Teaching artists often incorporate a variety of techniques and adjust instruction according to the specific needs of educational environments.
Not exact matches
Working in the hills of rural Pennsylvania, Brent Green is a self -
taught filmmaker, storyteller and visual
artist whose films have screened,
often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.
It's also a tool that we used
often in our collaboration as classroom teacher and
teaching artist.
While I have thoroughly enjoyed my experience here,
often times I found myself realizing that certain
teaching and learning frameworks presented in class were the very same ones espoused and developed for
teaching artists and community - based educators, especially those using culturally responsive arts in their practice in urban settings.
Teaching Artists show students different approaches to writing,
often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.
Check out our blog, where we
often feature amazing classroom projects that wouldn't be possible without our highly - trained
teaching artists.
, a self
taught artist has
often said.
Race and class prejudice are
often implicit in art - critical categorizations, but so is the level of success achieved by the
artist, and Taylor's inclusion in this year's Whitney Biennial is likely to affect the vocabulary used in describing his work: from now on his manner might be more
often dubbed «direct» rather than «self -
taught,» and «fresh» rather than «naïve.»»
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects
often used by the
artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for
teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are
often faced with when dealing with young African - American teenagers.
The most
often repeated description of John's
teaching style was that he treated his students with respect, always thinking of them as
artists, not students, and allowing them to find their own voice.
Hiwa K: This year's edition of the Power 100 features a specially commissioned
artist project by Berlin - based Hiwa K, a largely self -
taught artist born in Iraqi Kurdistan, whose work focuses on knowledge gained from experience, whether through storytelling, music - making or engagement in political processes,
often all at once.
Robson started acquiring pieces by self -
taught artists in the 1980s when, according to Leslie Umberger, the museum's curator of folk and self -
taught art, «few grasped the inherent value of work that was
often made amid challenging circumstances and by those who lacked the agency of the mainstream art world.»
But the women
artists who
taught, studied, and made groundbreaking work with them are
often remembered in history books as wives of their male counterparts or, worse, not at all.
Carol Rama, born Olga Carolina Rama, was a self -
taught Italian
artist, known for her unconventional paintings that depict an erotic, and
often sexually aggressive universe.
Conceptual
artist Michael Craig - Martin — who
taught Damien Hirst, Gary Hume, and others at London's Goldsmiths College in the 1970s — is
often called the godfather of the Young British
Artists.
The most
often repeated description of John's
teaching style was that he treated them with respects, always thinking of them as
artists, not students, and allowing them to find their own voice.
Albers, who attended the Bauhaus and later
taught at Black Mountain College, is
often cited as the foremost textile
artist of the twentieth century.
It is difficult to precisely define what faux - naive means, but, loosely speaking, it is a term
often attached to contemporary painting that actively embraces elements from the visual language associated with outsider and self
taught artists.
We will also discuss the
often fraught terms used to categorize folk / outsider / self -
taught / visionary
artists and I hope to be able to touch on the importance of the Kentuck Festival in championing the work of many of these
artists.»
The drawings have an introverted, manic energy
often associated with self -
taught artists.
Gallery monitor jobs are
often filled by students and a
artist fellowship allows
artists to come to the university to
teach and exhibit their work.
Discovered by Darger's landlord, these works — which are populated largely by trans - gendered and
often partially clothed girls who war righteously against evil adults and monsters — are now universally considered some of the most important and interesting artworks by any self -
taught artist in modern history.
The late Carol Rama (1918 — 2015) was a self -
taught artist with a fearless streak, who began her career with paintings that were erotic, obsessive and
often branded obscene by the government of 1940s Italy, where she lived.
Both are
artists and academics —
teaching at Pitzer College and UC San Diego, respectively — whose work explores the boundaries of culture and art; their fields of expertise and methodologies, though distinct, complement each other and
often overlap.
Previous years have
taught us that our collectors want to make fresh discoveries,
often of
artists working outside the western canon, and our London First and Emerge sections in particular will be the perfect place to unearth new talent.
When the Stars Begin to Fall: Imagination and the American South at the Studio Museum in Harlem incorporated noted contemporary
artists alongside
artists often categorized under the labels folk, outsider, vernacular, or self -
taught, all who shared an interest in the American South as a real or imagined location.
There are also
often (whether through necessity or desire) possibilities for combining the above — a visual
artist may well carry out
teaching or hold administrative positions in addition to their work as a practising
artist.