Sentences with phrase «technology digital exhibition»

Not exact matches

The company will also highlight its rotary screen technologies including digital imaging systems and nickel screens at the exhibition.

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

Learning to look beyond the boundaries of representation: Using technology to examine teaching (Overview for a digital exhibition: Learning from the practice of teaching).

The leading exhibition for technology to publish news on mobile, in print and online, featuring the two free conferences — Digital Media World & Print World — plus expert Guided Tours.

This exhibition, aptly titled «Warp, Woof, Zero, One,» documented the artist's transition from making handmade objects to using digital technology.

Featuring four artists from the exhibition and moderated by MAM director Lora Urbanelli, the panel examines the insights achieved by, and challenges inherent in, creating a history of a relatively recent era, many of whose key issues — surrounding identities, digital technologies, and globalization — remain urgent today.

Very few of the works in the exhibition rely on digital technology.

Tags: Bushwick Galleries, Chris Klapper, creative tech week, Creative Technology Week, digital prints, eff Becker, ellen hackl fagan, Greg Garvey, Gregory Kramer, John Morton, Joshie Fishbein, Led installations, Matti Havens, meditation, Meg Hitchcock, Odetta Gallery, Patrick Gallagher, Scott Colley, Serge Ossorguine, video Posted in Art Events, Buy Art, Collecting Art, Exhibition, NYC Comments Off on ODETTA Gallery presents Fever Songs

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporaDigital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporadigital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition making — and unlock what images tell us about modernity.

For Oursler's first solo exhibition in Hong Kong, entitled «PriV % te,» Lehmann Maupin gallery presents eight new multimedia wall works and sculptures offering the artist's perspective on a particular slice of chaos erupting at the convergence of digital media and cultural identity: facial recognition technology.

New Eyes For New Spaces, an exhibition curated by recent CCS Bard alumnae Jess Wilcox and Francesca Sonara, is a timely dialogue between five artists whose works investigate abstract and fragmented representations of place in the age of digital technologies.

Harvestworks hosts artists open studios, an exhibition of digital media art and a workshop / research room to share how artists use new and emerging technology with the public on Governors Island.

ARS17, a major exhibition showcasing international contemporary art inspired by digital technology, will take over Helsinki's Kiasma art museum from 31 March 2017 until early 2018.

Pratt Institute's School of Architecture will present «COLD war COOL digital,» an exhibition of 20 scaled prototypes of modernist, pre-fabricated, and globally - distributed Cold War era housing systems that were created using contemporary 3D printing technologies...

With more high - profile museum exhibitions integrating the use of technology and digital tools to enhance the visitor's experience, Tula Giannini, dean of the recently renamed School of Information, addresses the challenge of how to maintain the integrity of the exhibition and fulfill the need to create a compelling user experience.

With more high - profile museum exhibitions integrating the use of technology and digital tools to enhance the visitor's experience, Tula Giannini, dean of the recently renamed School of Information, addresses the challenge of how to maintain...

This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques — often used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.

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This seems to be a breakout year for digital fabrication in art: a number of inexpensive 3D printers have hit the retail market; the 3D Printshow — a fair founded in London in 2012 showcasing the commercial and creative applications of this technology — held its first event in New York this past February (with plans for other venues around the world); and «Out of Hand: Materializing the Postdigital» — touted as the «first in - depth exhibition exploring digital fabrication in contemporary art» — is on view at the Museum of Arts and Design (MAD) in New York through June 1.

Pratt Institute's School of Architecture will present «COLD war COOL digital,» an exhibition of 20 scaled prototypes of modernist, pre-fabricated, and globally - distributed Cold War era housing systems that were created using contemporary 3D printing technologies (opening reception 2/18 at 6:15, details below).

In addition to the exhibition's online video page, NMWA will also present other technology - and digital - based programing.

Swerving between abstract imagery and glimpses of the world, Lloyd's exhibition explores light as both a medium and subject of digital technologies and draws attention to both the possibilities and limits of visual perception.

Swerving between abstract imagery and glimpses of the world, the exhibition explores light as both a medium and subject of digital technologies and draws attention to the possibilities and limits of visual perception.

The Schirn is for the first time presenting art that would not be possible without the internet and digital technologies, and Thie's exhibition is their first step into the digital art realm.

her interests revolve around the possibilities, limitations and nexus between technology and culture, with particular emphasis on exhibition - making in connection to digital and networked platforms.

The resulting compositions, which mingle 21st - century digital technology with traditional labor - intensive hand work, are legible as recognizable images only at a distance or in the stainless steel convex mirrors installed in the exhibition.

The artists in the exhibition appropriate technologies like video surveillance, facial recognition, Google Street View, digital lifelogging, and virtual animation.

Most importantly perhaps, the exhibition reveals the «occult» as a modern cultural phenomenon, something that persisted through the 20th century's sharp turn to technology and rational materialism, contributed greatly to the rise of popular and counter culture, and which continues today in the digital world.

Newly commissioned works by Neïl Beloufa, Jana Euler, Matthew Angelo Harrison, Margaret Honda, and Yuri Pattison, conclude the exhibition with current reflections on our digital age and the impact of technology on society.

On Friday we'll get a good round up of voices, with Mia Fineman (curator of the Met's 2012 exhibition Faking It: Manipulated Photography Before Photoshop), Julia Kaganskiy (Director of New Museum's new Incubator for Art, Technology, and Design), and Cory Arcangel (who you probably know as digital artist who had a solo show at the Whitney Museum in 2011), and artist - Twitter mavericks Carla Gannis and Clement Valla.

Cécile B. Evans's recent projects include What the Heart Wants, 9th Berlin Biennale (2016), the group exhibitions CO-WORKERS — Network as Artist at Musée d'Art moderne de la Ville de Paris (2015), Follow at FACT (Foundation for Art and Creative Technology), Liverpool (2015 - 2016), Software, Hard Problem at Cubitt, London (2015), and AGNES, the Serpentine Galleries» first digital commission (2014).

NEAT: New Experiments in Art and Technology, the new exhibition at The Contemporary Jewish Museum, features artworks with digital and robotic components, as well as works incorporating light, sound, and video.

Each artwork included in the exhibition is either a new commission or an updated version of an earlier work, with an emphasis on the influence of digital technologies.

The exhibition will present works of different characteristics, each artist looks at nature from different perspectives and will interpret it through a variety of media, especially digital technologies.

The exhibition brings together a series of Umbrico's works from 1989 to the present, reflecting on photography's relationship to light and the complex changes that digital technology has brought to photographic image production.

Through various forms of technology — video projections, virtual reality, digital installations, and film — used within the exhibition galleries, DS+R has created atmospheric scenes that convey imagined functional and social contexts for Chareau's work.»

The exhibition will be the most technologically complex project mounted in the Whitney's new building to date, embracing a wide range of moving image techniques, from hand - painted film to the latest digital technologies.

The group exhibition pursues the questions of how geographical, political, and institutional structures as well as new technologies are creating important conditions for the production of art in the course of the digital turn.

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The artists selected by A (by) P to take part in the exhibition use a wide variety of media in their practice, from digital technology to illustration, paintings and sculpture, and video presentations and performances.

Bringing together works that employ different aesthetic tactics to take on the pressing political question of movement and change, the exhibition features works made with video technology or transferred to digital video by international artists Ursula Biemann, Ximena Cuevas, Richard Fung, Jayce Salloum, Yinka Shonibare, Tobaron Waxman, and Carrie Mae Weems.

Also from London, Jimmy Merris whose work investigates themes of technology and economic crisis, and James Howard aka Lucky Lucky Dice whose provocative digital images are currently presented as part of the Saatchi Gallery's New Speak: British Art Now exhibition.

The legendary Pace Gallery will bring a sneak peek of a major exhibition coming soon to its Menlo Park location: «Living Digital Space and Future Parks,» from the Japanese interdisciplinary group teamLab, which works at the intersection of art, technology, and design.

19 June: DegreeArt.com Gallery in Vyner Street explores the rapidly changing relationship between digital technologies and art forms, and the omnipresence of the internet in everyday society, with the exhibition Post Ddigital technologies and art forms, and the omnipresence of the internet in everyday society, with the exhibition Post DigitalDigital.

The Weather Makers will present three large - scale video works alongside a new print series, weaving together myth and metaphor with scientific research and new digital technologies, The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.

His show featured recent drawings and paintings of objects that utilise digital technologies, including new pieces that had been conceived especially for the exhibition.

The parallels and divergences at play in each exhibition offer a glimpse into the multifaceted approaches taken by contemporary artists responding to an age where digital technology has made images ubiquitous and shareable at an unprecedented level.

As a continuous exhibition, teamLab: Living Digital Forest and Future Park at Pace Beijing features fifteen of teamLab's most representative works in the 1500 square meter exhibition space, bringing their unique artistic world of digital technology to Chinese audDigital Forest and Future Park at Pace Beijing features fifteen of teamLab's most representative works in the 1500 square meter exhibition space, bringing their unique artistic world of digital technology to Chinese auddigital technology to Chinese audiences.