Sentences with phrase «techniscope camera negative»

This edition comes from a new 2K digital transfer from the original camera negative supervised by Gilliam and it is a great improvement over all previous American disc releases.

Brand new 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives produced by Arrow Films exclusively for this release, supervised and approved by director Richard Kelly and cinematographer Steven Poster

THE BLU - RAY DISC The picture's Blu - ray transfer, letterboxed to 2.35:1 and compressed using the AVC codec, is excellent, bringing out the period colours and defining facial expressions while maintaining the look of a fairly fine - grained print taken from the Super35 camera negative.

makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.

Also, Kino Lorber Studio Classics has set Edward Ludwig's Javaro (1954) for release on Blu - ray / Blu - ray 3D and DVD, mastered from a 4K scan of the original camera negative and a 2K scan of the IP, with 3D restored by the 3D Film Archive.

Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.

Special Features 4K Scan Of The Original Camera Negative With Standard Definition Inserts Slay Bells Ring: The Story Of Silent Night, Deadly Night — Featuring Interviews With Writer Michael Hickey, Co-Executive Producers Scott J. Schneid And Dennis Whitehead, Editor / Second Unit Director Michael Spence, Composer Perry Botkin, And Actor Robert Brian Wilson Oh Deer!

Exclusive new digital restoration from the original 35 mm camera negative, with uncompressed monaural soundtrack on the Blu - ray edition

Criterion's BD release, sourced from the original camera negative, puts the lie to all of those earlier versions with its richly - textured shadows, searing whites, and twinkling 35 mm film grain.

Source elements (camera negative and a 35 mm print) were scanned at 4K and a digital restoration took place at 2K; the film is windowboxed to 1.72:1 for some reason, contrary to the box's claim of 1.66:1.

Colour and contrast are both exemplary, though, and I should note that the keepcase claims this transfer came from the camera negative.

We even looked into reviving the sound - on - film cameras Robert Drew and associates were using, like, the Auricon, which scribbled the location audio directly onto the camera negative with a pulsing, shuttered light.

THE BLU - RAY DISC There isn't a ton of detail in the Super16mm camera negative, but Criterion's Blu - ray transfer of Rosetta, sourced from a 35 mm blow - up IP scanned at 2K and graded under the supervision of DP Alain Marcoen, seems to preserve every softly undulating granule.

After a number of archival film elements were scanned at 4K resolution at Warner Bros.» in - house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration — that is, until the negative's inferior final reel necessitated dipping into another archive altogether.

That meant we could not only present the film all from 35 mm, but from a 2ndgeneration nitrate made off the camera negative in 1941.

The restoration was produced from the original camera negative at Sony Colorworks in Culver City California.

These episodes have been released on Blu - ray with all - new scans from the camera negatives.

THE BLU - RAY DISC You'd think a flick like Death Spa would be fated to languish forever in video obscurity, but MPI Media Group label Gorgon Video has rescued it from the scrap heap and given it a robust second life on Blu - ray, reportedly re-scanning the camera negative at 2K for this disc.

The Criterion edition is mastered from a new high - definition scan of the original camera negative.

The picture quality is superior to previous releases, as Martin Scorsese supervised a 4k scan of the original camera negative.

The 1.37:1 images come straight from the original camera negative.

Blood and Black Lace (Arrow / MVD, Blu - ray + DVD), Mario Bava's 1964 landmark, is my pick for the birth of the giallo, and the mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is beautifully serves in this astounding 2K restoration from the original camera negative.

Previously on DVD from Sony, it makes its Criterion debut on a 2K digital transfer from a new 35 mm fine - grain print struck from the original camera negative.

Criterion presents the US home video debut of the film in a new 2K digital restoration mastered from the original camera negative.

Both films are remastered from new 2k scans of 35 mm prints struck directly from the camera negatives and the double feature (two discs on DVD, one on Blu - ray) includes new interviews with manga author Koike Kazuo and screenwriter Norio Osada.

Brand new restoration from a 4K scan of the original camera negative, with newly remastered stereo 2.0 and 5.1 DTS - HD MA audio options.s Formats: Blu - ray.

Walt Disney Studios Home Entertainment promises 1941's «Dumbo» has been restored to the color settings most likely approved by Walt Disney himself, using prints held by the Library of Congress (nitrate camera negative) and the film Academy (dye - transfer Technicolor).

Formats: Blu - ray / DVD Combo with a new 4K restoration from the original camera negative.

Formats: Blu - ray with new 4K restoration of the film from the camera negative in its original 2.35:1 aspect ratio, produced by Arrow Video exclusively for this release; with original mono Italian and English soundtracks.

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

It was sourced from the original camera negative, which sports a really drab color palette.

It's like Zarchi left the camera negative untouched in his mom's attic all these years.

Projection of a fine grain print, restored from the original camera negative.

Cinematographer Michael Ballhaus oversaw the digital restoration, mastered in 4K from the original camera negative and supervised by the Rainer Werner Fassbinder Foundation.

In one of this disc's extras, Haneke mentions how the digital intermediate (DI) process allowed him to get unusually sharp monochrome images, and mastering the Blu - ray directly from DI elements allows technicians to keep all but the finest grain from the original camera negative at bay.

Additionally, whereas the 2002 DVD presented the film in 1.78:1, Synapse have presented more information from 35 mm camera negative, so while the ratio is now 1.85:1, there's slightly more side information - an important issue for fans concerned the new transfer is slightly cropped.

A true photochemical film recreation, this print was struck from new printing elements made from the original camera negative.

Newly scanned and restored in 2k from 16 mm original camera negative 2.

Every tiny bit of the detail available in the original camera negative is apparent on screen, from subtle textures of dirt on faces and skin to wood, grass, straw, and stone.

Limited Edition box set (3000 copies) containing The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times Brand new 2K restorations of the films from the original camera negatives High Definition Blu - ray (1080p) and Standard Definition DVD presentations Original Italian and English soundtracks in mono audio (lossless DTS - HD Master Audio on the Blu - ray Discs) Newly translated English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtracks Limited Edition 60 - page booklet containing new writing by James Blackford, Kat Ellinger, Leonard Jacobs and Rachael Nisbet

With a video bitrate running at a posh 31 Mbps, the Criterion transfer is sourced from the original camera negative with colour - timing supervised by Haneke himself.

These episodes haven't been just remastered from the existing film masters, they actually went back to the original 35 mm camera negatives and redone all the visual effects, all in high definition.

THE BLU - RAY DISC Criterion brings To Be or Not to Be to Blu - ray in an outstanding 1.37:1, 1080p transfer struck from a new 2k scan of the nitrate camera negative.

THE BLU - RAY DISC Another beautiful transfer from Arrow, sourced from the camera negative.

From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the money.

The movie was shot in the two - perf Techniscope format, meaning each frame of camera negative has only half the resolution of a CinemaScope (i.e., four - perf) frame, and this 1080p (MPEG - 4 / AVC) transfer, letterboxed to 2.35:1, seems to capture every last bit of visual information.

BLUE SUNSHINE FilmCentrix, Region A The long - missing camera negative of this one - of - a-kind thriller turned up, in remarkably good condition, last year in a Seattle garage.

Vinegar Syndrome proudly presents this madcap gore fest in its Blu - ray debut, fully uncut and newly restored from its original 35 mm camera negative!

New restoration from a 4K scan of the original camera negative by Arrow Films, approved by director Abel Ferrara and director of photography Ken Kelsch

Features both Blu - ray and DVD editions of the films, newly remastered from a 2K restoration from original camera negatives and featuring both Italian and English language soundtracks with optional English subtitles.