Imagination and the American South at the Studio Museum in Harlem incorporated noted contemporary artists alongside artists often categorized under the labels folk, outsider, vernacular, or self - taught, all who shared an interest in the American South as a real or imagined location.
There are also often (whether through necessity or desire) possibilities for combining the above — a visual artist may well carry out teaching or hold administrative positions in addition to their work as a practising artist.
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